Using the Print: Mixed-Media Printmaking
The directness and immediacy of monotype printing is an excellent vehicle for artists desiring to expand the possibilities of image making. Participants will be introduced to a variety of monotype printing techniques, such as watercolor, trace monotypes, stencils and ghost printing. Emphasis will be placed on experimenting with these techniques and others, while applying traditional drawing, painting and collage processes to the prints. The main objective will be the investigation of process, change and the development of each persons unique visual language.
Ten sheets of white BFK Rives (22 x30 inches) will be provided as part of the materials fee. Additional sheets may be purchased from the Work Center at $5 per sheet.
Bert Yarborough has a degree in Architecture from Clemson University and an MA and MFA in Photography from the University of Iowa. A former two-year Resident Fellow at the Fine Arts Work Center, he served as Visual Coordinator for four years and is now the Chair of the Visual Committee. He has received two NH State Arts Council Grants in Painting, and NEA grant in sculpture, a Fulbright Fellowship to Nigeria, and as Visual Arts Residency Fellowship to Civitella Ranieri in Umbria, Italy.