The Sources of Poetry

The Sources of Poetry

Sarah Rose Nordgren
Poetry
September 21 to November 13, 2015
Tuition Cost: 
$500
Class Size: 
15
Session: 
Fall
Level: 
8-Week Studio

 

In Sarah Rose Nordgren's workshop you'll explore the inner obsessions and sources that fuel your urge to write. Through guided prompts that will encourage you to experiment, you will learn to write poems that really matter and that are charged with energy, clarity, and power.
 

"You mention Immortality. That is the Flood subject.”
– Emily Dickinson in a letter to T. W. Higginson

Writing a poem is not a logical act, and it behooves us now and again to ask ourselves: Why are we writing poems in the first place? Many of us might identify it as a need, or some vaguely identified urge, but it’s easy in the months and years of reading, writing, and studying to lose track of that need or at least to avoid looking at it directly. In this workshop, we’ll do just that: We’ll cultivate our understanding of our own personal “flood subjects” – the obsessions and resonant sources that exist deep inside us and which fuel us to write. The goal of this is not to create more “publishable” poems (though that will likely follow as well), but to write more poems that matter – poems charged with energy, urgency, power, and even some of that elusive shininess that Linda Gregg refers to as “luminosity.” We will engage with prompts that encourage us to experiment with other kinds of sources as well – found language, research material, dreams – and will find inspiration in the poems and essays of a wide range of poets, young and old. This class is for poets of all experience levels who want to engage more deeply with their material and push themselves towards new, fertile lands, getting at the heart of why we write at all.

Biography

Sarah Rose Nordgren is the author of Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), both from University of Pittsburgh Press. Among her awards are fellowships from the Fine Arts Work Center in Provincetown, the Vermont Studio Center, and the Virginia Center for the Creative Arts, and an Individual Excellence Award from the Ohio Arts Council. Her poems and essays appear widely in journals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates intergenre video and text art in collaboration with Kathleen Kelley under the name Smart Snow. Nordgren is currently a doctoral candidate at the University of Cincinnati and an Associate Editor at 32 Poems. 

Academic Year: 
2015-2016