Monoprinting: Magical Transformation, Creating Under Pressure
This workshop is part of the POETRY FESTIVAL
Bridge the immediacy of drawing with the processes of printmaking. You will focus on developing visual ideas in a serial, yet exploratory approach. This class is ideal both for artists with limited printmaking experience, and advanced printmakers eager to learn traditional and alternative printmaking techniques of committing their creative ideas and impulses to print. Learn how to harness monotype’s versatility and fluidity, while exploring its ability to extract the aesthetic qualities characteristic of oil/watercolor paintings and drawings. Investigate the unique, conceptual and aesthetic possibilities of your visual inclinations, and draw inspiration from the campus’s breathtaking surroundings during walk-abouts.
Through classroom demonstrations and one-on-one instruction, learn an array of monoprinting/monotypes and alternative techniques—including those of reductive printing, color printing, image and text transfer and chine-collé—and employ these methods to magically transform your own images into a cohesive suite of portfolio prints. Plus opportunities for collaboration with poetry students.
Fred H. C. Liang received a BFA from the University of Manitoba, and a MFA from Yale University. His honors include Massachusetts Cultural Council Arts Grants in both painting, printmaking and works on paper. Liang’s work is in numerous public and private collections, including Fidelity, the Gund Collection, Addison Museum of American Art and the Rose Art Museum. He recently exhibited work at the Currier Museum of Art in NH, Inside Out Museum in Beijing and the ICA, Addison Museum.