Alysia Abbott

Alysia Abbott's memoir, Fairyland, was a New York Times Book Review Editor’s Choice, and was named Best Book of the Year by the San Francisco Chronicle and Shelf Awareness. Fairyland has been translated into Polish, Spanish, Italian, and French and has been awarded the ALA Stonewall Award and the Madame Figaro “Prix de l'Héroïne” Literary Prize. Her work has appeared in The New York Times, The Boston Globe, TriQuarterly, Lit Hub, Vogue, and elsewhere.  Formerly the Director of the Boston Literary District, she now leads the Memoir Incubator Program at GrubStreet in Boston.  

WRITING THE FAMILY: A MEMOIR WORKSHOP - LIVE
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Aamina Ahmad

Aamina Ahmad grew up in London. After completing an MA in Television Drama she worked as a script editor for the BBC, ITV and independent production companies on a number of prime time network shows. She has been selected for various script development schemes including Arista's Scribes program, the UK Film Council's Blank Slate scheme and The Royal Court Theatre's Critical Mass program. Her full length play, The Dishonored, toured the UK in 2016 and was nominated for an Off West End Award. She also holds an MFA in fiction from the Iowa Writers' Workshop where she was Teaching-Writing Fellow. Her short fiction has appeared in The Normal School, The Missouri Review, Ecotone and the anthology, And the World Changed. She was the 2015 winner of The Missouri Review's Peden Prize and is a current Stegner Fellow at Stanford.

Long form screenwriting; stories that move us. TV Pilot Boot Camp!
Aamina Ahmad

Aamina Ahmad grew up in London. After completing an MA in Television Drama she worked as a script editor for the BBC, ITV and independent production companies on a number of prime time network shows. She has been selected for various script development schemes including Arista's Scribes program, the UK Film Council's Blank Slate scheme and The Royal Court Theatre's Critical Mass program. Her full length play, The Dishonored, toured the UK in 2016 and was nominated for an Off West End Award. She also holds an MFA in fiction from the Iowa Writers' Workshop where she was Teaching-Writing Fellow. Her short fiction has appeared in The Normal School, The Missouri Review, Ecotone and the anthology, And the World Changed. She was the 2015 winner of The Missouri Review's Peden Prize and is a current Stegner Fellow at Stanford.

Long form screenwriting; stories that move us. TV Pilot Boot Camp!
Elisa Albert
Elisa Albert is the author of the novels Human Blues, After Birth, The Book of Dahlia, and the short story collection How This Night is Different. Her fiction and essays have been published in Tin House, Bennington Review, The New York Times, Michigan Quarterly Review, The Literary Review, Philip Roth Studies, Paris Review, Los Angeles Review of Books, Longreads, The Cut, Time Magazine, Post Road, Gulf Coast, Commentary, Salon, Tablet, Washington Square, The Rumpus, The Believer and in many anthologies. She has taught creative writing at Columbia University’s School of the Arts, The College of Saint Rose, Bennington College, Texas State University, and University of Maine. A Pushcart Prize nominee, finalist for the Sami Rohr Prize and Paterson Fiction Prize, winner of the Moment Magazine debut fiction prize, and Literary Death Match champion, Albert has served as Writer-in-Residence at the Netherlands Institute for Advanced Study in Holland and at the Hanse-Wissenschaftkolleg in Germany. Practice Makes Perfect: Writing & Rewriting Writing Toward the Ideal Reader The Unlikeable Narrator - LIVE
Elisa Albert
Elisa Albert is the author of the novels Human Blues, After Birth, The Book of Dahlia, and the short story collection How This Night is Different. Her fiction and essays have been published in Tin House, Bennington Review, The New York Times, Michigan Quarterly Review, The Literary Review, Philip Roth Studies, Paris Review, Los Angeles Review of Books, Longreads, The Cut, Time Magazine, Post Road, Gulf Coast, Commentary, Salon, Tablet, Washington Square, The Rumpus, The Believer and in many anthologies. She has taught creative writing at Columbia University’s School of the Arts, The College of Saint Rose, Bennington College, Texas State University, and University of Maine. A Pushcart Prize nominee, finalist for the Sami Rohr Prize and Paterson Fiction Prize, winner of the Moment Magazine debut fiction prize, and Literary Death Match champion, Albert has served as Writer-in-Residence at the Netherlands Institute for Advanced Study in Holland and at the Hanse-Wissenschaftkolleg in Germany. Practice Makes Perfect: Writing & Rewriting Writing Toward the Ideal Reader The Unlikeable Narrator - LIVE
Elisa Albert
Elisa Albert is the author of the novels Human Blues, After Birth, The Book of Dahlia, and the short story collection How This Night is Different. Her fiction and essays have been published in Tin House, Bennington Review, The New York Times, Michigan Quarterly Review, The Literary Review, Philip Roth Studies, Paris Review, Los Angeles Review of Books, Longreads, The Cut, Time Magazine, Post Road, Gulf Coast, Commentary, Salon, Tablet, Washington Square, The Rumpus, The Believer and in many anthologies. She has taught creative writing at Columbia University’s School of the Arts, The College of Saint Rose, Bennington College, Texas State University, and University of Maine. A Pushcart Prize nominee, finalist for the Sami Rohr Prize and Paterson Fiction Prize, winner of the Moment Magazine debut fiction prize, and Literary Death Match champion, Albert has served as Writer-in-Residence at the Netherlands Institute for Advanced Study in Holland and at the Hanse-Wissenschaftkolleg in Germany. Practice Makes Perfect: Writing & Rewriting Writing Toward the Ideal Reader The Unlikeable Narrator - LIVE
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Kirsten Andersen

Kirsten Andersen is the author of Family Court, a chapbook collection of poems forthcoming from Q. Ave. Press. Named the 2014 Anthony Hecht Scholar at the Sewanee Writer's Conference, Kirsten has received fellowships from Stanford University and The Fine Arts Work Center in Provincetown.  She is a National Poetry Series finalist whose work appears most recently in Canteen Magazine, Alaska Quarterly Review, Tin House, and The Believer. She received her MFA from New York University.

Stealing Time: The Tricky Dance of Being a Writing Parent Stealing Time: The Tricky Dance of Being a Writing Parent
Kirsten Andersen

Kirsten Andersen is the author of Family Court, a chapbook collection of poems forthcoming from Q. Ave. Press. Named the 2014 Anthony Hecht Scholar at the Sewanee Writer's Conference, Kirsten has received fellowships from Stanford University and The Fine Arts Work Center in Provincetown.  She is a National Poetry Series finalist whose work appears most recently in Canteen Magazine, Alaska Quarterly Review, Tin House, and The Believer. She received her MFA from New York University.

Stealing Time: The Tricky Dance of Being a Writing Parent Stealing Time: The Tricky Dance of Being a Writing Parent
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Erin Belieu
Erin Belieu is the author of numerous poetry collections, all from Copper Canyon Press, including her most recent book COME-HITHER HONEYCOMB (2021). Her poems have appeared in places such as Poetry, the New Yorker, the New York Times, American Poetry Review, Kenyon Review, Narrative, and the Academy of American Poets' Poem-A-Day, as well as multiple appearances in the Best American Poetry anthology series. Among her literary honors, Belieu has received a Rona Jaffe Fellowship, Barnes and Noble's Writers For Writers Award and AWP's George Garrett Prize for outstanding leadership and mentorship within the national writing community. Belieu teaches full-time in the University of Houston MFA/Ph.D. Program in Creative Writing, as well as on the Lesley MFA low residency faculty in Cambridge, MA. Vision & Revision - LIVE Vision & Revision - LIVE VISION & REVISION: A POETRY WORKSHOP - LIVE
Erin Belieu
Erin Belieu is the author of numerous poetry collections, all from Copper Canyon Press, including her most recent book COME-HITHER HONEYCOMB (2021). Her poems have appeared in places such as Poetry, the New Yorker, the New York Times, American Poetry Review, Kenyon Review, Narrative, and the Academy of American Poets' Poem-A-Day, as well as multiple appearances in the Best American Poetry anthology series. Among her literary honors, Belieu has received a Rona Jaffe Fellowship, Barnes and Noble's Writers For Writers Award and AWP's George Garrett Prize for outstanding leadership and mentorship within the national writing community. Belieu teaches full-time in the University of Houston MFA/Ph.D. Program in Creative Writing, as well as on the Lesley MFA low residency faculty in Cambridge, MA. Vision & Revision - LIVE Vision & Revision - LIVE VISION & REVISION: A POETRY WORKSHOP - LIVE
Erin Belieu
Erin Belieu is the author of numerous poetry collections, all from Copper Canyon Press, including her most recent book COME-HITHER HONEYCOMB (2021). Her poems have appeared in places such as Poetry, the New Yorker, the New York Times, American Poetry Review, Kenyon Review, Narrative, and the Academy of American Poets' Poem-A-Day, as well as multiple appearances in the Best American Poetry anthology series. Among her literary honors, Belieu has received a Rona Jaffe Fellowship, Barnes and Noble's Writers For Writers Award and AWP's George Garrett Prize for outstanding leadership and mentorship within the national writing community. Belieu teaches full-time in the University of Houston MFA/Ph.D. Program in Creative Writing, as well as on the Lesley MFA low residency faculty in Cambridge, MA. Vision & Revision - LIVE Vision & Revision - LIVE VISION & REVISION: A POETRY WORKSHOP - LIVE
Lillian-Yvonne Bertram

Lillian-Yvonne Bertram is a 2014 recipient of a National Endowment for the Arts Creative Writing Poetry Fellowship. Her first book, But a Storm is Blowing From Paradise, was selected by Claudia Rankine as the 2010 Benjamin Saltman Award winner and published by Red Hen Press in 2012 and was a 2013 poetry nominee for the Hurston/Wright Foundation Legacy Award for outstanding works of literature published by people of African descent. Her second book, a slice from the cake made of air (Red Hen Press 2016) is available from Red Hen Press and was recently named one of the best poetry books of 2016 by Entropy Magazine. Her third book, personal science, is available from Tupelo Press. Winner of the 2012 Phantom Limb Press chapbook contest, her chapbook cutthroat glamours was published in 2013. She is one-sixth of the poetry collective, Line Assembly. She has been in residence at the Vermont Studio Center, the Montana Artists’ Refuge, has received fellowships from Cave Canem and the Bread Loaf Writers’ and is the recipient of a United States Embassy grant for a writing residency at the Ventspils Writers’ & Translators House in Ventspils, Latvia, in 2014. The 2009-2011 Gaius Charles Bolin Fellow at Williams College, her poetry, prose, photography, and digital stories have received numerous awards and have appeared widely in journals such as Black Warrior Review, Callaloo, Cream City Review, Court Green, DIAGRAM, Gulf Coast, Harvard Review, Indiana Review, jubilat, Mid-American Review, Narrative Magazine, OH NO, Subtropics, Sou’wester, Tupelo Quarterly, Twelfth House, and more. She holds degrees in creative writing from the University of Utah, the University of Illinois at Urbana-Champaign, and Carnegie Mellon University. She was the Viebranz Visiting Professor of Creative Writing at St. Lawrence University for 2015-2016 and is currently an Assistant Professor of Creative Writing at UMASS Boston.
 

Make it Sing, Make it Strange: A Summer Poetry Lab
Reginald Dwayne Betts

Reginald Dwayne Betts is the author of a memoir and two books of poetry. His memior, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (Avery/Penguin, 2009), was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm (Alice James, 2010) and Bastards of the Reagan Era (Four Way Books, 2015). Betts is a 2010 Soros Justice Fellow, 2011 Radcliffe Fellow, and 2012 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. In 2012, Betts was appointed to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention by President Obama. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a student at Yale Law School.

  Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry
Reginald Dwayne Betts

Reginald Dwayne Betts is the author of a memoir and two books of poetry. His memior, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (Avery/Penguin, 2009), was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm (Alice James, 2010) and Bastards of the Reagan Era (Four Way Books, 2015). Betts is a 2010 Soros Justice Fellow, 2011 Radcliffe Fellow, and 2012 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. In 2012, Betts was appointed to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention by President Obama. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a student at Yale Law School.

  Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry
Tara Betts
Tara Betts is the author of the poetry collections Refuse to Disappear, Break the Habit, and Arc & Hue. In addition to her work as a teaching artist and mentor for young poets, she has taught at Rutgers University, University of Illinois-Chicago, DePaul University, Northwestern University, and at Stateville Prison via Prison + Neighborhood Arts Project. She is the Inaugural Poet for The People Practitioner Fellow at University of Chicago. Tara is also the Poetry Editor at The Langston Hughes Review and founder of the nonprofit organization The Whirlwind Learning Center on Chicago’s South Side. Speculating on Joy & Futures in Poetry
Reginald Dwayne Betts

Reginald Dwayne Betts is the author of a memoir and two books of poetry. His memior, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (Avery/Penguin, 2009), was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm (Alice James, 2010) and Bastards of the Reagan Era (Four Way Books, 2015). Betts is a 2010 Soros Justice Fellow, 2011 Radcliffe Fellow, and 2012 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. In 2012, Betts was appointed to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention by President Obama. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a student at Yale Law School.

  Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry
Sophie Cabot Black

Sophie Cabot Black has three poetry collections from Graywolf Press which include The Misunderstanding of Nature, (Norma Farber First Book Award), and The Descent, (2005 Connecticut Book Award). Her third, The Exchange, received critical acclaim including a starred Publisher’s Weekly, and which All Things Considered reviewed as “the book for you”, and of which Billy Collins in the New York Times has said: ...she's concocted a way of speaking in poetry that's very fresh and daring."

PAYING ATTENTION & REMEMBERING TO OPEN THE TOOLBOX: A POETRY WORKSHOP - LIVE
Francesca Lia Block

Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and best selling books, including Dangerous Angels:  The Weetzie Bat BooksRoses and Bones: Myths, Tales and Secrets,  and the adult novels The Elementals and Beyond the Pale Motel. Her work is published around the world. Francesca loves teaching as much as writing and has been working with students for many years.  You can visit her on the web at www.francescaliablock.com

12 Questions to Help Structure your Novel in Five Days 12 Questions to Help Structure your Novel in Five Days Not Always Happily : Writing the Contemporary Fairy Tale
Francesca Lia Block

Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and best selling books, including Dangerous Angels:  The Weetzie Bat BooksRoses and Bones: Myths, Tales and Secrets,  and the adult novels The Elementals and Beyond the Pale Motel. Her work is published around the world. Francesca loves teaching as much as writing and has been working with students for many years.  You can visit her on the web at www.francescaliablock.com

12 Questions to Help Structure your Novel in Five Days 12 Questions to Help Structure your Novel in Five Days Not Always Happily : Writing the Contemporary Fairy Tale
Francesca Lia Block

Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and best selling books, including Dangerous Angels:  The Weetzie Bat BooksRoses and Bones: Myths, Tales and Secrets,  and the adult novels The Elementals and Beyond the Pale Motel. Her work is published around the world. Francesca loves teaching as much as writing and has been working with students for many years.  You can visit her on the web at www.francescaliablock.com

12 Questions to Help Structure your Novel in Five Days 12 Questions to Help Structure your Novel in Five Days Not Always Happily : Writing the Contemporary Fairy Tale
Paula Bohince

Paula Bohince is the author of three poetry collections, all from Sarabande.  Her poems have appeared in The New Yorker, The New York Review of Books, Poetry, Granta, The TLS, and Best American Poetry.  She has been the Amy Lowell Poetry Travelling Scholar, the Dartmouth Poet in Residence at The Frost Place, a Fellow of the National Endowment for the Arts, the Amy Clampitt House Resident Fellow, a Hawthornden Fellow, and a “Discovery”/The Nation Award recipient.  She has taught at New York University, the New School, and elsewhere.

Ekphrasis: Poems from Visual Art Small but Mighty From One, Many: Radical Revision
Paula Bohince

Paula Bohince is the author of three poetry collections, all from Sarabande.  Her poems have appeared in The New Yorker, The New York Review of Books, Poetry, Granta, The TLS, and Best American Poetry.  She has been the Amy Lowell Poetry Travelling Scholar, the Dartmouth Poet in Residence at The Frost Place, a Fellow of the National Endowment for the Arts, the Amy Clampitt House Resident Fellow, a Hawthornden Fellow, and a “Discovery”/The Nation Award recipient.  She has taught at New York University, the New School, and elsewhere.

Ekphrasis: Poems from Visual Art Small but Mighty From One, Many: Radical Revision
Paula Bohince

Paula Bohince is the author of three poetry collections, all from Sarabande.  Her poems have appeared in The New Yorker, The New York Review of Books, Poetry, Granta, The TLS, and Best American Poetry.  She has been the Amy Lowell Poetry Travelling Scholar, the Dartmouth Poet in Residence at The Frost Place, a Fellow of the National Endowment for the Arts, the Amy Clampitt House Resident Fellow, a Hawthornden Fellow, and a “Discovery”/The Nation Award recipient.  She has taught at New York University, the New School, and elsewhere.

Ekphrasis: Poems from Visual Art Small but Mighty From One, Many: Radical Revision
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Gayle Brandeis
Gayle Brandeis is the author, most recently, of the memoir The Art of Misdiagnosis (Beacon Press), which received starred reviews in Kirkus, Publishers Weekly, ForeWord Reviews, and Booklist, and the novel in poems, Many Restless Concerns (Black Lawrence Press), shortlisted for the Shirley Jackson Award, and longlisted for the Bram Stoker Award, the Ellis Award, and the Johnson Award for Women's Literature. Earlier books include the poetry collection The Selfless Bliss of the Body (Finishing Line Press); the craft book Fruitflesh: Seeds of Inspiration for Women Who Write (HarperOne); and, the novels Self Storage (Ballantine), Delta Girls (Ballantine), My Life with the Lincolns (Henry Holt BYR) which was chosen as a state-wide read in Wisconsin, and The Book of Dead Birds (HarperCollins) which won the PEN/Bellwether Prize which was judged by Barbara Kingsolver, Toni Morrison, and Maxine Hong Kingston. Gayle's essays, poetry, and short fiction have been widely published in places such as The Guardian, The New York Times, The Washington Post, O (The Oprah Magazine), The Rumpus, Salon, and more, and have received numerous honors, including the Columbia Journal Nonfiction Award, a Barbara Mandigo Kelly Peace Poetry Award, Notable Essays in Best American Essays 2016, 2019, and 2020, the QPB/Story Magazine Short Story Award and the 2018 Multi Genre Maverick Writer Award. She was named A Writer Who Makes a Difference by The Writer Magazine, and served as Inlandia Literary Laureate from 2012-2014, focusing on bringing writing workshops to underserved communities. She teaches at Antioch University and Sierra Nevada University. Write Your Memoir Like an Animal Write Your Memoir Like an Animal Write Your Memoir Like an Animal
Gayle Brandeis
Gayle Brandeis is the author, most recently, of the memoir The Art of Misdiagnosis (Beacon Press), which received starred reviews in Kirkus, Publishers Weekly, ForeWord Reviews, and Booklist, and the novel in poems, Many Restless Concerns (Black Lawrence Press), shortlisted for the Shirley Jackson Award, and longlisted for the Bram Stoker Award, the Ellis Award, and the Johnson Award for Women's Literature. Earlier books include the poetry collection The Selfless Bliss of the Body (Finishing Line Press); the craft book Fruitflesh: Seeds of Inspiration for Women Who Write (HarperOne); and, the novels Self Storage (Ballantine), Delta Girls (Ballantine), My Life with the Lincolns (Henry Holt BYR) which was chosen as a state-wide read in Wisconsin, and The Book of Dead Birds (HarperCollins) which won the PEN/Bellwether Prize which was judged by Barbara Kingsolver, Toni Morrison, and Maxine Hong Kingston. Gayle's essays, poetry, and short fiction have been widely published in places such as The Guardian, The New York Times, The Washington Post, O (The Oprah Magazine), The Rumpus, Salon, and more, and have received numerous honors, including the Columbia Journal Nonfiction Award, a Barbara Mandigo Kelly Peace Poetry Award, Notable Essays in Best American Essays 2016, 2019, and 2020, the QPB/Story Magazine Short Story Award and the 2018 Multi Genre Maverick Writer Award. She was named A Writer Who Makes a Difference by The Writer Magazine, and served as Inlandia Literary Laureate from 2012-2014, focusing on bringing writing workshops to underserved communities. She teaches at Antioch University and Sierra Nevada University. Write Your Memoir Like an Animal Write Your Memoir Like an Animal Write Your Memoir Like an Animal
Gayle Brandeis
Gayle Brandeis is the author, most recently, of the memoir The Art of Misdiagnosis (Beacon Press), which received starred reviews in Kirkus, Publishers Weekly, ForeWord Reviews, and Booklist, and the novel in poems, Many Restless Concerns (Black Lawrence Press), shortlisted for the Shirley Jackson Award, and longlisted for the Bram Stoker Award, the Ellis Award, and the Johnson Award for Women's Literature. Earlier books include the poetry collection The Selfless Bliss of the Body (Finishing Line Press); the craft book Fruitflesh: Seeds of Inspiration for Women Who Write (HarperOne); and, the novels Self Storage (Ballantine), Delta Girls (Ballantine), My Life with the Lincolns (Henry Holt BYR) which was chosen as a state-wide read in Wisconsin, and The Book of Dead Birds (HarperCollins) which won the PEN/Bellwether Prize which was judged by Barbara Kingsolver, Toni Morrison, and Maxine Hong Kingston. Gayle's essays, poetry, and short fiction have been widely published in places such as The Guardian, The New York Times, The Washington Post, O (The Oprah Magazine), The Rumpus, Salon, and more, and have received numerous honors, including the Columbia Journal Nonfiction Award, a Barbara Mandigo Kelly Peace Poetry Award, Notable Essays in Best American Essays 2016, 2019, and 2020, the QPB/Story Magazine Short Story Award and the 2018 Multi Genre Maverick Writer Award. She was named A Writer Who Makes a Difference by The Writer Magazine, and served as Inlandia Literary Laureate from 2012-2014, focusing on bringing writing workshops to underserved communities. She teaches at Antioch University and Sierra Nevada University. Write Your Memoir Like an Animal Write Your Memoir Like an Animal Write Your Memoir Like an Animal
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Jonatha Brooke

Jonatha Brooke is a highly acclaimed singer, songwriter, recording artist, and playwright. In 2014, Ms. Brooke debuted her one-woman theater piece, My Mother Has Four Noses, at the Duke Theater in NYC, a critics’ pick in the NY Times and Time Out Magazine. She has written three other musicals: Hopper and Death and Venice with Anton Dudley; and Quadroon, with Joe Sample. She’s currently working on Switched with Geoffrey Nauffts. Honors include a 2018 McKnight Artist Grant and the 2019 International Acoustic Music Awards for best artist and best song for “Put the Gun Down.” For the past year, Brooke has been teaching on-line Songwriting Master Classes, and streaming weekly concerts from her home in Minneapolis as her creative antidote to the COVID lockdown.

SECRETS, LIES, AND THE ESSENTIAL TRUTHS: FINDING YOUR VOICE AS A PLAYWRIGHT - LIVE
Nickole Brown

Nickole Brown is the author of Sister, first published in 2007 with a new edition reissued by Sibling Rivalry Press in 2018. Her second book, Fanny Says, came out from BOA Editions and won the Weatherford Award for Appalachian Poetry in 2015. The audiobook of that collection became available in 2017. She was the Editor for the Marie Alexander Poetry Series and teaches at the Sewanee School of Letters MFA Program and the Great Smokies Writing Program at UNCA. She lives in Asheville, NC, where she periodically volunteers at several different animal sanctuaries. Currently, she’s at work on a bestiary of sorts about these animals, but it won’t consist of the kind of pastorals that always made her (and most of the working-class folks she knows) feel shut out of nature and the writing about it—these poems speak in a queer, Southern-trash-talking kind of way about nature beautiful, damaged, dangerous, and in desperate need of saving. A chapbook of these poems called To Those Who Were Our First Gods won the 2018 Rattle Chapbook Prize, and another sequence called The Donkey Elegies was published as a chapbook by Sibling Rivalry Press in early 2020. In 2021, Spruce Books of Penguin Random House published Write It! 100 Poetry Prompts to Inspire, a book she co-authored with her wife Jessica Jacobs, and they regularly teach generative writing sessions together as part of their SunJune Literary Collaborative.

Ostranenie: Poetry as a Practice of Awareness - LIVE Writing in the Age of Loneliness: Eco-Literature & The Writer's Task
Nickole Brown

Nickole Brown is the author of Sister, first published in 2007 with a new edition reissued by Sibling Rivalry Press in 2018. Her second book, Fanny Says, came out from BOA Editions and won the Weatherford Award for Appalachian Poetry in 2015. The audiobook of that collection became available in 2017. She was the Editor for the Marie Alexander Poetry Series and teaches at the Sewanee School of Letters MFA Program and the Great Smokies Writing Program at UNCA. She lives in Asheville, NC, where she periodically volunteers at several different animal sanctuaries. Currently, she’s at work on a bestiary of sorts about these animals, but it won’t consist of the kind of pastorals that always made her (and most of the working-class folks she knows) feel shut out of nature and the writing about it—these poems speak in a queer, Southern-trash-talking kind of way about nature beautiful, damaged, dangerous, and in desperate need of saving. A chapbook of these poems called To Those Who Were Our First Gods won the 2018 Rattle Chapbook Prize, and another sequence called The Donkey Elegies was published as a chapbook by Sibling Rivalry Press in early 2020. In 2021, Spruce Books of Penguin Random House published Write It! 100 Poetry Prompts to Inspire, a book she co-authored with her wife Jessica Jacobs, and they regularly teach generative writing sessions together as part of their SunJune Literary Collaborative.

Ostranenie: Poetry as a Practice of Awareness - LIVE Writing in the Age of Loneliness: Eco-Literature & The Writer's Task
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Chloe Caldwell
Chloe Caldwell is the author of three books: the essay collection I’ll Tell You in Person (Coffee House/Emily Books, 2016), the critically acclaimed novella, WOMEN (SF/LD, 2014 and Harper Collins UK, 2017) and Legs Get Led Astray (Future Tense Books, 2011). Her memoir, The Red Zone: A Love Story was published in 2022 from Soft Skull. Chloe’s essays have appeared in The New York Times, Bon Appétit, New York Magazine’s The Cut, The Strategist, Buzzfeed, Longreads, Vice, Nylon, Salon.com, Medium, The Rumpus, Catapult, Hobart, The Sun, Men’s Health, The Nervous Breakdown, and half a dozen anthologies including Goodbye To All That: Writers on Loving and Leaving NYC and Without A Net: The Female Experience of Growing Up Working Class. She lives in Hudson, N.Y. with her family. Mastering the Kaleidoscope Essay - LIVE Structuring the Novella with Precision The Kaleidoscope Essay Structuring the Novel with Precision
Chloe Caldwell
Chloe Caldwell is the author of three books: the essay collection I’ll Tell You in Person (Coffee House/Emily Books, 2016), the critically acclaimed novella, WOMEN (SF/LD, 2014 and Harper Collins UK, 2017) and Legs Get Led Astray (Future Tense Books, 2011). Her memoir, The Red Zone: A Love Story was published in 2022 from Soft Skull. Chloe’s essays have appeared in The New York Times, Bon Appétit, New York Magazine’s The Cut, The Strategist, Buzzfeed, Longreads, Vice, Nylon, Salon.com, Medium, The Rumpus, Catapult, Hobart, The Sun, Men’s Health, The Nervous Breakdown, and half a dozen anthologies including Goodbye To All That: Writers on Loving and Leaving NYC and Without A Net: The Female Experience of Growing Up Working Class. She lives in Hudson, N.Y. with her family. Mastering the Kaleidoscope Essay - LIVE Structuring the Novella with Precision The Kaleidoscope Essay Structuring the Novel with Precision
Chloe Caldwell
Chloe Caldwell is the author of three books: the essay collection I’ll Tell You in Person (Coffee House/Emily Books, 2016), the critically acclaimed novella, WOMEN (SF/LD, 2014 and Harper Collins UK, 2017) and Legs Get Led Astray (Future Tense Books, 2011). Her memoir, The Red Zone: A Love Story was published in 2022 from Soft Skull. Chloe’s essays have appeared in The New York Times, Bon Appétit, New York Magazine’s The Cut, The Strategist, Buzzfeed, Longreads, Vice, Nylon, Salon.com, Medium, The Rumpus, Catapult, Hobart, The Sun, Men’s Health, The Nervous Breakdown, and half a dozen anthologies including Goodbye To All That: Writers on Loving and Leaving NYC and Without A Net: The Female Experience of Growing Up Working Class. She lives in Hudson, N.Y. with her family. Mastering the Kaleidoscope Essay - LIVE Structuring the Novella with Precision The Kaleidoscope Essay Structuring the Novel with Precision
Chloe Caldwell
Chloe Caldwell is the author of three books: the essay collection I’ll Tell You in Person (Coffee House/Emily Books, 2016), the critically acclaimed novella, WOMEN (SF/LD, 2014 and Harper Collins UK, 2017) and Legs Get Led Astray (Future Tense Books, 2011). Her memoir, The Red Zone: A Love Story was published in 2022 from Soft Skull. Chloe’s essays have appeared in The New York Times, Bon Appétit, New York Magazine’s The Cut, The Strategist, Buzzfeed, Longreads, Vice, Nylon, Salon.com, Medium, The Rumpus, Catapult, Hobart, The Sun, Men’s Health, The Nervous Breakdown, and half a dozen anthologies including Goodbye To All That: Writers on Loving and Leaving NYC and Without A Net: The Female Experience of Growing Up Working Class. She lives in Hudson, N.Y. with her family. Mastering the Kaleidoscope Essay - LIVE Structuring the Novella with Precision The Kaleidoscope Essay Structuring the Novel with Precision
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Anders Carlson-Wee
Anders Carlson-Wee is the author of Disease of Kings (W.W. Norton, 2023), The Low Passions (W.W. Norton, 2019), a New York Public Library Book Group Selection, and Dynamite (Bull City Press, 2015), winner of the Frost Place Chapbook Prize. His work has appeared in The Paris Review, The Washington Post, Harvard Review, BuzzFeed, American Poetry Review, and many other publications. The recipient of a fellowship from the National Endowment for the Arts, he is the winner of the Poetry International Prize. Anders is represented by Massie & McQuilkin Literary Agents and lives in Los Angeles. Where Poetry Begins: The Art of the First Line - LIVE
Julie Carr

Julie Carr is the author of six books of poetry, most recently 100 Notes on Violence (Ahsahta, 2010), RAG (Omnidawn, 2014), and Think Tank (Solid Objects, 2015). She is also the author of Surface Tension: Ruptural Time and the Poetics of Desire in Late Victorian Poetry (Dalkey Archive, 2013), and the co-editor, with Jeffrey Robinson, of Active Romanticism (University of Alabama Press, 2015). A chapbook of prose, “The Silence that Fills the Future,” was recently released as a free pdf from Essay Press: http://www.essaypress.org/ep-19/

Objects from a Borrowed Confession (prose) will be out from Ahsahta press in 2016. Carr’s co-translation of Leslie Kaplan’s Excess-The Factory is due out from Commune Editions in 2018.

Carr was a 2011-12 NEA fellow and is an associate professor at the University of Colorado in Boulder in the English department and the Intermedia Arts Writing and Performance Ph.D. She regularly collaborates with dance artist K.J. Holmes and is the co-founder of Counterpath Press and Counterpath Gallery (www.counterpathpress.org).

The Epistolary Poem The Epistolary Poem
Julie Carr

Julie Carr is the author of six books of poetry, most recently 100 Notes on Violence (Ahsahta, 2010), RAG (Omnidawn, 2014), and Think Tank (Solid Objects, 2015). She is also the author of Surface Tension: Ruptural Time and the Poetics of Desire in Late Victorian Poetry (Dalkey Archive, 2013), and the co-editor, with Jeffrey Robinson, of Active Romanticism (University of Alabama Press, 2015). A chapbook of prose, “The Silence that Fills the Future,” was recently released as a free pdf from Essay Press: http://www.essaypress.org/ep-19/

Objects from a Borrowed Confession (prose) will be out from Ahsahta press in 2016. Carr’s co-translation of Leslie Kaplan’s Excess-The Factory is due out from Commune Editions in 2018.

Carr was a 2011-12 NEA fellow and is an associate professor at the University of Colorado in Boulder in the English department and the Intermedia Arts Writing and Performance Ph.D. She regularly collaborates with dance artist K.J. Holmes and is the co-founder of Counterpath Press and Counterpath Gallery (www.counterpathpress.org).

The Epistolary Poem The Epistolary Poem
Joseph Cassara
 Joseph Cassara is the author of the critically acclaimed novel The House of Impossible Beauties (Ecco), which was selected by Barnes & Noble as a Discover Great New Writers selection for Spring 2018. He holds degrees from Columbia University and the Iowa Writers’ Workshop, and was a writing fellow at the Fine Arts Work Center. He currently lives in Fresno, where he is an Assistant Professor of English at the California State University.
 
The Art of Dialogue Narrative Voice & Setting: Inhabiting The Fictional World
Joseph Cassara
 Joseph Cassara is the author of the critically acclaimed novel The House of Impossible Beauties (Ecco), which was selected by Barnes & Noble as a Discover Great New Writers selection for Spring 2018. He holds degrees from Columbia University and the Iowa Writers’ Workshop, and was a writing fellow at the Fine Arts Work Center. He currently lives in Fresno, where he is an Assistant Professor of English at the California State University.
 
The Art of Dialogue Narrative Voice & Setting: Inhabiting The Fictional World
Marcelo Hernandez Castillo
Marcelo Hernandez Castillo is a poet, essayist, translator, and immigration advocate. He is the author of the collection Cenzontle (2018), which won the 2017 A. Poulin Jr. prize, and the chapbook Dulce (2018). His memoir, Children of the Land (2020), is his most recent publication. His work has appeared or been featured in The New York Times, PBS Newshour, People Magazine en Español, The Paris Review, Fusion TV, Buzzfeed, Gulf Coast: A Journal of Literature and Fine Arts, New England Review, and Indiana Review, among others. Castillo is a founding member of the Undocupoets campaign which successfully eliminated citizenship requirements from all major first poetry book prizes in the country. He currently teaches in the Low-Res MFA program at Ashland University. Saturday Sprints with Marcelo Hernandez Castillo – LIVE
Olivia Kate Cerrone
Olivia Kate Cerrone is the author of The Hunger Saint, a historical novella which won an American Fiction Award and was praised by Kirkus Reviews as “a well-crafted and affecting literary tale.” Her writing has appeared in The Washington Post, The Boston Globe, The Christian Science Monitor, Psychology Today, Publishers Weekly, The Rumpus, The Brooklyn Rail, The Huffington Post, New South, the Berkeley Fiction Review, The MacGuffin, War, Literature and the Arts, Paterson Literary Review and elsewhere. She’s won the Crab Orchard Review's Jack Dyer Fiction Prize, the Mason's Road Literary Award, eight Pushcart Prize nominations, and various other honors, including fellowships from the Hawthornden Castle International Retreat for Writers (Scotland), the Ragdale Foundation, the VCCA, the Vermont Studio Center, and the Hambidge Center for the Creative Arts and Sciences, where she received a “Distinguished Fellowship” from the National Endowment for the Arts. A graduate of the MFA program at New York University, she teaches creative writing at GrubStreet, the Fine Arts Work Center in Provincetown, and in the First-Year Writing Program at Suffolk University in Boston, MA. Excerpts from her novel-in-progress, Displaced, were recently longlisted for both the 2022 DISQUIET Literary Prize and the Masters Review Novel Excerpt Contest. Advanced Techniques in Plot Development for Fiction Writers Designing Compelling Plots in Fiction
Olivia Kate Cerrone
Olivia Kate Cerrone is the author of The Hunger Saint, a historical novella which won an American Fiction Award and was praised by Kirkus Reviews as “a well-crafted and affecting literary tale.” Her writing has appeared in The Washington Post, The Boston Globe, The Christian Science Monitor, Psychology Today, Publishers Weekly, The Rumpus, The Brooklyn Rail, The Huffington Post, New South, the Berkeley Fiction Review, The MacGuffin, War, Literature and the Arts, Paterson Literary Review and elsewhere. She’s won the Crab Orchard Review's Jack Dyer Fiction Prize, the Mason's Road Literary Award, eight Pushcart Prize nominations, and various other honors, including fellowships from the Hawthornden Castle International Retreat for Writers (Scotland), the Ragdale Foundation, the VCCA, the Vermont Studio Center, and the Hambidge Center for the Creative Arts and Sciences, where she received a “Distinguished Fellowship” from the National Endowment for the Arts. A graduate of the MFA program at New York University, she teaches creative writing at GrubStreet, the Fine Arts Work Center in Provincetown, and in the First-Year Writing Program at Suffolk University in Boston, MA. Excerpts from her novel-in-progress, Displaced, were recently longlisted for both the 2022 DISQUIET Literary Prize and the Masters Review Novel Excerpt Contest. Advanced Techniques in Plot Development for Fiction Writers Designing Compelling Plots in Fiction
Abigail Chabitnoy
Abigail Chabitnoy is the author of In the Current Where Drowning Is Beautiful (forthcoming from Wesleyan in 2022); How to Dress a Fish (Wesleyan 2019), shortlisted for the 2020 International Griffin Prize for Poetry and winner of the 2020 Colorado Book Award; and the linocut illustrated chapbook Converging Lines of Light (Flower Press 2021). Her poems have appeared in Hayden’s Ferry Review, Boston Review, Tin House, Gulf Coast, LitHub, and Red Ink, among others. She currently teaches at the Institute of American Indian Arts low-residency MFA program and will be joining the faculty at UMass Amherst as assistant professor in the fall. Abigail is a member of the Tangirnaq Native Village in Kodiak. Notes on the Assembly - LIVE Notes on the Assembly
Abigail Chabitnoy
Abigail Chabitnoy is the author of In the Current Where Drowning Is Beautiful (forthcoming from Wesleyan in 2022); How to Dress a Fish (Wesleyan 2019), shortlisted for the 2020 International Griffin Prize for Poetry and winner of the 2020 Colorado Book Award; and the linocut illustrated chapbook Converging Lines of Light (Flower Press 2021). Her poems have appeared in Hayden’s Ferry Review, Boston Review, Tin House, Gulf Coast, LitHub, and Red Ink, among others. She currently teaches at the Institute of American Indian Arts low-residency MFA program and will be joining the faculty at UMass Amherst as assistant professor in the fall. Abigail is a member of the Tangirnaq Native Village in Kodiak. Notes on the Assembly - LIVE Notes on the Assembly
Tina Chang
Tina Chang, Brooklyn Poet Laureate, is the author of Half-Lit Houses (2004), Of Gods & Strangers (2011), and most recently Hybrida (2019), which was named A Most Anticipated Book of 2019 by NPR, Lit Hub, The Millions, Oprah Magazine, Publisher’s Weekly and was named a New York Times Book Review New & Noteworthy collection. She is also the co-editor of the W.W. Norton anthology Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (2008). Chang is the director of Creative Writing at Binghamton University. HYBRID BEAST - LIVE
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Alexander Chee
Alexander Chee is the bestselling author of the novels Edinburgh and The Queen of the Night, as well as the essay collection How To Write An Autobiographical Novel. A contributing editor at The New Republic, his essays and stories have appeared in The New York Times Magazine, T Magazine, The Sewanee Review, and he is the editor of Best American Essays 2022. He is a 2021 United States Artists Fellow, a 2021 Guggenheim Fellow in Nonfiction, and the recipient of a Whiting Award and a NEA Fellowship. He teaches as an associate professor of English and Creative Writing at Dartmouth College.           On Maurice, E. M. Forster's Posthumous Gay Novel
Michael Collier

Michael Collier has published seven collections of poetry, including, most recently, My Bishop and Other Poems, as well as a translation of Euripides’s Medea and a volume of essays, Make Us Wave Back. The recipient of an Award in Literature from the American Academy of Arts and Letters and fellowships from the NEA and Guggenheim Foundation, he is a professor emeritus at the University of Maryland and is a former director of the Bread Loaf Writers’ Conferences.

TRANSLATION & REVISION: A GENERATIVE POETRY WORKSHOP - LIVE
Martha Collins
Martha Collins’s eleventh volume of poetry, Casualty Reports, was published by Pittsburgh in fall 2022; her fifth collection of co-translated Vietnamese poetry, Dreaming the Mountain: Poems by Tue Sy, was published by Milkweed in spring 2023. Her tenth book of her poetry, Because What Else Could I Do (Pittsburgh, 2019), won the Poetry Society of America’s William Carlos Williams Award; her earlier books, which have won a number of awards, include three focusing on race and racism (Admit One: An American Scrapbook, White Papers, and Blue Front). Collins founded the UMASS Boston creative writing program and later served as Pauline Delaney Professor of Creative Writing at Oberlin College. She lives in Cambridge, Massachusetts. Making Stanzas Work for You! - LIVE Growing the Poem - LIVE Saturday Sprints with Martha Collins - LIVE
Martha Collins
Martha Collins’s eleventh volume of poetry, Casualty Reports, was published by Pittsburgh in fall 2022; her fifth collection of co-translated Vietnamese poetry, Dreaming the Mountain: Poems by Tue Sy, was published by Milkweed in spring 2023. Her tenth book of her poetry, Because What Else Could I Do (Pittsburgh, 2019), won the Poetry Society of America’s William Carlos Williams Award; her earlier books, which have won a number of awards, include three focusing on race and racism (Admit One: An American Scrapbook, White Papers, and Blue Front). Collins founded the UMASS Boston creative writing program and later served as Pauline Delaney Professor of Creative Writing at Oberlin College. She lives in Cambridge, Massachusetts. Making Stanzas Work for You! - LIVE Growing the Poem - LIVE Saturday Sprints with Martha Collins - LIVE
Martha Collins
Martha Collins’s eleventh volume of poetry, Casualty Reports, was published by Pittsburgh in fall 2022; her fifth collection of co-translated Vietnamese poetry, Dreaming the Mountain: Poems by Tue Sy, was published by Milkweed in spring 2023. Her tenth book of her poetry, Because What Else Could I Do (Pittsburgh, 2019), won the Poetry Society of America’s William Carlos Williams Award; her earlier books, which have won a number of awards, include three focusing on race and racism (Admit One: An American Scrapbook, White Papers, and Blue Front). Collins founded the UMASS Boston creative writing program and later served as Pauline Delaney Professor of Creative Writing at Oberlin College. She lives in Cambridge, Massachusetts. Making Stanzas Work for You! - LIVE Growing the Poem - LIVE Saturday Sprints with Martha Collins - LIVE
Garrard Conley
Garrard Conley is the New York Times bestselling author of the memoir Boy Erased (Riverhead/Penguin 2016) and the novel All the World Beside (Riverhead/Penguin 2024). He is the creator and co-producer of the podcast UnErased: The History of Conversion Therapy in America (Stitcher/Limina 2018). His work has been published by The New York Times, Oxford American, TIME and Virginia Quarterly Review, among others. Conley is a graduate of Brooklyn College’s MFA program, where he was a Truman Capote Fellow specializing in fiction. He is an Assistant Professor of Creative Writing at Kennesaw State University. Illuminating the Past in Memoir Structuring Memoir
Garrard Conley
Garrard Conley is the New York Times bestselling author of the memoir Boy Erased (Riverhead/Penguin 2016) and the novel All the World Beside (Riverhead/Penguin 2024). He is the creator and co-producer of the podcast UnErased: The History of Conversion Therapy in America (Stitcher/Limina 2018). His work has been published by The New York Times, Oxford American, TIME and Virginia Quarterly Review, among others. Conley is a graduate of Brooklyn College’s MFA program, where he was a Truman Capote Fellow specializing in fiction. He is an Assistant Professor of Creative Writing at Kennesaw State University. Illuminating the Past in Memoir Structuring Memoir
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
Brendan Constantine
Brendan Constantine is a poet based in Los Angeles. He is the author of five full-length collections, including Dementia, My Darling (2016 Red Hen) and Letters to Guns (2009 Red Hen). His work has appeared in Poetry, The Nation, Best American Poetry, Poem-A-Day, and in numerous other journals and anthologies. A popular performer, Brendan Constantine has presented his work to audiences throughout the U.S. and Europe, also appearing on NPR's All Things Considered, TED-ED, numerous podcasts, and YouTube. He currently teaches creative writing at the Windward School and, since 2017, has been developing poetry workshops for people with Aphasia and Traumatic Brain Injuries.         A Tendency to Exist: A Generative Workshop on Time - LIVE The Art of Getting It Wrong – LIVE The Art of Getting It Wrong - LIVE
Brendan Constantine
Brendan Constantine is a poet based in Los Angeles. He is the author of five full-length collections, including Dementia, My Darling (2016 Red Hen) and Letters to Guns (2009 Red Hen). His work has appeared in Poetry, The Nation, Best American Poetry, Poem-A-Day, and in numerous other journals and anthologies. A popular performer, Brendan Constantine has presented his work to audiences throughout the U.S. and Europe, also appearing on NPR's All Things Considered, TED-ED, numerous podcasts, and YouTube. He currently teaches creative writing at the Windward School and, since 2017, has been developing poetry workshops for people with Aphasia and Traumatic Brain Injuries.         A Tendency to Exist: A Generative Workshop on Time - LIVE The Art of Getting It Wrong – LIVE The Art of Getting It Wrong - LIVE
Brendan Constantine
Brendan Constantine is a poet based in Los Angeles. He is the author of five full-length collections, including Dementia, My Darling (2016 Red Hen) and Letters to Guns (2009 Red Hen). His work has appeared in Poetry, The Nation, Best American Poetry, Poem-A-Day, and in numerous other journals and anthologies. A popular performer, Brendan Constantine has presented his work to audiences throughout the U.S. and Europe, also appearing on NPR's All Things Considered, TED-ED, numerous podcasts, and YouTube. He currently teaches creative writing at the Windward School and, since 2017, has been developing poetry workshops for people with Aphasia and Traumatic Brain Injuries.         A Tendency to Exist: A Generative Workshop on Time - LIVE The Art of Getting It Wrong – LIVE The Art of Getting It Wrong - LIVE
Mark Conway
Mark Conway’s most recent book of poetry, rivers of the driftless region, was published by Four Way Books in 2019. His work has appeared in The Paris Review, Slate, Boston Review, American Poetry Review, Kenyon Review Online, Ploughshares, the PBS NewsHour and Bomb. He teaches at The Loft in Minneapolis and lives in rural Minnesota. WHAT YOU’RE WILLING TO DISCOVER - LIVE
Kristina Marie Darling
Kristina Marie Darling is the author of thirty-nine books. An expert consultant with the U.S. Fulbright Commission, and a twice-awarded Fulbright Scholar, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; nine residencies at the American Academy in Rome, where she has also served as an ambassador for recruitment; grants from the Elizabeth George Foundation and Harvard University’s Kittredge Fund; a Fundación Valparaíso fellowship to live and work in Spain; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; two grants from the Whiting Foundation; a Faber Residency in the Arts, Sciences, and Humanities; an artist-in-residence position with the Andorran Ministry of Culture; an artist-in-residence position at the Florence School of Fine Arts; and an appointment at the Scuola Internazionale de Grafica in Venice, among many other awards and honors. She has taught at Yale University, the American University in Rome, and the New School, and has been an invited speaker at the United States Embassy and The Betsy, a four-star hotel on Miami’s iconic Ocean Drive. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between the United States, Greece, and the Amalfi Coast. Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Kristina Marie Darling
Kristina Marie Darling is the author of thirty-nine books. An expert consultant with the U.S. Fulbright Commission, and a twice-awarded Fulbright Scholar, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; nine residencies at the American Academy in Rome, where she has also served as an ambassador for recruitment; grants from the Elizabeth George Foundation and Harvard University’s Kittredge Fund; a Fundación Valparaíso fellowship to live and work in Spain; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; two grants from the Whiting Foundation; a Faber Residency in the Arts, Sciences, and Humanities; an artist-in-residence position with the Andorran Ministry of Culture; an artist-in-residence position at the Florence School of Fine Arts; and an appointment at the Scuola Internazionale de Grafica in Venice, among many other awards and honors. She has taught at Yale University, the American University in Rome, and the New School, and has been an invited speaker at the United States Embassy and The Betsy, a four-star hotel on Miami’s iconic Ocean Drive. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between the United States, Greece, and the Amalfi Coast. Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Kristina Marie Darling
Kristina Marie Darling is the author of thirty-nine books. An expert consultant with the U.S. Fulbright Commission, and a twice-awarded Fulbright Scholar, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; nine residencies at the American Academy in Rome, where she has also served as an ambassador for recruitment; grants from the Elizabeth George Foundation and Harvard University’s Kittredge Fund; a Fundación Valparaíso fellowship to live and work in Spain; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; two grants from the Whiting Foundation; a Faber Residency in the Arts, Sciences, and Humanities; an artist-in-residence position with the Andorran Ministry of Culture; an artist-in-residence position at the Florence School of Fine Arts; and an appointment at the Scuola Internazionale de Grafica in Venice, among many other awards and honors. She has taught at Yale University, the American University in Rome, and the New School, and has been an invited speaker at the United States Embassy and The Betsy, a four-star hotel on Miami’s iconic Ocean Drive. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between the United States, Greece, and the Amalfi Coast. Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Kristina Marie Darling
Kristina Marie Darling is the author of thirty-nine books. An expert consultant with the U.S. Fulbright Commission, and a twice-awarded Fulbright Scholar, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; nine residencies at the American Academy in Rome, where she has also served as an ambassador for recruitment; grants from the Elizabeth George Foundation and Harvard University’s Kittredge Fund; a Fundación Valparaíso fellowship to live and work in Spain; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; two grants from the Whiting Foundation; a Faber Residency in the Arts, Sciences, and Humanities; an artist-in-residence position with the Andorran Ministry of Culture; an artist-in-residence position at the Florence School of Fine Arts; and an appointment at the Scuola Internazionale de Grafica in Venice, among many other awards and honors. She has taught at Yale University, the American University in Rome, and the New School, and has been an invited speaker at the United States Embassy and The Betsy, a four-star hotel on Miami’s iconic Ocean Drive. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between the United States, Greece, and the Amalfi Coast. Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Kristina Marie Darling
Kristina Marie Darling is the author of thirty-nine books. An expert consultant with the U.S. Fulbright Commission, and a twice-awarded Fulbright Scholar, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; nine residencies at the American Academy in Rome, where she has also served as an ambassador for recruitment; grants from the Elizabeth George Foundation and Harvard University’s Kittredge Fund; a Fundación Valparaíso fellowship to live and work in Spain; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; two grants from the Whiting Foundation; a Faber Residency in the Arts, Sciences, and Humanities; an artist-in-residence position with the Andorran Ministry of Culture; an artist-in-residence position at the Florence School of Fine Arts; and an appointment at the Scuola Internazionale de Grafica in Venice, among many other awards and honors. She has taught at Yale University, the American University in Rome, and the New School, and has been an invited speaker at the United States Embassy and The Betsy, a four-star hotel on Miami’s iconic Ocean Drive. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between the United States, Greece, and the Amalfi Coast. Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Christina Davis

CHRISTINA DAVIS is the author of An Ethic (Nightboat Books, 2013), Forth A Raven (Alice James Books, 2006) and the manuscript-in-progress Mankindness. Her poems and essays have appeared in American Poetry Review, Boston Review, Colorado Review, Paris Review, Poetry Magazine, and other journals. A graduate of Oxford University, she currently serves as curator of the Woodberry Poetry Room at Harvard University.

 

Ourselves, I Sing: Experiments in Selfhood & Humanhood
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Duy Doan

Duy Doan is the author of We Play a Game, winner of the 2017 Yale Series of Younger Poets Prize. His work has appeared in The Adroit Journal, Poetry, Slate, TriQuarterly, and elsewhere. He received an MFA in poetry from Boston University.  

Spontaneity, or Disruption and the Illusion of Spontaneity
Andre Dubus III

Andre Dubus III ‘s books include his most recent novel, Gone So Long, the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. Mr. Dubus has been a finalist for the National Book Award. His honors include a Guggenheim Fellowship, two Pushcart Prizes, and an American Academy of Arts and Letters Award. His books are published in over twenty-five languages, and he teaches full-time at the University of Massachusetts Lowell.

Do Not Think, Dream: Fiction & Creative Nonfiction Workshop - Live
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Nicole Terez Dutton

Nicole Terez Dutton's work has appeared in Callaloo, Ploughshares, 32 Poems, Indiana Review, and Salt Hill Journal.  Nicole earned an MFA from Brown University and has received fellowships from the Frost Place, the Fine Arts Work Center, Bread Loaf Writers’ Conference, and the Virginia Center for the Creative Arts. Her collection of poems, If One Of Us Should Fall, was selected as the winner of the 2011 Cave Canem Poetry Prize. She teaches in the Solstice Low-Residency MFA Program and lives in Somerville, Massachusetts where she serves as the city’s inaugural poet laureate.

Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript
Nicole Terez Dutton

Nicole Terez Dutton's work has appeared in Callaloo, Ploughshares, 32 Poems, Indiana Review, and Salt Hill Journal.  Nicole earned an MFA from Brown University and has received fellowships from the Frost Place, the Fine Arts Work Center, Bread Loaf Writers’ Conference, and the Virginia Center for the Creative Arts. Her collection of poems, If One Of Us Should Fall, was selected as the winner of the 2011 Cave Canem Poetry Prize. She teaches in the Solstice Low-Residency MFA Program and lives in Somerville, Massachusetts where she serves as the city’s inaugural poet laureate.

Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript
Nicole Terez Dutton

Nicole Terez Dutton's work has appeared in Callaloo, Ploughshares, 32 Poems, Indiana Review, and Salt Hill Journal.  Nicole earned an MFA from Brown University and has received fellowships from the Frost Place, the Fine Arts Work Center, Bread Loaf Writers’ Conference, and the Virginia Center for the Creative Arts. Her collection of poems, If One Of Us Should Fall, was selected as the winner of the 2011 Cave Canem Poetry Prize. She teaches in the Solstice Low-Residency MFA Program and lives in Somerville, Massachusetts where she serves as the city’s inaugural poet laureate.

Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript
Melissa Febos
  Melissa Febos is the bestselling author of four books, including Girlhood, which won the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. Her fifth book, The Dry Season, is forthcoming from Alfred A. Knopf. Her awards and fellowships include those from the Guggenheim Foundation, Lambda Literary, the National Endowment for the Arts, the British Library, the Black Mountain Institute, the Bogliasco Foundation, and others. Her work has recently appeared in The Paris Review, The New Yorker, The New York Times Magazine, The Best American Essays, and Vogue. Febos is a full professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. Sprint Workshop with Melissa Febos - LIVE Sprint Workshop with Melissa Febos - LIVE
Melissa Febos
  Melissa Febos is the bestselling author of four books, including Girlhood, which won the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. Her fifth book, The Dry Season, is forthcoming from Alfred A. Knopf. Her awards and fellowships include those from the Guggenheim Foundation, Lambda Literary, the National Endowment for the Arts, the British Library, the Black Mountain Institute, the Bogliasco Foundation, and others. Her work has recently appeared in The Paris Review, The New Yorker, The New York Times Magazine, The Best American Essays, and Vogue. Febos is a full professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. Sprint Workshop with Melissa Febos - LIVE Sprint Workshop with Melissa Febos - LIVE
Annie Finch

Annie Finch is the author of six books of poetry, most recently Spells: New and Selected Poems (Wesleyan University Press, 2013). Her poems have appeared in journals including Yale Review, Kenyon Review, Harvard Review, Partisan Review, Prairie Schooner, Poetry, and Paris Review, and in anthologies such as The Norton Anthology of World Poetry, The Penguin Book of the Sonnet, and The Penguin Book of Twentieth-Century American Poetry. She has also published twelve books, textbooks, and edited or coedited anthologies focusing on poetic form and craft, including An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art and The Body of Poetry: Essays on Women, Form, and the Poetic Self (both from University of Michigan Press), Measure for Measure: An Anthology of Poetic Meters and Villanelles (both from Random House/Everyman’s Library), and A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry (University of Michigan Press, 2012).  Educated at Yale University (B.A.) and Stanford University (Ph.D.), Annie has taught widely and served for a decade as Director of the Stonecoast MFA Program in Creative Writing.  Annie’s multimedia poetic collaborations and commissioned poems been produced at Carnegie Hall and the Metropolitan Museum of Art.  Her work has been honored with the Sarasvati Award and the Robert Fitzgerald Award.  More information on Annie’s work is available at anniefinch.com.

Working the Beat More; How to Make Poems Sing in Depth Working the Beat: How to Make Poems Sing Working the Beat: How to Make Poems Sing
Annie Finch

Annie Finch is the author of six books of poetry, most recently Spells: New and Selected Poems (Wesleyan University Press, 2013). Her poems have appeared in journals including Yale Review, Kenyon Review, Harvard Review, Partisan Review, Prairie Schooner, Poetry, and Paris Review, and in anthologies such as The Norton Anthology of World Poetry, The Penguin Book of the Sonnet, and The Penguin Book of Twentieth-Century American Poetry. She has also published twelve books, textbooks, and edited or coedited anthologies focusing on poetic form and craft, including An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art and The Body of Poetry: Essays on Women, Form, and the Poetic Self (both from University of Michigan Press), Measure for Measure: An Anthology of Poetic Meters and Villanelles (both from Random House/Everyman’s Library), and A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry (University of Michigan Press, 2012).  Educated at Yale University (B.A.) and Stanford University (Ph.D.), Annie has taught widely and served for a decade as Director of the Stonecoast MFA Program in Creative Writing.  Annie’s multimedia poetic collaborations and commissioned poems been produced at Carnegie Hall and the Metropolitan Museum of Art.  Her work has been honored with the Sarasvati Award and the Robert Fitzgerald Award.  More information on Annie’s work is available at anniefinch.com.

Working the Beat More; How to Make Poems Sing in Depth Working the Beat: How to Make Poems Sing Working the Beat: How to Make Poems Sing
Annie Finch

Annie Finch is the author of six books of poetry, most recently Spells: New and Selected Poems (Wesleyan University Press, 2013). Her poems have appeared in journals including Yale Review, Kenyon Review, Harvard Review, Partisan Review, Prairie Schooner, Poetry, and Paris Review, and in anthologies such as The Norton Anthology of World Poetry, The Penguin Book of the Sonnet, and The Penguin Book of Twentieth-Century American Poetry. She has also published twelve books, textbooks, and edited or coedited anthologies focusing on poetic form and craft, including An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art and The Body of Poetry: Essays on Women, Form, and the Poetic Self (both from University of Michigan Press), Measure for Measure: An Anthology of Poetic Meters and Villanelles (both from Random House/Everyman’s Library), and A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry (University of Michigan Press, 2012).  Educated at Yale University (B.A.) and Stanford University (Ph.D.), Annie has taught widely and served for a decade as Director of the Stonecoast MFA Program in Creative Writing.  Annie’s multimedia poetic collaborations and commissioned poems been produced at Carnegie Hall and the Metropolitan Museum of Art.  Her work has been honored with the Sarasvati Award and the Robert Fitzgerald Award.  More information on Annie’s work is available at anniefinch.com.

Working the Beat More; How to Make Poems Sing in Depth Working the Beat: How to Make Poems Sing Working the Beat: How to Make Poems Sing
Amber Flora Thomas

Amber Flora Thomas is the author of Eye of Water: Poems which was selected by Harryette Mullen as the winner of the 2004 Cave Canem Poetry Prize. Her other books include, The Rabbits Could Sing: Poems (University of Alaska Press, 2012) and Red Channel in the Rupture: Poems (Red Hen Press, 2018). Her poetry has appeared in The New England Review, Tin House, Ecotone, Callaloo, Orion Magazine, Alaska Quarterly Review, Saranac Review, and Third Coast, as well as Angles of Ascent: A Norton Anthology of Contemporary African American Poetry, and numerous other journals and anthologies. Thomas has taught at the Cave Canem annual retreat and the Bread Loaf Environmental Writers Conference. She has received fellowships from Yaddo, Atlantic Center for the Arts, Bread Loaf Writers Conference, and Sewanee Writers Conference. She earned an MFA at Washington University in St. Louis, MO. She was born and raised in northern California. Currently she is an Associate Professor of Creative Writing at East Carolina University in Greenville, North Carolina. 

The Poetry of Place: Erasures, Journeys, and Transformations on the Way to Home The Poetry of Place: Erasures, Journeys, and Transformations on the Way to Home
Amber Flora Thomas

Amber Flora Thomas is the author of Eye of Water: Poems which was selected by Harryette Mullen as the winner of the 2004 Cave Canem Poetry Prize. Her other books include, The Rabbits Could Sing: Poems (University of Alaska Press, 2012) and Red Channel in the Rupture: Poems (Red Hen Press, 2018). Her poetry has appeared in The New England Review, Tin House, Ecotone, Callaloo, Orion Magazine, Alaska Quarterly Review, Saranac Review, and Third Coast, as well as Angles of Ascent: A Norton Anthology of Contemporary African American Poetry, and numerous other journals and anthologies. Thomas has taught at the Cave Canem annual retreat and the Bread Loaf Environmental Writers Conference. She has received fellowships from Yaddo, Atlantic Center for the Arts, Bread Loaf Writers Conference, and Sewanee Writers Conference. She earned an MFA at Washington University in St. Louis, MO. She was born and raised in northern California. Currently she is an Associate Professor of Creative Writing at East Carolina University in Greenville, North Carolina. 

The Poetry of Place: Erasures, Journeys, and Transformations on the Way to Home The Poetry of Place: Erasures, Journeys, and Transformations on the Way to Home
Nick Flynn
Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages. The Woman in the Dunes—A Metaphor that Transforms as it Moves through Time Sprint Workshop with Nick Flynn - LIVE Memoir as Bewilderment - LIVE Memoir as Bewilderment (24PearlStreet LIVE)
Nick Flynn
Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages. The Woman in the Dunes—A Metaphor that Transforms as it Moves through Time Sprint Workshop with Nick Flynn - LIVE Memoir as Bewilderment - LIVE Memoir as Bewilderment (24PearlStreet LIVE)
Nick Flynn
Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages. The Woman in the Dunes—A Metaphor that Transforms as it Moves through Time Sprint Workshop with Nick Flynn - LIVE Memoir as Bewilderment - LIVE Memoir as Bewilderment (24PearlStreet LIVE)
Nick Flynn
Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages. The Woman in the Dunes—A Metaphor that Transforms as it Moves through Time Sprint Workshop with Nick Flynn - LIVE Memoir as Bewilderment - LIVE Memoir as Bewilderment (24PearlStreet LIVE)
Tessa Fontaine

Tessa Fontaine is the author of The Electric Woman: A Memoir in Death-Defying Acts, a New York Times Editor's choice, a Barnes & Noble Discover Great New Writers pick, an Amazon Editors' Top 100 of 2018 and Best Memoir/Biography of 2018, and more. Tessa’s writing won an AWP Intro Award, and has appeared in Glamour, The Believer, LitHub, Creative Nonfiction, and elsewhere. She has taught at various universities, for the New York Times summer journeys, and in prisons.

Writing Your Way to the Spark: A Generative Memoir Workshop
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Jennifer Franklin
Jennifer Franklin holds degrees from Brown University and Columbia University School of the Arts. She is the author of three full-length poetry collections including If Some God Shakes Your House (Four Way Books, 2023). Franklin received a 2021 NYFA/City Artist Corps grant and a 2021 Café Royal Cultural Foundation Literature Award. Her work has been published widely including in American Poetry Review, Bennington Review, The Nation, The Paris Review, and in the Poetry Society’s “Poetry in Motion” series. Most recently, Diane Seuss chose one of Franklin’s poems for The Academy of American Poets “Poem-a-Day” series. She teaches workshops in Manhattanville’s MFA program and manuscript revision at the Hudson Valley Writers Center, where she serves as Program Director. "Dare you see a Soul at the White Heat?" Writing Intensity in the Short Poem
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Aja Gabel

Aja Gabel’s debut novel, The Ensemble, is out now from Riverhead Books. Her short fiction can be found in the Kenyon Review, Glimmer Train, BOMB, and elsewhere. She studied writing at Wesleyan University and the University of Virginia, and has a PhD in Literature and Creative Writing from the University of Houston. She currently lives and writes in Los Angeles.

 

Writing Love Stories
Indira Ganesan

Indira Ganesan has written three novels, The Journey (1990), Inheritance (1998), and As Sweet as Honey (2013).  She is a former fellow of the Radcliffe Bunting Institute, The MacDowell Colony, and the Fine Arts Work Center. In Provincetown, she hosts a global music show on Sunday mornings at WOMR-FM, reviews books for Phi Beta Kappa’s thekeyreporter.org, and is working on a new book.  She has taught at the University of Missouri, UC San Diego, UC Santa Cruz, Southampton College, Naropa University, CU Boulder, and Emerson College.

Narrative Magic: A Fiction Workshop
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Nicole J. Georges
Nicole J. Georges is a writer, illustrator, podcaster, and professor from Portland and LA. She is the author of the award-winning graphic memoirs Calling Dr. Laura and Fetch: How a Bad Dog Brought Me Home. Her work explores themes including identity, family secrets, queer community, animals, self-help, and the inner workings of a queer, punk feminist from a Syrian-American home. Georges teaches at California College for the Art’s MFA in Comics Program. She is the host of the queer art, advice, and vegan food podcast, Sagittarian Matters, and the Murrow award-winning podcast, Relative Fiction. Drawing a Line: Graphic Memoir - LIVE
January Gill O'Neil
January Gill O'Neil is an associate professor at Salem State University, and the author of Glitter Road (forthcoming, 2024) Rewilding (2018), Misery Islands (2014), and Underlife (2009), all published by CavanKerry Press. From 2012-2018, she was the executive director of the Massachusetts Poetry Festival. The recipient of fellowships from the Massachusetts Cultural Council, Cave Canem, and the Barbara Deming Memorial Fund, O'Neil was the 2019-2020 John and Renée Grisham Writer-in-Residence at the University of Mississippi. She currently serves as the 2022-2023 board chair of the Association of Writers and Writers Programs (AWP).         Tiny Miracles & Everyday Wonders: a Poetry Workshop - LIVE What Are You Risking? – A Generative Workshop - LIVE TINY MIRACLES AND EVERYDAY WONDERS: A POETRY WORKSHOP - LIVE
January Gill O'Neil
January Gill O'Neil is an associate professor at Salem State University, and the author of Glitter Road (forthcoming, 2024) Rewilding (2018), Misery Islands (2014), and Underlife (2009), all published by CavanKerry Press. From 2012-2018, she was the executive director of the Massachusetts Poetry Festival. The recipient of fellowships from the Massachusetts Cultural Council, Cave Canem, and the Barbara Deming Memorial Fund, O'Neil was the 2019-2020 John and Renée Grisham Writer-in-Residence at the University of Mississippi. She currently serves as the 2022-2023 board chair of the Association of Writers and Writers Programs (AWP).         Tiny Miracles & Everyday Wonders: a Poetry Workshop - LIVE What Are You Risking? – A Generative Workshop - LIVE TINY MIRACLES AND EVERYDAY WONDERS: A POETRY WORKSHOP - LIVE
January Gill O'Neil
January Gill O'Neil is an associate professor at Salem State University, and the author of Glitter Road (forthcoming, 2024) Rewilding (2018), Misery Islands (2014), and Underlife (2009), all published by CavanKerry Press. From 2012-2018, she was the executive director of the Massachusetts Poetry Festival. The recipient of fellowships from the Massachusetts Cultural Council, Cave Canem, and the Barbara Deming Memorial Fund, O'Neil was the 2019-2020 John and Renée Grisham Writer-in-Residence at the University of Mississippi. She currently serves as the 2022-2023 board chair of the Association of Writers and Writers Programs (AWP).         Tiny Miracles & Everyday Wonders: a Poetry Workshop - LIVE What Are You Risking? – A Generative Workshop - LIVE TINY MIRACLES AND EVERYDAY WONDERS: A POETRY WORKSHOP - LIVE
Ethan Gilsdorf

Journalist, memoirist, essayist, critic, poet, and teacher Ethan Gilsdorf is the author of the award-winning travel memoir investigation Fantasy Freaks and Gaming Geeks: An Epic Quest for Reality Among Role Players, Online Gamers, and Other Dwellers of Imaginary Realms. His work has been cited in the anthology Best American Essays 2016. His personal essays, fiction, poetry, reviews and other nonfiction have appeared in The New York Times, Salon, Boston Globe Magazine, Boston Magazine, Boston Globe, WBUR, Psychology Today, Poetry, The Southern Review,The Quarterly, Exquisite Corpse, The North American Review, and in several anthologies. He received his BA from Hampshire College, and an MFA in Creative Writing from Louisiana State University. He is also the winner of the Hobblestock Peace Poetry Competition and the Esme Bradberry Contemporary Poets Prize. Gilsdorf is co-founder of Grub Street's Young Adult Writers Program (YAWP), and teaches creative writing at Grub Street, where he serves on the Board of Directors. Follow Ethan’s adventures at www.ethangilsdorf.com or Twitter @ethanfreak.

Writing and Selling Personal Essays about Deeply Personal Subjects Absent Fathers, Controlling Mothers, Treacherous Exes and Other Interpersonal Dysfunction: Writing the Publishable Relationship Essay
Ethan Gilsdorf

Journalist, memoirist, essayist, critic, poet, and teacher Ethan Gilsdorf is the author of the award-winning travel memoir investigation Fantasy Freaks and Gaming Geeks: An Epic Quest for Reality Among Role Players, Online Gamers, and Other Dwellers of Imaginary Realms. His work has been cited in the anthology Best American Essays 2016. His personal essays, fiction, poetry, reviews and other nonfiction have appeared in The New York Times, Salon, Boston Globe Magazine, Boston Magazine, Boston Globe, WBUR, Psychology Today, Poetry, The Southern Review,The Quarterly, Exquisite Corpse, The North American Review, and in several anthologies. He received his BA from Hampshire College, and an MFA in Creative Writing from Louisiana State University. He is also the winner of the Hobblestock Peace Poetry Competition and the Esme Bradberry Contemporary Poets Prize. Gilsdorf is co-founder of Grub Street's Young Adult Writers Program (YAWP), and teaches creative writing at Grub Street, where he serves on the Board of Directors. Follow Ethan’s adventures at www.ethangilsdorf.com or Twitter @ethanfreak.

Writing and Selling Personal Essays about Deeply Personal Subjects Absent Fathers, Controlling Mothers, Treacherous Exes and Other Interpersonal Dysfunction: Writing the Publishable Relationship Essay
D. Gilson

D. Gilson is the author of I Will Say This Exactly One Time: Essays (Sibling Rivalry, 2015); Crush with Will Stockton (Punctum Books, 2014); Brit Lit (Sibling Rivalry, 2013); and Catch & Release (2012), winner of the Robin Becker Prize. He is an Assistant Professor of English at Texas Tech University, and his work has appeared in POETRY, Threepenny Review, The Rumpus, and twice as a notable essay in Best American Essays.

Cut to the Quick: Flash Nonfiction Life Drawing: Public Persona Poetry
D. Gilson

D. Gilson is the author of I Will Say This Exactly One Time: Essays (Sibling Rivalry, 2015); Crush with Will Stockton (Punctum Books, 2014); Brit Lit (Sibling Rivalry, 2013); and Catch & Release (2012), winner of the Robin Becker Prize. He is an Assistant Professor of English at Texas Tech University, and his work has appeared in POETRY, Threepenny Review, The Rumpus, and twice as a notable essay in Best American Essays.

Cut to the Quick: Flash Nonfiction Life Drawing: Public Persona Poetry
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Paul Guest

Paul Guest is the author of four collections of poetry, most recently Because Everything Is Terrible, and a memoir, One More Theory About Happiness. His writing has appeared in American Poetry Review, Poetry, The Paris Review, Tin House, Slate, New England Review, The Southern Review, The Kenyon Review, Ploughshares, and numerous other publications. A Guggenheim Fellow and Whiting Award winner, he lives in Charlottesville, Virginia.

Poetry and Apocalypse
Paul Guest
Paul Guest is the author of four collections of poetry, most recently Because Everything Is Terrible, and a memoir, One More Theory About Happiness. His writing has appeared in Poetry, The Paris Review, Tin House, Slate, New England Review, The Southern Review, The Kenyon Review, Ploughshares, and numerous other publications. A Guggenheim Fellow and Whiting Award winner, he lives in Charlottesville, Virginia. Poetry & Apocalypse
Kimiko Hahn
Kimiko Hahn casts a wide net for subject matter. In her latest collection Foreign Bodies, she revisits the personal as political while exploring the immigrant body, the endangered animal's body, objects removed from children's bodies, hoarded things, and charms. The Ghost Forest: new and selected poems is forthcoming. She is currently co-editing an anthology of zuihitsu. Hahn is the 2023 recipient of the Ruth Lilly Prize for Lifetime Achievement from The Poetry Foundation. She teaches in the MFA Program for Creative Writing and Literary Translation at Queens College, City University of New York. THE HYBRID POEM - LIVE
Marcie Hershman

Marcie Hershman is the author of the novels Tales of the Master Race and Safe in America, and the memoir, Speak to Me: Grief, Love & What Endures. Her essays have appeared in The New York Times Magazine, Boston Globe, Washington Post, Poets & Writers, Ms., Tikkun, Women’s Review of Books, Ploughshares, Agni, & on NPR. Anthologies include: The Norton Anthology of Women’s Literature, Creative Nonfiction, Amazon Poetry, American Fiction. Among her awards are those from the Bunting Institute, Harvard University; the L.L. Winship/Boston Globe Foundation; Massachusetts Cultural Council; Corporation of Yaddo; the MacDowell Colony. She has held the Hurst chair in fiction at Brandeis and taught for many years at Tufts University.  She currently leads a private writing group in Boston.

WRITING IN INTERESTING TIMES - LIVE
Krysten Hill
Krysten Hill is the author of How Her Spirit Got Out (Aforementioned Productions, 2016), which received a Jean Pedrick Prize in 2017. Her work has been featured in The Academy of American Poets' Poem-a-Day Series, Poetry Magazine, PANK, Up the Staircase Quarterly, Winter Tangerine Review, and elsewhere. She received a Vermont Studio Center Residency in 2023, a Mass Cultural Council Poetry Fellowship in 2020, and a St. Botolph Club Foundation Emerging Artist Award in 2016. Krysten is an educator and writer who has featured at the Massachusetts Poetry Festival, Boston Book Festival, Blacksmith House, New Hampshire Poetry Festival, and elsewhere. Say It Like You Mean It: Writing & Performing Dynamic Poems - LIVE
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Pam Houston
Pam Houston is the author of the memoir, Deep Creek: Finding Hope In The High Country, which won the 2019 Colorado Book Award, the High Plains Book Award and the Reading The West Advocacy Award and more recently, Air Mail: Letters of Politics Pandemics and Place co authored with Amy Irvine. She is also the author of Cowboys Are My Weakness, Contents May Have Shifted, and four other books of fiction and nonfiction, all published by W.W. Norton. She lives at 9,000 feet above sea level on a 120-acre homestead near the headwaters of the Rio Grande. She raises Icelandic Sheep and Irish Wolfhounds and is a fierce advocate for the Earth. COMING BACK OUT OF THE DARK, BUT DIFFERENTLY: A GENERATIVE PROSE WORKSHOP - LIVE Writing Your Best Short Story/Short Autofiction/Personal Essay in One Month
Pam Houston
Pam Houston is the author of the memoir, Deep Creek: Finding Hope In The High Country, which won the 2019 Colorado Book Award, the High Plains Book Award and the Reading The West Advocacy Award and more recently, Air Mail: Letters of Politics Pandemics and Place co authored with Amy Irvine. She is also the author of Cowboys Are My Weakness, Contents May Have Shifted, and four other books of fiction and nonfiction, all published by W.W. Norton. She lives at 9,000 feet above sea level on a 120-acre homestead near the headwaters of the Rio Grande. She raises Icelandic Sheep and Irish Wolfhounds and is a fierce advocate for the Earth. COMING BACK OUT OF THE DARK, BUT DIFFERENTLY: A GENERATIVE PROSE WORKSHOP - LIVE Writing Your Best Short Story/Short Autofiction/Personal Essay in One Month
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Maria Hummel

Maria Hummel is the author of three novels—Still Lives, Motherland and Wilderness Run—and the poetry collection House and Fire, winner of the 2013 APR/Honickman First Book Prize. She is a former Wallace Stegner Fellow, Bread Loaf Fellow, and the winner of a Pushcart Prize. Her poetry, fiction, and nonfiction have appeared numerous magazines, including PoetryNew England ReviewNarrativeThe Sun, and The Believer. She has taught at Stanford University and Colorado College, and is currently at the University of Vermont.

 

Novel Writing: Answering the Top Ten Questions Beginning Your Mystery Novel
Maria Hummel

Maria Hummel is the author of three novels—Still Lives, Motherland and Wilderness Run—and the poetry collection House and Fire, winner of the 2013 APR/Honickman First Book Prize. She is a former Wallace Stegner Fellow, Bread Loaf Fellow, and the winner of a Pushcart Prize. Her poetry, fiction, and nonfiction have appeared numerous magazines, including PoetryNew England ReviewNarrativeThe Sun, and The Believer. She has taught at Stanford University and Colorado College, and is currently at the University of Vermont.

 

Novel Writing: Answering the Top Ten Questions Beginning Your Mystery Novel
Major Jackson
Major Jackson is the author of five volumes of poetry, most recently The Absurd Man (2020), and a collection of essays, A Beat Beyond: The Selected Prose of Major Jackson. He is the guest editor of Best American Poetry 2019. A recipient of fellowships from the Guggenheim Foundation and National Endowment for the Arts, Jackson has published poems and essays in American Poetry Review, The New Yorker, Orion Magazine, Paris Review, Ploughshares and Poetry London. He lives in Nashville, Tennessee where he is the Gertrude Conaway Vanderbilt Chair in the Humanities at Vanderbilt University. He serves as the Poetry Editor of The Harvard Review. WRITING TO IMAGINE OURSELVES: A POETRY WORKSHOP - LIVE Visionary Poetics
Major Jackson
Major Jackson is the author of five volumes of poetry, most recently The Absurd Man (2020), and a collection of essays, A Beat Beyond: The Selected Prose of Major Jackson. He is the guest editor of Best American Poetry 2019. A recipient of fellowships from the Guggenheim Foundation and National Endowment for the Arts, Jackson has published poems and essays in American Poetry Review, The New Yorker, Orion Magazine, Paris Review, Ploughshares and Poetry London. He lives in Nashville, Tennessee where he is the Gertrude Conaway Vanderbilt Chair in the Humanities at Vanderbilt University. He serves as the Poetry Editor of The Harvard Review. WRITING TO IMAGINE OURSELVES: A POETRY WORKSHOP - LIVE Visionary Poetics
Deborah Jackson Taffa
Deborah Jackson Taffa’s debut book, Whiskey Tender, has received advanced praise from the following outlets: Zibby Mag “Most Anticipated Book,” San Francisco Chronicle “New Book to Cozy Up With,” Publishers Weekly “Memoirs & Biographies: Top 10," The Millions “Most Anticipated,” and Electric Lit “Books by Women of Color to Read." With fellowships from the National Endowment for the Arts in Prose (2024), PEN America, MacDowell, Rona Jaffe, and the NY State Summer Writer’s Institute, Taffa received her MFA from the NWP at the University of Iowa. A member of the Yuma Nation and Laguna Pueblo, she is the director of the MFA CW program at the Institute of American Indian Arts and splits her time between Saint Louis, MO, and Santa Fe, NM. Using Elements of Poetry to Improve Your Prose The Many Voices of Creative Nonfiction Storytelling as Radical Empowerment
Deborah Jackson Taffa
Deborah Jackson Taffa’s debut book, Whiskey Tender, has received advanced praise from the following outlets: Zibby Mag “Most Anticipated Book,” San Francisco Chronicle “New Book to Cozy Up With,” Publishers Weekly “Memoirs & Biographies: Top 10," The Millions “Most Anticipated,” and Electric Lit “Books by Women of Color to Read." With fellowships from the National Endowment for the Arts in Prose (2024), PEN America, MacDowell, Rona Jaffe, and the NY State Summer Writer’s Institute, Taffa received her MFA from the NWP at the University of Iowa. A member of the Yuma Nation and Laguna Pueblo, she is the director of the MFA CW program at the Institute of American Indian Arts and splits her time between Saint Louis, MO, and Santa Fe, NM. Using Elements of Poetry to Improve Your Prose The Many Voices of Creative Nonfiction Storytelling as Radical Empowerment
Deborah Jackson Taffa
Deborah Jackson Taffa’s debut book, Whiskey Tender, has received advanced praise from the following outlets: Zibby Mag “Most Anticipated Book,” San Francisco Chronicle “New Book to Cozy Up With,” Publishers Weekly “Memoirs & Biographies: Top 10," The Millions “Most Anticipated,” and Electric Lit “Books by Women of Color to Read." With fellowships from the National Endowment for the Arts in Prose (2024), PEN America, MacDowell, Rona Jaffe, and the NY State Summer Writer’s Institute, Taffa received her MFA from the NWP at the University of Iowa. A member of the Yuma Nation and Laguna Pueblo, she is the director of the MFA CW program at the Institute of American Indian Arts and splits her time between Saint Louis, MO, and Santa Fe, NM. Using Elements of Poetry to Improve Your Prose The Many Voices of Creative Nonfiction Storytelling as Radical Empowerment
Jessica Jacobs
Jessica Jacobs is the author of unalone, poems in conversation with the Book of Genesis (Four Way Books, March 2024); Take Me with You, Wherever You’re Going, one of Library Journal’s Best Poetry Books of the Year and winner of the Devil’s Kitchen and Goldie Awards; and Pelvis with Distance, winner of the New Mexico Book Award in Poetry and a finalist for the Lambda Literary Award. Jacobs is the founder and executive director of Yetzirah: A Hearth for Jewish Poetry. Talking to the Walls: Writing Ekphrastic Poetry - HYBRID Turn It and Turn It: Exploring Questions of Spirituality & Religion Through Poetry "In the beginning:" Exploring Questions of Spirituality & Religion Through Poetry
Jessica Jacobs
Jessica Jacobs is the author of unalone, poems in conversation with the Book of Genesis (Four Way Books, March 2024); Take Me with You, Wherever You’re Going, one of Library Journal’s Best Poetry Books of the Year and winner of the Devil’s Kitchen and Goldie Awards; and Pelvis with Distance, winner of the New Mexico Book Award in Poetry and a finalist for the Lambda Literary Award. Jacobs is the founder and executive director of Yetzirah: A Hearth for Jewish Poetry. Talking to the Walls: Writing Ekphrastic Poetry - HYBRID Turn It and Turn It: Exploring Questions of Spirituality & Religion Through Poetry "In the beginning:" Exploring Questions of Spirituality & Religion Through Poetry
Jessica Jacobs
Jessica Jacobs is the author of unalone, poems in conversation with the Book of Genesis (Four Way Books, March 2024); Take Me with You, Wherever You’re Going, one of Library Journal’s Best Poetry Books of the Year and winner of the Devil’s Kitchen and Goldie Awards; and Pelvis with Distance, winner of the New Mexico Book Award in Poetry and a finalist for the Lambda Literary Award. Jacobs is the founder and executive director of Yetzirah: A Hearth for Jewish Poetry. Talking to the Walls: Writing Ekphrastic Poetry - HYBRID Turn It and Turn It: Exploring Questions of Spirituality & Religion Through Poetry "In the beginning:" Exploring Questions of Spirituality & Religion Through Poetry
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Sara Eliza Johnson
Sara Eliza Johnson's first book, Bone Map (Milkweed Editions, 2014), was selected for the 2013 National Poetry Series. Her poetry has appeared or is forthcoming in the Virginia Quarterly Review, Boston ReviewNinth Letter, Blackbird, Pleiades, the Best New Poets series, Salt Hill, and elsewhere. She is the recipient of a National Endowment for the Arts Fellowship, a Rona Jaffe Foundation Writers' Award, two Winter Fellowships from the Fine Arts Work Center in Provincetown, a scholarship to the Bread Loaf Writers' Conference, an Academy of American Poets Prize from the University of Utah, and the Philip Freund Alumni Prize from Cornell University. She teaches at the University of Alaska--Fairbanks.
 
LANGUAGE AND THE LUCID DREAM: SUMMER LANGUAGE AND THE LUCID DREAM: Winter LANGUAGE AND THE LUCID DREAM: Fall LANGUAGE AND THE LUCID DREAM: Summer Language and the Lucid Dream: Spring Language and the Lucid Dream: Winter Language and the Lucid Dream: Fall Mad Science First and Last(ing) Impressions: A Poetry Workshop Language and the Lucid Dream: Spring Language and the Lucid Dream: Fall Mad Science Language and the Lucid Dream Mad Science
Troy Jollimore

Troy Jollimore’s most recent collection of poetry, Syllabus of Errors, was chosen by the New York Times as one of the ten best poetry books of 2015. His other poetry collections are Tom Thomson in Purgatory, which won the 2006 National Book Critics Circle Award for poetry, and At Lake Scugog. His poems have appeared in publications including the New Yorker, Poetry, The Believer, McSweeney’s, and Subtropics. His most recent books of philosophy are Love’s Vision (Princeton, 2011) and On Loyalty (Routledge, 2012). He has been an External Faculty Fellow at the Stanford Humanities Center, the Stanley P. Young Poetry Fellow at the Bread Loaf Writers’ Conference, and a Guggenheim fellow.
 

Seeing, Hearing, and Letting Poems Be
Patricia Spears Jones
Patricia Spears Jones is an African American poet/playwright/anthologist/activist and author of The Beloved Community (Copper Canyon) and A Lucent Fire: New and Selected Poems (White Pine) and nine other poetry collections. She is the Poet Laureate for New York State and recipient of the 2017 Jackson Poetry Prize, NEA and NYFA grants, and the Foundation of Contemporary Arts award. She is organizer of American Poets Congress and Emeritus Fellow of Black Earth Institute. Basic & Bold 9 Living Women Poets, 4 New Poems
Patricia Spears Jones
Patricia Spears Jones is an African American poet/playwright/anthologist/activist and author of The Beloved Community (Copper Canyon) and A Lucent Fire: New and Selected Poems (White Pine) and nine other poetry collections. She is the Poet Laureate for New York State and recipient of the 2017 Jackson Poetry Prize, NEA and NYFA grants, and the Foundation of Contemporary Arts award. She is organizer of American Poets Congress and Emeritus Fellow of Black Earth Institute. Basic & Bold 9 Living Women Poets, 4 New Poems
Jacqueline Jones Lamon

Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books).  An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others.  She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.

Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s
Jacqueline Jones Lamon

Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books).  An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others.  She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.

Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s
Jacqueline Jones Lamon

Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books).  An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others.  She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.

Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s
Jacqueline Jones Lamon

Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books).  An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others.  She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.

Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s
Jacqueline Jones Lamon

Jacqueline Jones LaMon is the author of two award-winning collections of poetry, most recently, Last Seen (University of Wisconsin Press), and a novel, In the Arms of One Who Loves Me (Ballantine Books).  An Associate Professor at Adelphi University, where she teaches in the MFA program, she has received fellowships from Yaddo Foundation, the Fine Arts Work Center in Provincetown and the Virginia Center for the Creative Arts, among others.  She serves as the President of Cave Canem Foundation, Inc., and lives in Brooklyn, New York.

Exploring the Abecedarian Poetics: More Than Just ABC's Exploring the Abecedarian Poetics: More Than Just ABC's: Spring Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Winter Exploring the Abecedarian Poetic Sequence: More Than Just ABC's: Fall Exploring the Abecedarian Poetic Sequence: More Than Just ABC’s
Allison Joseph
Allison Joseph is the author of several poetry collections, including Confessions of a Barefaced Woman (Red Hen Press, 2018); Worldly Pleasures (Word Press, 2004); and What Keeps Us Here (Ampersand, 1992), winner of the John C. Zacharis First Book Award. Joseph has received fellowships and awards from the Illinois Arts Council. She teaches at and directs the Southern Illinois University–Carbondale MFA Program in Creative Writing, where she also serves as the editor-in-chief and poetry editor of Crab Orchard Review. She lives in Carbondale, Illinois.     Keeping Busy: Writing Through Dry Spells, Blocks, & Boredom Keeping Busy: Writing Through Dry Spells, Blocks, & Boredom - LIVE Elegy as Healing Art
Allison Joseph
Allison Joseph is the author of several poetry collections, including Confessions of a Barefaced Woman (Red Hen Press, 2018); Worldly Pleasures (Word Press, 2004); and What Keeps Us Here (Ampersand, 1992), winner of the John C. Zacharis First Book Award. Joseph has received fellowships and awards from the Illinois Arts Council. She teaches at and directs the Southern Illinois University–Carbondale MFA Program in Creative Writing, where she also serves as the editor-in-chief and poetry editor of Crab Orchard Review. She lives in Carbondale, Illinois.     Keeping Busy: Writing Through Dry Spells, Blocks, & Boredom Keeping Busy: Writing Through Dry Spells, Blocks, & Boredom - LIVE Elegy as Healing Art
Allison Joseph
Allison Joseph is the author of several poetry collections, including Confessions of a Barefaced Woman (Red Hen Press, 2018); Worldly Pleasures (Word Press, 2004); and What Keeps Us Here (Ampersand, 1992), winner of the John C. Zacharis First Book Award. Joseph has received fellowships and awards from the Illinois Arts Council. She teaches at and directs the Southern Illinois University–Carbondale MFA Program in Creative Writing, where she also serves as the editor-in-chief and poetry editor of Crab Orchard Review. She lives in Carbondale, Illinois.     Keeping Busy: Writing Through Dry Spells, Blocks, & Boredom Keeping Busy: Writing Through Dry Spells, Blocks, & Boredom - LIVE Elegy as Healing Art
Porochista Khakpour

Porochista Khakpour is the author of the forthcoming memoir Sick (Harper Perennial), and the novels The Last Illusion (Bloomsbury, 2014)—a 2014 "Best Book of the Year" according to NPR, Kirkus, Buzzfeed, Popmatters, Electric Literature, and more — and Sons and Other Flammable Objects (Grove, 2007)—the 2007 California Book Award winner in “First Fiction,” one of the Chicago Tribune’s “Fall’s Best,” and a New York Times “Editor’s Choice.” Her writing has appearedin or is forthcoming in Harper’s, The New York Times, The Los Angeles Times, The Wall Street Journal, Al Jazeera America, Bookforum, Slate, Salon, Spin, The Daily Beast, Elle, and many other publications around the world.  She’s had fellowships from the National Endowment for the Arts, the University of Leipzig (Picador Guest Professorship), the Corporation of Yaddo, the Ucross Foundation, and Northwestern University’s Academy for Alternative Journalism, among others. Born in Tehran and raised in Los Angeles, she lives in New York City’s Harlem. She is currently writer-in-residence at Bard College.

 

Experimental Writing for the Non-Experimental Writers
Michael Klein

Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working  title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.

Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein

Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working  title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.

Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein

Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working  title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.

Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein

Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working  title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.

Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein

Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working  title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.

Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Michael Klein

Michael Klein is a five-time Lambda Literary Award finalist and two-time winner in poetry. He has also written two autobiographical works, both published by University of Wisconsin Press:Track Conditions, regarding his life on the racetrack with Kentucky Derby winner, Swale, andThe End of Being Known, a book of linked essays on sex and friendship. His latest book of prose and poetry is When I Was a Twin and is currently working on a book with the working  title: Radical Loneliness and the Imaginary Life. He lives in New York and teaches at Hunter College.

Writing Social Justice in Poetry and Essays The Bright Light of Possibility: Four Essays The Intention of the Risk: An Autobiographical Essay Workshop "If It's True...": A Memoir Workshop If It’s True. . . : A Memoir Workshop: SPRING “If It’s True. . . ": A Memoir Workshop: WINTER
Jennifer L. Knox
 Jennifer L. Knox’s most recent book of poetry is CRUSHING IT (Copper Canyon Press, 2019). Her poems have appeared five times in The Best American Poetry series, as well as in The New York Times, The New Yorker, Granta, and American Poetry Review. The Intersection of Comedy & Poetry
Jacqueline Kolosov

Jacqueline Kolosov has written 4 novels for teens including The Red Queen’s Daughter (Hyperion) and more recently Paris, Modigliani & Me (Luminis Books), as well as a middle grade novel, Grace from China (Yeong & Yeong). Jacqueline is also an essayist, poet and writer of literary fiction. She was awarded an NEA Literature Fellowship in prose in 2008 and has new work in The Sewanee Review, The Southern Review, and Prairie Schooner. She has co-edited three anthologies of contemporary writing, most recently Family Resemblance: An Anthology and Investigation of 8 Hybrid Literary Genres (Rose Metal). Originally from Chicago, Jacqueline now serves on the creative writing and literature faculty at Texas Tech and lives with her family, including a menagerie of animals, from a Spanish mare to 2 dwarf angora rabbits, in West Texas. Her web/blog is www.jacquelinekolosovreads.com.

Writing in an Age of Terror Experimenting with Hybrid Literary Genres Voice-Driven and Urgent: Contemporary Young Adult Fiction Voice-Driven and Urgent: Contemporary Young Adult Fiction
Jacqueline Kolosov

Jacqueline Kolosov has written 4 novels for teens including The Red Queen’s Daughter (Hyperion) and more recently Paris, Modigliani & Me (Luminis Books), as well as a middle grade novel, Grace from China (Yeong & Yeong). Jacqueline is also an essayist, poet and writer of literary fiction. She was awarded an NEA Literature Fellowship in prose in 2008 and has new work in The Sewanee Review, The Southern Review, and Prairie Schooner. She has co-edited three anthologies of contemporary writing, most recently Family Resemblance: An Anthology and Investigation of 8 Hybrid Literary Genres (Rose Metal). Originally from Chicago, Jacqueline now serves on the creative writing and literature faculty at Texas Tech and lives with her family, including a menagerie of animals, from a Spanish mare to 2 dwarf angora rabbits, in West Texas. Her web/blog is www.jacquelinekolosovreads.com.

Writing in an Age of Terror Experimenting with Hybrid Literary Genres Voice-Driven and Urgent: Contemporary Young Adult Fiction Voice-Driven and Urgent: Contemporary Young Adult Fiction
Jacqueline Kolosov

Jacqueline Kolosov has written 4 novels for teens including The Red Queen’s Daughter (Hyperion) and more recently Paris, Modigliani & Me (Luminis Books), as well as a middle grade novel, Grace from China (Yeong & Yeong). Jacqueline is also an essayist, poet and writer of literary fiction. She was awarded an NEA Literature Fellowship in prose in 2008 and has new work in The Sewanee Review, The Southern Review, and Prairie Schooner. She has co-edited three anthologies of contemporary writing, most recently Family Resemblance: An Anthology and Investigation of 8 Hybrid Literary Genres (Rose Metal). Originally from Chicago, Jacqueline now serves on the creative writing and literature faculty at Texas Tech and lives with her family, including a menagerie of animals, from a Spanish mare to 2 dwarf angora rabbits, in West Texas. Her web/blog is www.jacquelinekolosovreads.com.

Writing in an Age of Terror Experimenting with Hybrid Literary Genres Voice-Driven and Urgent: Contemporary Young Adult Fiction Voice-Driven and Urgent: Contemporary Young Adult Fiction
Jacqueline Kolosov

Jacqueline Kolosov has written 4 novels for teens including The Red Queen’s Daughter (Hyperion) and more recently Paris, Modigliani & Me (Luminis Books), as well as a middle grade novel, Grace from China (Yeong & Yeong). Jacqueline is also an essayist, poet and writer of literary fiction. She was awarded an NEA Literature Fellowship in prose in 2008 and has new work in The Sewanee Review, The Southern Review, and Prairie Schooner. She has co-edited three anthologies of contemporary writing, most recently Family Resemblance: An Anthology and Investigation of 8 Hybrid Literary Genres (Rose Metal). Originally from Chicago, Jacqueline now serves on the creative writing and literature faculty at Texas Tech and lives with her family, including a menagerie of animals, from a Spanish mare to 2 dwarf angora rabbits, in West Texas. Her web/blog is www.jacquelinekolosovreads.com.

Writing in an Age of Terror Experimenting with Hybrid Literary Genres Voice-Driven and Urgent: Contemporary Young Adult Fiction Voice-Driven and Urgent: Contemporary Young Adult Fiction
Keetje Kuipers
Keetje Kuipers is the author of three books of poems, all from BOA Editions: Beautiful in the Mouth (2010), which was chosen by Thomas Lux as the winner of the A. Poulin, Jr. Poetry Prize, The Keys to the Jail (2014), and All Its Charms (2019), which includes poems honored by publication in both The Pushcart Prize and Best American Poetry anthologies. Keetje’s poetry and prose have appeared in Narrative, Virginia Quarterly Review, The New York Times Magazine, American Poetry Review, Orion, The Believer, and over a hundred other magazines. Keetje has been a Wallace Stegner Fellow at Stanford University, the Katharine Bakeless Nason Fellow in Poetry at Bread Loaf, the Emerging Writer Lecturer at Gettysburg College, and the recipient of multiple residency fellowships, including PEN Northwest’s Margery Davis Boyden Wilderness Writing Residency. Keetje is Editor of Poetry Northwest and VP of Diversity, Equity, and Inclusion on the board of the National Book Critics Circle. She lives in Missoula, Montana, with her wife, their two children, and a backyard full of bears. A Poetics of Humility: Writing Worm-Level Poems The Pleasures of Peril: Writing Poems on the Brink The Pleasures of Peril: Writing Poems on the Brink
Keetje Kuipers
Keetje Kuipers is the author of three books of poems, all from BOA Editions: Beautiful in the Mouth (2010), which was chosen by Thomas Lux as the winner of the A. Poulin, Jr. Poetry Prize, The Keys to the Jail (2014), and All Its Charms (2019), which includes poems honored by publication in both The Pushcart Prize and Best American Poetry anthologies. Keetje’s poetry and prose have appeared in Narrative, Virginia Quarterly Review, The New York Times Magazine, American Poetry Review, Orion, The Believer, and over a hundred other magazines. Keetje has been a Wallace Stegner Fellow at Stanford University, the Katharine Bakeless Nason Fellow in Poetry at Bread Loaf, the Emerging Writer Lecturer at Gettysburg College, and the recipient of multiple residency fellowships, including PEN Northwest’s Margery Davis Boyden Wilderness Writing Residency. Keetje is Editor of Poetry Northwest and VP of Diversity, Equity, and Inclusion on the board of the National Book Critics Circle. She lives in Missoula, Montana, with her wife, their two children, and a backyard full of bears. A Poetics of Humility: Writing Worm-Level Poems The Pleasures of Peril: Writing Poems on the Brink The Pleasures of Peril: Writing Poems on the Brink
Keetje Kuipers
Keetje Kuipers is the author of three books of poems, all from BOA Editions: Beautiful in the Mouth (2010), which was chosen by Thomas Lux as the winner of the A. Poulin, Jr. Poetry Prize, The Keys to the Jail (2014), and All Its Charms (2019), which includes poems honored by publication in both The Pushcart Prize and Best American Poetry anthologies. Keetje’s poetry and prose have appeared in Narrative, Virginia Quarterly Review, The New York Times Magazine, American Poetry Review, Orion, The Believer, and over a hundred other magazines. Keetje has been a Wallace Stegner Fellow at Stanford University, the Katharine Bakeless Nason Fellow in Poetry at Bread Loaf, the Emerging Writer Lecturer at Gettysburg College, and the recipient of multiple residency fellowships, including PEN Northwest’s Margery Davis Boyden Wilderness Writing Residency. Keetje is Editor of Poetry Northwest and VP of Diversity, Equity, and Inclusion on the board of the National Book Critics Circle. She lives in Missoula, Montana, with her wife, their two children, and a backyard full of bears. A Poetics of Humility: Writing Worm-Level Poems The Pleasures of Peril: Writing Poems on the Brink The Pleasures of Peril: Writing Poems on the Brink
David Kutz-Marks
David Kutz-Marks is the author of Violin Playing Herself in a Mirror (University of Massachusetts Press, 2015), selected by James Tate, Dara Wier and James Haug for the 2014 Juniper Prize for Poetry. His poems have appeared in The New Yorker, Boston Review, jubilat, Kenyon Review Online, Western Humanities Review, Verse Daily, and other venues. Most recently he was awarded the 2017 Oakland School for the Arts Enizagam Poetry Prize judged by Matthew Zapruder. David has taught at institutions including Marywood University, King's College, and the University of Scranton, and he holds an MFA from Columbia University and a BA in English from the University of Chicago. 
 
Beauty in Clouds BEAUTY IN CLOUDS: A FOUR-WEEK WORKSHOP
David Kutz-Marks
David Kutz-Marks is the author of Violin Playing Herself in a Mirror (University of Massachusetts Press, 2015), selected by James Tate, Dara Wier and James Haug for the 2014 Juniper Prize for Poetry. His poems have appeared in The New Yorker, Boston Review, jubilat, Kenyon Review Online, Western Humanities Review, Verse Daily, and other venues. Most recently he was awarded the 2017 Oakland School for the Arts Enizagam Poetry Prize judged by Matthew Zapruder. David has taught at institutions including Marywood University, King's College, and the University of Scranton, and he holds an MFA from Columbia University and a BA in English from the University of Chicago. 
 
Beauty in Clouds BEAUTY IN CLOUDS: A FOUR-WEEK WORKSHOP
Stephen Kuusisto
Stephen Kuusisto is an American poet, essayist, fiction writer, memoirist, and disability rights scholar with a broad interest in the history of medicine and illness. He attended the University of Iowa’s “Writer’s Workshop" studying with poets Marvin Bell and Donald Justice. As a Fulbright scholar in Helsinki he researched Finnish poetry after World War II—a new period of international engagement in Scandinavian writing, much like the burgeoning interest in translation in American poetry during the sixties and seventies. Since he was born legally blind his reading (both in Finnish and English) was slow, careful, occasionally difficult. In those years he remarks that he “grew to appreciate necessity in poetry and prose—bad eyes meant a text should be worth reading. In turn I tried to understand what makes first rate poetry and prose succeed.” His first two books appeared almost simultaneously: a memoir from Dial Press entitled Planet of the Blind (a New York Times “notable book”) and a collection of poems from Copper Canyon Press, Only Bread, Only Light. He has since published three books of nonfiction and three more volumes of poems: Letters to Borges; Old Horse, What is To Be Done?; and Someone Falls Overboard. His latest memoir, Have Dog, Will Travel: A Poet's Journey is available from Simon & Schuster. He has held senior faculty positions at The Ohio State University, The University of Iowa, and Syracuse University where he currently directs the Burton Blatt Institute’s Program in Inter-Disciplinary Research. He travels and lectures widely on disability rights and literature and has served as a US State Department “cultural ambassador” in Turkmenistan, Kazakhstan, and Uzbekistan.   Writing the Body in Trouble: on Embodiment, Crisis, & Creativity -- POSTPONED to FALL 2024
Joan Kwon Glass
Joan Kwon Glass is the mixed-race, Korean American author of the full-length poetry collection NIGHT SWIM (Diode Editions, 2022) as well as three chapbooks. She serves as Editor-in-Chief for Harbor Review, is a proud Smith College graduate & has been a public school educator for 20 years. Her work has won or been finalist for several prizes & her poems have been nominated for the Pushcart Prize & Sundress Anthology Best of the Net. Joan’s poems have been published or are forthcoming in Prairie Schooner, RHINO, Rattle, The Rupture, Dialogist & elsewhere. She lives in Connecticut with her family. Writing the Raw: Turning Memory, Wound & Truth Into Poetry
Yi Shun Lai

Yi Shun Lai is the author of Not a Self-Help Book: The Misadventures of Marty Wu and Pin Ups. She is a diversity, equity, and inclusion educator and teaches in the MFA program at Bay Path University. Her column "From the Front Lines" appears every month in The Writer magazine.

Mirror Works, Window Works: Inclusivity in Writing and Reading
Reif Larsen
Reif Larsen is the author of the novels I Am Radar and The Selected Works Of T.S. Spivet, which was a New York Times Bestseller and adapted for the screen by Jean-Pierre Jeunet (Amélie). He is also the author of two children’s books, Uma Wimple Charts Her House and The Path. Larsen’s essays and fiction have appeared in The New York Times, The Guardian, GQ, Tin House, The Globe & Mail, McSweeney’s, Travel & Leisure, one story, The Millions, and The Believer. He runs The Future of Small Cities Institute and The FOCUS Lab in Troy, NY.        
Voice Matters: a Fiction Workshop - LIVE Voice Matters: a Fiction Writing Workshop - LIVE VOICE MATTERS: A FICTION WRITING WORKSHOP - LIVE Voice Matters: A Fiction Writing Workshop The Sentence as a Gift
Reif Larsen
Reif Larsen is the author of the novels I Am Radar and The Selected Works Of T.S. Spivet, which was a New York Times Bestseller and adapted for the screen by Jean-Pierre Jeunet (Amélie). He is also the author of two children’s books, Uma Wimple Charts Her House and The Path. Larsen’s essays and fiction have appeared in The New York Times, The Guardian, GQ, Tin House, The Globe & Mail, McSweeney’s, Travel & Leisure, one story, The Millions, and The Believer. He runs The Future of Small Cities Institute and The FOCUS Lab in Troy, NY.        
Voice Matters: a Fiction Workshop - LIVE Voice Matters: a Fiction Writing Workshop - LIVE VOICE MATTERS: A FICTION WRITING WORKSHOP - LIVE Voice Matters: A Fiction Writing Workshop The Sentence as a Gift
Reif Larsen
Reif Larsen is the author of the novels I Am Radar and The Selected Works Of T.S. Spivet, which was a New York Times Bestseller and adapted for the screen by Jean-Pierre Jeunet (Amélie). He is also the author of two children’s books, Uma Wimple Charts Her House and The Path. Larsen’s essays and fiction have appeared in The New York Times, The Guardian, GQ, Tin House, The Globe & Mail, McSweeney’s, Travel & Leisure, one story, The Millions, and The Believer. He runs The Future of Small Cities Institute and The FOCUS Lab in Troy, NY.        
Voice Matters: a Fiction Workshop - LIVE Voice Matters: a Fiction Writing Workshop - LIVE VOICE MATTERS: A FICTION WRITING WORKSHOP - LIVE Voice Matters: A Fiction Writing Workshop The Sentence as a Gift
Reif Larsen
Reif Larsen is the author of the novels I Am Radar and The Selected Works Of T.S. Spivet, which was a New York Times Bestseller and adapted for the screen by Jean-Pierre Jeunet (Amélie). He is also the author of two children’s books, Uma Wimple Charts Her House and The Path. Larsen’s essays and fiction have appeared in The New York Times, The Guardian, GQ, Tin House, The Globe & Mail, McSweeney’s, Travel & Leisure, one story, The Millions, and The Believer. He runs The Future of Small Cities Institute and The FOCUS Lab in Troy, NY.        
Voice Matters: a Fiction Workshop - LIVE Voice Matters: a Fiction Writing Workshop - LIVE VOICE MATTERS: A FICTION WRITING WORKSHOP - LIVE Voice Matters: A Fiction Writing Workshop The Sentence as a Gift
Reif Larsen
Reif Larsen is the author of the novels I Am Radar and The Selected Works Of T.S. Spivet, which was a New York Times Bestseller and adapted for the screen by Jean-Pierre Jeunet (Amélie). He is also the author of two children’s books, Uma Wimple Charts Her House and The Path. Larsen’s essays and fiction have appeared in The New York Times, The Guardian, GQ, Tin House, The Globe & Mail, McSweeney’s, Travel & Leisure, one story, The Millions, and The Believer. He runs The Future of Small Cities Institute and The FOCUS Lab in Troy, NY.        
Voice Matters: a Fiction Workshop - LIVE Voice Matters: a Fiction Writing Workshop - LIVE VOICE MATTERS: A FICTION WRITING WORKSHOP - LIVE Voice Matters: A Fiction Writing Workshop The Sentence as a Gift
Dorothea Lasky
Dorothea Lasky is the author of seven books of poetry and prose, including Animal (Wave Books). Currently, she teaches poetry at Columbia University School of the Arts and lives in New York City. Things Seen in Flowers: Poetry & the Occult Spring - LIVE
Dorianne Laux
Dorianne Laux’s sixth collection, Only As the Day Is Long: New and Selected Poems was named a finalist for the 2020 Pulitzer Prize for Poetry. Her fifth collection, The Book of Men, was awarded The Paterson Prize. Her fourth book of poems, Facts About the Moon, won The Oregon Book Award and was short-listed for the Lenore Marshall Poetry Prize. Laux is also the author of Awake; What We Carry, a finalist for the National Book Critic’s Circle Award; Smoke; as well as a fine small press edition, The Book of Women. She is the co-author of the celebrated text The Poet's Companion: A Guide to the Pleasures of Writing Poetry. Finger Exercises for Poets Finger Exercises for Poets: the Discrete Line - LIVE The Syllable & the Line - LIVE September Sprints with Dorianne Laux - LIVE The Brilliance of the Simple Line - LIVE Saturday Sprints with Dorianne Laux - LIVE MAKING A POEM MEMORABLE - LIVE
Dorianne Laux
Dorianne Laux’s sixth collection, Only As the Day Is Long: New and Selected Poems was named a finalist for the 2020 Pulitzer Prize for Poetry. Her fifth collection, The Book of Men, was awarded The Paterson Prize. Her fourth book of poems, Facts About the Moon, won The Oregon Book Award and was short-listed for the Lenore Marshall Poetry Prize. Laux is also the author of Awake; What We Carry, a finalist for the National Book Critic’s Circle Award; Smoke; as well as a fine small press edition, The Book of Women. She is the co-author of the celebrated text The Poet's Companion: A Guide to the Pleasures of Writing Poetry. Finger Exercises for Poets Finger Exercises for Poets: the Discrete Line - LIVE The Syllable & the Line - LIVE September Sprints with Dorianne Laux - LIVE The Brilliance of the Simple Line - LIVE Saturday Sprints with Dorianne Laux - LIVE MAKING A POEM MEMORABLE - LIVE
Dorianne Laux
Dorianne Laux’s sixth collection, Only As the Day Is Long: New and Selected Poems was named a finalist for the 2020 Pulitzer Prize for Poetry. Her fifth collection, The Book of Men, was awarded The Paterson Prize. Her fourth book of poems, Facts About the Moon, won The Oregon Book Award and was short-listed for the Lenore Marshall Poetry Prize. Laux is also the author of Awake; What We Carry, a finalist for the National Book Critic’s Circle Award; Smoke; as well as a fine small press edition, The Book of Women. She is the co-author of the celebrated text The Poet's Companion: A Guide to the Pleasures of Writing Poetry. Finger Exercises for Poets Finger Exercises for Poets: the Discrete Line - LIVE The Syllable & the Line - LIVE September Sprints with Dorianne Laux - LIVE The Brilliance of the Simple Line - LIVE Saturday Sprints with Dorianne Laux - LIVE MAKING A POEM MEMORABLE - LIVE
Dorianne Laux
Dorianne Laux’s sixth collection, Only As the Day Is Long: New and Selected Poems was named a finalist for the 2020 Pulitzer Prize for Poetry. Her fifth collection, The Book of Men, was awarded The Paterson Prize. Her fourth book of poems, Facts About the Moon, won The Oregon Book Award and was short-listed for the Lenore Marshall Poetry Prize. Laux is also the author of Awake; What We Carry, a finalist for the National Book Critic’s Circle Award; Smoke; as well as a fine small press edition, The Book of Women. She is the co-author of the celebrated text The Poet's Companion: A Guide to the Pleasures of Writing Poetry. Finger Exercises for Poets Finger Exercises for Poets: the Discrete Line - LIVE The Syllable & the Line - LIVE September Sprints with Dorianne Laux - LIVE The Brilliance of the Simple Line - LIVE Saturday Sprints with Dorianne Laux - LIVE MAKING A POEM MEMORABLE - LIVE
Dorianne Laux
Dorianne Laux’s sixth collection, Only As the Day Is Long: New and Selected Poems was named a finalist for the 2020 Pulitzer Prize for Poetry. Her fifth collection, The Book of Men, was awarded The Paterson Prize. Her fourth book of poems, Facts About the Moon, won The Oregon Book Award and was short-listed for the Lenore Marshall Poetry Prize. Laux is also the author of Awake; What We Carry, a finalist for the National Book Critic’s Circle Award; Smoke; as well as a fine small press edition, The Book of Women. She is the co-author of the celebrated text The Poet's Companion: A Guide to the Pleasures of Writing Poetry. Finger Exercises for Poets Finger Exercises for Poets: the Discrete Line - LIVE The Syllable & the Line - LIVE September Sprints with Dorianne Laux - LIVE The Brilliance of the Simple Line - LIVE Saturday Sprints with Dorianne Laux - LIVE MAKING A POEM MEMORABLE - LIVE
Dorianne Laux
Dorianne Laux’s sixth collection, Only As the Day Is Long: New and Selected Poems was named a finalist for the 2020 Pulitzer Prize for Poetry. Her fifth collection, The Book of Men, was awarded The Paterson Prize. Her fourth book of poems, Facts About the Moon, won The Oregon Book Award and was short-listed for the Lenore Marshall Poetry Prize. Laux is also the author of Awake; What We Carry, a finalist for the National Book Critic’s Circle Award; Smoke; as well as a fine small press edition, The Book of Women. She is the co-author of the celebrated text The Poet's Companion: A Guide to the Pleasures of Writing Poetry. Finger Exercises for Poets Finger Exercises for Poets: the Discrete Line - LIVE The Syllable & the Line - LIVE September Sprints with Dorianne Laux - LIVE The Brilliance of the Simple Line - LIVE Saturday Sprints with Dorianne Laux - LIVE MAKING A POEM MEMORABLE - LIVE
Dorianne Laux
Dorianne Laux’s sixth collection, Only As the Day Is Long: New and Selected Poems was named a finalist for the 2020 Pulitzer Prize for Poetry. Her fifth collection, The Book of Men, was awarded The Paterson Prize. Her fourth book of poems, Facts About the Moon, won The Oregon Book Award and was short-listed for the Lenore Marshall Poetry Prize. Laux is also the author of Awake; What We Carry, a finalist for the National Book Critic’s Circle Award; Smoke; as well as a fine small press edition, The Book of Women. She is the co-author of the celebrated text The Poet's Companion: A Guide to the Pleasures of Writing Poetry. Finger Exercises for Poets Finger Exercises for Poets: the Discrete Line - LIVE The Syllable & the Line - LIVE September Sprints with Dorianne Laux - LIVE The Brilliance of the Simple Line - LIVE Saturday Sprints with Dorianne Laux - LIVE MAKING A POEM MEMORABLE - LIVE
Joseph O. Legaspi
Joseph O. Legaspi, a Fulbright and NYFA fellow, is the author of the full-length collections Threshold and Imago, and two chapbooks: Aviary, Bestiary, winner of The Blair Prize, and Subways. Recent works appeared in POETRY, American Poetry Review, New England Review, Best of the Net, Orion, The Rumpus, and the Academy of American Poets’ Poem-A-Day. He cofounded Kundiman (www.kundiman.org), a non-profit organization serving Asian American writers.           I Must Confess - LIVE I Must Confess - LIVE I Must Confess
Joseph O. Legaspi
Joseph O. Legaspi, a Fulbright and NYFA fellow, is the author of the full-length collections Threshold and Imago, and two chapbooks: Aviary, Bestiary, winner of The Blair Prize, and Subways. Recent works appeared in POETRY, American Poetry Review, New England Review, Best of the Net, Orion, The Rumpus, and the Academy of American Poets’ Poem-A-Day. He cofounded Kundiman (www.kundiman.org), a non-profit organization serving Asian American writers.           I Must Confess - LIVE I Must Confess - LIVE I Must Confess
Joseph O. Legaspi
Joseph O. Legaspi, a Fulbright and NYFA fellow, is the author of the full-length collections Threshold and Imago, and two chapbooks: Aviary, Bestiary, winner of The Blair Prize, and Subways. Recent works appeared in POETRY, American Poetry Review, New England Review, Best of the Net, Orion, The Rumpus, and the Academy of American Poets’ Poem-A-Day. He cofounded Kundiman (www.kundiman.org), a non-profit organization serving Asian American writers.           I Must Confess - LIVE I Must Confess - LIVE I Must Confess
Ananda Lima
Ananda Lima is the author of Mother/land (Black Lawrence Press), winner of the Hudson Prize, and Craft: Stories I Wrote for the Devil (forthcoming with Tor), described as “truly wondrous” (Kevin Wilson), and “an absolutely thrilling reminder that short stories can be the best kind of magic” (Kelly Link). Her work has appeared in four chapbooks, including Amblyopia (Bull City Press), as well as The American Poetry Review, Poets.org, Kenyon Review Online, Gulf Coast, Witness, and elsewhere. She has been awarded the inaugural WIP Fellowship by Latinx-in-Publishing, sponsored by Macmillan Publishers, and served as as a mentor at the New York Foundation for the Arts (NYFA) Immigrant Artist Program. She has an MA in Linguistics from UCLA and an MFA from Rutgers University, Newark. Ananda Lima is also a photographer. Her photographs have appeared in The Huffington Post, The Chicago Reader, Mingle Magazine, Boro Magazine, Brooklyn the Borough, The Queens Chronicle, and elsewhere. They have been exhibited at the Eye Level Gallery, A Number of Names, Gallery 103, the Brooklyn Artillery at Castle Braid Art Fest, the LIC Arts Open, and other venues. Her photographs feature alongside her poetry in her digital hybrid chapbook Vigil (Get Fresh Press).     Ides of March, Rites of Spring: Writing Weather & Seasons - LIVE Ekphrastic Writing Ekphrastic Writing - LIVE Ekphrastic Writing - LIVE
Ananda Lima
Ananda Lima is the author of Mother/land (Black Lawrence Press), winner of the Hudson Prize, and Craft: Stories I Wrote for the Devil (forthcoming with Tor), described as “truly wondrous” (Kevin Wilson), and “an absolutely thrilling reminder that short stories can be the best kind of magic” (Kelly Link). Her work has appeared in four chapbooks, including Amblyopia (Bull City Press), as well as The American Poetry Review, Poets.org, Kenyon Review Online, Gulf Coast, Witness, and elsewhere. She has been awarded the inaugural WIP Fellowship by Latinx-in-Publishing, sponsored by Macmillan Publishers, and served as as a mentor at the New York Foundation for the Arts (NYFA) Immigrant Artist Program. She has an MA in Linguistics from UCLA and an MFA from Rutgers University, Newark. Ananda Lima is also a photographer. Her photographs have appeared in The Huffington Post, The Chicago Reader, Mingle Magazine, Boro Magazine, Brooklyn the Borough, The Queens Chronicle, and elsewhere. They have been exhibited at the Eye Level Gallery, A Number of Names, Gallery 103, the Brooklyn Artillery at Castle Braid Art Fest, the LIC Arts Open, and other venues. Her photographs feature alongside her poetry in her digital hybrid chapbook Vigil (Get Fresh Press).     Ides of March, Rites of Spring: Writing Weather & Seasons - LIVE Ekphrastic Writing Ekphrastic Writing - LIVE Ekphrastic Writing - LIVE
Ananda Lima
Ananda Lima is the author of Mother/land (Black Lawrence Press), winner of the Hudson Prize, and Craft: Stories I Wrote for the Devil (forthcoming with Tor), described as “truly wondrous” (Kevin Wilson), and “an absolutely thrilling reminder that short stories can be the best kind of magic” (Kelly Link). Her work has appeared in four chapbooks, including Amblyopia (Bull City Press), as well as The American Poetry Review, Poets.org, Kenyon Review Online, Gulf Coast, Witness, and elsewhere. She has been awarded the inaugural WIP Fellowship by Latinx-in-Publishing, sponsored by Macmillan Publishers, and served as as a mentor at the New York Foundation for the Arts (NYFA) Immigrant Artist Program. She has an MA in Linguistics from UCLA and an MFA from Rutgers University, Newark. Ananda Lima is also a photographer. Her photographs have appeared in The Huffington Post, The Chicago Reader, Mingle Magazine, Boro Magazine, Brooklyn the Borough, The Queens Chronicle, and elsewhere. They have been exhibited at the Eye Level Gallery, A Number of Names, Gallery 103, the Brooklyn Artillery at Castle Braid Art Fest, the LIC Arts Open, and other venues. Her photographs feature alongside her poetry in her digital hybrid chapbook Vigil (Get Fresh Press).     Ides of March, Rites of Spring: Writing Weather & Seasons - LIVE Ekphrastic Writing Ekphrastic Writing - LIVE Ekphrastic Writing - LIVE
Ananda Lima
Ananda Lima is the author of Mother/land (Black Lawrence Press), winner of the Hudson Prize, and Craft: Stories I Wrote for the Devil (forthcoming with Tor), described as “truly wondrous” (Kevin Wilson), and “an absolutely thrilling reminder that short stories can be the best kind of magic” (Kelly Link). Her work has appeared in four chapbooks, including Amblyopia (Bull City Press), as well as The American Poetry Review, Poets.org, Kenyon Review Online, Gulf Coast, Witness, and elsewhere. She has been awarded the inaugural WIP Fellowship by Latinx-in-Publishing, sponsored by Macmillan Publishers, and served as as a mentor at the New York Foundation for the Arts (NYFA) Immigrant Artist Program. She has an MA in Linguistics from UCLA and an MFA from Rutgers University, Newark. Ananda Lima is also a photographer. Her photographs have appeared in The Huffington Post, The Chicago Reader, Mingle Magazine, Boro Magazine, Brooklyn the Borough, The Queens Chronicle, and elsewhere. They have been exhibited at the Eye Level Gallery, A Number of Names, Gallery 103, the Brooklyn Artillery at Castle Braid Art Fest, the LIC Arts Open, and other venues. Her photographs feature alongside her poetry in her digital hybrid chapbook Vigil (Get Fresh Press).     Ides of March, Rites of Spring: Writing Weather & Seasons - LIVE Ekphrastic Writing Ekphrastic Writing - LIVE Ekphrastic Writing - LIVE
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Ada Limón

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center.

THE ART OF CONJURING: MAKING SOMETHING OUT OF NOTHING - LIVE The Art of Nothing: A Generative Poetry Workshop STAYING TRUE: AUTHENTICITY AND VOICE: Fall Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity and Voice: Summer Staying True: Authenticity and Voice: Spring Staying True: Authenticity and Voice: Winter Staying True: Authenticity and Voice: Fall Staying True: Authenticity & Voice: Spring Staying True: Authenticity & Voice: Winter Staying True: Authenticity & Voice: Fall
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Rebecca Lindenberg

Rebecca Lindenberg is the author of Love, An Index (McSweeney’s 2012) and The Logan Notebooks (Center for Literary Publishing 2014), which won the 2015 Utah Book Award.  She’s the recipient of an Amy Lowell Traveling Poetry Fellowship, a National Endowment for the Arts Literature Grant, a fellowship from the Fine Arts Work Center in Provincetown, and residencies at the MacDowell Arts Colony and the Sewanee Writers Conference.  Her work appears in Poetry, The Believer, Diagram, Smartish Pace, Conjunctions, and elsewhere.  She is a member of the Poetry Faculty at the University of Cincinnati, and the Queens University of Charlotte Low-Residency MFA Program.  She lives in Cincinnati with her big kid and her little cat.

WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Summer WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS for Winter WHAT I SHOULD HAVE SAID: WRITING FUNNY POEMS in Fall What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation: September What I Should Have Said: Writing Funny Poems Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation Writing for the Senses: Poetic Imagery, Experience, Emotion, and Evocation What I Should Have Said: Writing Funny Poems
Paul Lisicky
Paul Lisicky’s seven books include Later: My Life at the Edge of the World, The Narrow Door, Unbuilt Projects and Lawnboy. His work has appeared in The Atlantic, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, and elsewhere. His honors include fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Fine Arts Work Center, and the Rose Dorothea Award from the Provincetown Library. He is a Professor of English in the MFA Program at Rutgers University-Camden, where he is editor of StoryQuarterly. His seventh book, The Sky in It: A Life with Joni Mitchell, is forthcoming from HarperOne. Sprint Workshop with Paul Lisicky – LIVE ON URGENCY: MEMOIR/CREATIVE NONFICTION THROUGH A QUEER LENS - LIVE On Urgency: A Memoir and Creative Nonfiction Workshop
Paul Lisicky
Paul Lisicky’s seven books include Later: My Life at the Edge of the World, The Narrow Door, Unbuilt Projects and Lawnboy. His work has appeared in The Atlantic, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, and elsewhere. His honors include fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Fine Arts Work Center, and the Rose Dorothea Award from the Provincetown Library. He is a Professor of English in the MFA Program at Rutgers University-Camden, where he is editor of StoryQuarterly. His seventh book, The Sky in It: A Life with Joni Mitchell, is forthcoming from HarperOne. Sprint Workshop with Paul Lisicky – LIVE ON URGENCY: MEMOIR/CREATIVE NONFICTION THROUGH A QUEER LENS - LIVE On Urgency: A Memoir and Creative Nonfiction Workshop
Paul Lisicky
Paul Lisicky’s seven books include Later: My Life at the Edge of the World, The Narrow Door, Unbuilt Projects and Lawnboy. His work has appeared in The Atlantic, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, and elsewhere. His honors include fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Fine Arts Work Center, and the Rose Dorothea Award from the Provincetown Library. He is a Professor of English in the MFA Program at Rutgers University-Camden, where he is editor of StoryQuarterly. His seventh book, The Sky in It: A Life with Joni Mitchell, is forthcoming from HarperOne. Sprint Workshop with Paul Lisicky – LIVE ON URGENCY: MEMOIR/CREATIVE NONFICTION THROUGH A QUEER LENS - LIVE On Urgency: A Memoir and Creative Nonfiction Workshop
Devi Lockwood

Devi K. Lockwood is a poet / touring cyclist / storyteller currently traveling the world by bicycle and by boat to collect 1,001 stories from people she meets about water and/or climate change.

Her journey began with the September 21, 2014 People's Climate March in NYC. To date she has collected 441 stories (audio recordings) in the USA, Fiji, Tuvalu, New Zealand, and Australia. Lockwood is currently based in New Zealand to write a book proposal.

The plan down the line is to make a map on a website where you can click on a point and listen to a story someone has told her from that place.

Devi's work has been published in The Guardian, Storyscape, BOAAT, Gulf Coast, and elsewhere.

In May 2014, Devi graduated Phi Beta Kappa, summa cum laude from Harvard University where she studied Folklore & Mythology, earned a Language Citation in Arabic, and rowed for the Radcliffe Varsity Lightweight Women's Rowing team. She loves places where rivers meet the sea.

Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening
Devi Lockwood

Devi K. Lockwood is a poet / touring cyclist / storyteller currently traveling the world by bicycle and by boat to collect 1,001 stories from people she meets about water and/or climate change.

Her journey began with the September 21, 2014 People's Climate March in NYC. To date she has collected 441 stories (audio recordings) in the USA, Fiji, Tuvalu, New Zealand, and Australia. Lockwood is currently based in New Zealand to write a book proposal.

The plan down the line is to make a map on a website where you can click on a point and listen to a story someone has told her from that place.

Devi's work has been published in The Guardian, Storyscape, BOAAT, Gulf Coast, and elsewhere.

In May 2014, Devi graduated Phi Beta Kappa, summa cum laude from Harvard University where she studied Folklore & Mythology, earned a Language Citation in Arabic, and rowed for the Radcliffe Varsity Lightweight Women's Rowing team. She loves places where rivers meet the sea.

Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening
Devi Lockwood

Devi K. Lockwood is a poet / touring cyclist / storyteller currently traveling the world by bicycle and by boat to collect 1,001 stories from people she meets about water and/or climate change.

Her journey began with the September 21, 2014 People's Climate March in NYC. To date she has collected 441 stories (audio recordings) in the USA, Fiji, Tuvalu, New Zealand, and Australia. Lockwood is currently based in New Zealand to write a book proposal.

The plan down the line is to make a map on a website where you can click on a point and listen to a story someone has told her from that place.

Devi's work has been published in The Guardian, Storyscape, BOAAT, Gulf Coast, and elsewhere.

In May 2014, Devi graduated Phi Beta Kappa, summa cum laude from Harvard University where she studied Folklore & Mythology, earned a Language Citation in Arabic, and rowed for the Radcliffe Varsity Lightweight Women's Rowing team. She loves places where rivers meet the sea.

Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening
Devi Lockwood

Devi K. Lockwood is a poet / touring cyclist / storyteller currently traveling the world by bicycle and by boat to collect 1,001 stories from people she meets about water and/or climate change.

Her journey began with the September 21, 2014 People's Climate March in NYC. To date she has collected 441 stories (audio recordings) in the USA, Fiji, Tuvalu, New Zealand, and Australia. Lockwood is currently based in New Zealand to write a book proposal.

The plan down the line is to make a map on a website where you can click on a point and listen to a story someone has told her from that place.

Devi's work has been published in The Guardian, Storyscape, BOAAT, Gulf Coast, and elsewhere.

In May 2014, Devi graduated Phi Beta Kappa, summa cum laude from Harvard University where she studied Folklore & Mythology, earned a Language Citation in Arabic, and rowed for the Radcliffe Varsity Lightweight Women's Rowing team. She loves places where rivers meet the sea.

Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening
Devi Lockwood

Devi K. Lockwood is a poet / touring cyclist / storyteller currently traveling the world by bicycle and by boat to collect 1,001 stories from people she meets about water and/or climate change.

Her journey began with the September 21, 2014 People's Climate March in NYC. To date she has collected 441 stories (audio recordings) in the USA, Fiji, Tuvalu, New Zealand, and Australia. Lockwood is currently based in New Zealand to write a book proposal.

The plan down the line is to make a map on a website where you can click on a point and listen to a story someone has told her from that place.

Devi's work has been published in The Guardian, Storyscape, BOAAT, Gulf Coast, and elsewhere.

In May 2014, Devi graduated Phi Beta Kappa, summa cum laude from Harvard University where she studied Folklore & Mythology, earned a Language Citation in Arabic, and rowed for the Radcliffe Varsity Lightweight Women's Rowing team. She loves places where rivers meet the sea.

Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening
Devi Lockwood

Devi K. Lockwood is a poet / touring cyclist / storyteller currently traveling the world by bicycle and by boat to collect 1,001 stories from people she meets about water and/or climate change.

Her journey began with the September 21, 2014 People's Climate March in NYC. To date she has collected 441 stories (audio recordings) in the USA, Fiji, Tuvalu, New Zealand, and Australia. Lockwood is currently based in New Zealand to write a book proposal.

The plan down the line is to make a map on a website where you can click on a point and listen to a story someone has told her from that place.

Devi's work has been published in The Guardian, Storyscape, BOAAT, Gulf Coast, and elsewhere.

In May 2014, Devi graduated Phi Beta Kappa, summa cum laude from Harvard University where she studied Folklore & Mythology, earned a Language Citation in Arabic, and rowed for the Radcliffe Varsity Lightweight Women's Rowing team. She loves places where rivers meet the sea.

Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening Tangible Things: Object-based Storytelling Tell Me a Story: The Power of Deep Listening
Rachel Lyon

Rachel Lyon is the author of the novel SELF-PORTRAIT WITH BOY (Scribner 2018). Her shorter work has appeared or is forthcoming in Joyland, Iowa Review, Electric Literature, and other publications. She sends out a weekly writing/thinking prompts newsletter at tinyletter.com/rachellyon, and is a cofounder of the reading series Ditmas Lit, in her native Brooklyn NY. Visit her there, or online at www.rachellyon.work.

From Form and Function to Microfiction: An 8-Week Micro Craft Intensive
Ron MacLean

Ron MacLean, winner of the Frederick Exley Award for Short Fiction, is the author of the story collection Why the Long Face, and the novels Headlong (winner of the 2014 Indie Book Award for Best Mystery) and Blue Winnetka Skies. His stories have appeared in GQ, Narrative, Fiction International, Night Train, and elsewhere, and have received multiple Pushcart Prize nominations. He holds a Doctor of Arts from the University at Albany, SUNY.

Shaping Short Fiction: From Aristotle to Borges and Beyond
Carmen Maria Machado
Carmen Maria Machado is the author of the bestselling memoir In the Dream House, the graphic novel The Low, Low Woods, and the award-winning short story collection Her Body and Other Parties. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century." Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Vogue, This American Life, Harper’s Bazaar, Tin House, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, The Pew Center for Arts & Heritage, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the former Abrams Artist-in-Residence at the University of Pennsylvania. Sprint Workshop with Carmen Maria Machado - LIVE Sprint Workshop with Carmen Maria Machado - LIVE
Carmen Maria Machado
Carmen Maria Machado is the author of the bestselling memoir In the Dream House, the graphic novel The Low, Low Woods, and the award-winning short story collection Her Body and Other Parties. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century." Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Vogue, This American Life, Harper’s Bazaar, Tin House, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, The Pew Center for Arts & Heritage, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the former Abrams Artist-in-Residence at the University of Pennsylvania. Sprint Workshop with Carmen Maria Machado - LIVE Sprint Workshop with Carmen Maria Machado - LIVE
T Kira Madden

T Kira Madden is a writer, photographer, and amateur magician. A recipient of fellowships from the New York Foundation for the Arts, Hedgebrook, Tin House, the MacDowell Colony, and Yaddo, she serves as the founding Editor-in-chief of No Tokens, a magazine of literature and art. She is the author of the 2019 New York Times Editors’ Choice memoir, Long Live the Tribe of Fatherless Girls, and currently teaches at Sarah Lawrence College.

The Self, The Selves: A Memoir Workshop
Taylor Mali
Taylor Mali is one of the most well-known poets to have emerged from the poetry slam movement and one of the original poets to appear on the HBO series “Def Poetry Jam.” A four-time National Poetry Slam champion, he is the author of four collections of poetry and a chapbook, The Whetting Stone, which won the 2017 Rattle Chapbook Prize. He is the author of the acclaimed nonfiction book, What Teachers Make: In Praise of the Greatest Job in the World. In April of 2012, Mali donated 12 inches of his hair to the American Cancer Society after convincing 1,000 people to become teachers. He lives in Brooklyn where he curates the Page Meets Stage reading series at the Bowery Poetry Club. (Not) Only On Paper: Poetry from Page to Stage - LIVE
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Fred Marchant
Fred Marchant is the author of five books of poetry, the most recent of which is Said Not Said (2017), designated an Honored Book by the Massachusetts Book Awards. Earlier books include The Looking House, Full Moon Boat, and House on Water, House in Air, and Tipping Point, winner of the Washington Prize. Marchant has translated works by several contemporary Vietnamese poets and edited Another World Instead: The Early Poems of William Stafford.  ENERGIES OF THE DREAM: A POETRY WORKSHOP ENERGIES OF THE DREAM: A POETRY WORKSHOP - LIVE Water, Fire, Earth, and Air Water Flowing All Around: The Poetry of Oceans, Tides, Currents, Rivers, Creeks, and Streams Out There, In Here: Mysteries of the Ekphrastic Poem STAYING WITH IT: A FIVE-DAY MEDITATION IN POETRY FOR Spring Living the Dream Letters to the World Staying With It: A Five-Day Meditation in Poetry Staying With It: A Five-Day Meditation in Poetry for Fall Staying With It: A Five-Day Meditation in Poetry for Spring Deep Revision: The Poem as Discovery
Sabrina Orah Mark
Sabrina Orah Mark is the author of the poetry collections The Babies and Tsim Tsum. Wild Milk, her first book of fiction, is recently out from Dorothy, a publishing project. Happily, which began as a monthly column on fairytales and motherhood in The Paris Review, is forthcoming from Random House in 2023. She has received fellowships from the Creative Capital Foundation, the National Endowment for the Arts, the Sustainable Arts Foundation, and the Fine Arts Work Center in Provincetown, Massachusetts. She lives in Athens, Georgia. Beginning with the Impossible WRITING YOUR OBSESSION Writing into the Silences: A Multi-Genre Workshop Hybrid Forms
Sabrina Orah Mark
Sabrina Orah Mark is the author of the poetry collections The Babies and Tsim Tsum. Wild Milk, her first book of fiction, is recently out from Dorothy, a publishing project. Happily, which began as a monthly column on fairytales and motherhood in The Paris Review, is forthcoming from Random House in 2023. She has received fellowships from the Creative Capital Foundation, the National Endowment for the Arts, the Sustainable Arts Foundation, and the Fine Arts Work Center in Provincetown, Massachusetts. She lives in Athens, Georgia. Beginning with the Impossible WRITING YOUR OBSESSION Writing into the Silences: A Multi-Genre Workshop Hybrid Forms
Sabrina Orah Mark
Sabrina Orah Mark is the author of the poetry collections The Babies and Tsim Tsum. Wild Milk, her first book of fiction, is recently out from Dorothy, a publishing project. Happily, which began as a monthly column on fairytales and motherhood in The Paris Review, is forthcoming from Random House in 2023. She has received fellowships from the Creative Capital Foundation, the National Endowment for the Arts, the Sustainable Arts Foundation, and the Fine Arts Work Center in Provincetown, Massachusetts. She lives in Athens, Georgia. Beginning with the Impossible WRITING YOUR OBSESSION Writing into the Silences: A Multi-Genre Workshop Hybrid Forms
Sabrina Orah Mark
Sabrina Orah Mark is the author of the poetry collections The Babies and Tsim Tsum. Wild Milk, her first book of fiction, is recently out from Dorothy, a publishing project. Happily, which began as a monthly column on fairytales and motherhood in The Paris Review, is forthcoming from Random House in 2023. She has received fellowships from the Creative Capital Foundation, the National Endowment for the Arts, the Sustainable Arts Foundation, and the Fine Arts Work Center in Provincetown, Massachusetts. She lives in Athens, Georgia. Beginning with the Impossible WRITING YOUR OBSESSION Writing into the Silences: A Multi-Genre Workshop Hybrid Forms
Jennifer Martelli
Jennifer Martelli is the author of THE QUEEN OF QUEENS (Bordighera Press) and MY TARANTELLA (Bordighera Press), awarded an Honorable Mention from the Italian American Studies Association, selected as a 2019 “Must Read” by the Massachusetts Center for the Book, and named as a finalist for the Housatonic Book Award. She is also the author of the chapbooks In the Year of Ferraro from Nixes Mate Press and After Bird, winner of the Grey Book Press open reading, 2016. Her work has appeared as an Academy of American Poets Poem-a-Day, as well as in Poetry, The Tahoma Literary Review, The Sycamore Review, Cream City Review, Verse Daily, Iron Horse Review (winner of the Photo Finish contest), and elsewhere. Jennifer Martelli has twice received grants from the Massachusetts Cultural Council for her poetry. She is co-poetry editor for Mom Egg Review. Crossing That Line: a Generative and Revision Workshop
Alex Marzano-Lesnevich

Alexandria (Alex) Marzano-Lesnevich is the author of The Fact of a Body: A Murder and a Memoir, which received a Lambda Literary Award, the Chautauqua Prize, the Grand Prix des Lectrices ELLE, and the Prix France Inter-JDD, an award for one book of any genre in the world. Named one of the best books of the year by Entertainment Weekly, Audible.com, Bustle, Book Riot, The Times of London, The Guardian, and The Sydney Press Herald, it was an Indie Next Pick and a Junior Library Guild selection, long-listed for the Gordon Burn Prize, short-listed for the CWA Gold Dagger, a finalist for a New England Book Award and a Goodreads Choice Award, and has been translated into nine languages. The recipient of fellowships from The National Endowment for the Arts, MacDowell, Yaddo, and the Bread Loaf Writers Conference, as well as a Rona Jaffe Award, Marzano-Lesnevich has written for The New York Times, The New York Times Sunday Magazine, The Boston Globe, Oxford American, Harpers, and many other publications. They are an assistant professor at Bowdoin College and teach in the Pan-European low-residency MFA program. They live in Portland, Maine, with an enormous puppy.

Narrating Memoir: Who's Telling Your Life Story? Your Family Members, Your Characters Narrating Memoir: Who’s Telling Your Life Story? Narrating Memoir: Who’s Telling Your Life Story?
Alex Marzano-Lesnevich

Alexandria (Alex) Marzano-Lesnevich is the author of The Fact of a Body: A Murder and a Memoir, which received a Lambda Literary Award, the Chautauqua Prize, the Grand Prix des Lectrices ELLE, and the Prix France Inter-JDD, an award for one book of any genre in the world. Named one of the best books of the year by Entertainment Weekly, Audible.com, Bustle, Book Riot, The Times of London, The Guardian, and The Sydney Press Herald, it was an Indie Next Pick and a Junior Library Guild selection, long-listed for the Gordon Burn Prize, short-listed for the CWA Gold Dagger, a finalist for a New England Book Award and a Goodreads Choice Award, and has been translated into nine languages. The recipient of fellowships from The National Endowment for the Arts, MacDowell, Yaddo, and the Bread Loaf Writers Conference, as well as a Rona Jaffe Award, Marzano-Lesnevich has written for The New York Times, The New York Times Sunday Magazine, The Boston Globe, Oxford American, Harpers, and many other publications. They are an assistant professor at Bowdoin College and teach in the Pan-European low-residency MFA program. They live in Portland, Maine, with an enormous puppy.

Narrating Memoir: Who's Telling Your Life Story? Your Family Members, Your Characters Narrating Memoir: Who’s Telling Your Life Story? Narrating Memoir: Who’s Telling Your Life Story?
Alex Marzano-Lesnevich

Alexandria (Alex) Marzano-Lesnevich is the author of The Fact of a Body: A Murder and a Memoir, which received a Lambda Literary Award, the Chautauqua Prize, the Grand Prix des Lectrices ELLE, and the Prix France Inter-JDD, an award for one book of any genre in the world. Named one of the best books of the year by Entertainment Weekly, Audible.com, Bustle, Book Riot, The Times of London, The Guardian, and The Sydney Press Herald, it was an Indie Next Pick and a Junior Library Guild selection, long-listed for the Gordon Burn Prize, short-listed for the CWA Gold Dagger, a finalist for a New England Book Award and a Goodreads Choice Award, and has been translated into nine languages. The recipient of fellowships from The National Endowment for the Arts, MacDowell, Yaddo, and the Bread Loaf Writers Conference, as well as a Rona Jaffe Award, Marzano-Lesnevich has written for The New York Times, The New York Times Sunday Magazine, The Boston Globe, Oxford American, Harpers, and many other publications. They are an assistant professor at Bowdoin College and teach in the Pan-European low-residency MFA program. They live in Portland, Maine, with an enormous puppy.

Narrating Memoir: Who's Telling Your Life Story? Your Family Members, Your Characters Narrating Memoir: Who’s Telling Your Life Story? Narrating Memoir: Who’s Telling Your Life Story?
Alex Marzano-Lesnevich

Alexandria (Alex) Marzano-Lesnevich is the author of The Fact of a Body: A Murder and a Memoir, which received a Lambda Literary Award, the Chautauqua Prize, the Grand Prix des Lectrices ELLE, and the Prix France Inter-JDD, an award for one book of any genre in the world. Named one of the best books of the year by Entertainment Weekly, Audible.com, Bustle, Book Riot, The Times of London, The Guardian, and The Sydney Press Herald, it was an Indie Next Pick and a Junior Library Guild selection, long-listed for the Gordon Burn Prize, short-listed for the CWA Gold Dagger, a finalist for a New England Book Award and a Goodreads Choice Award, and has been translated into nine languages. The recipient of fellowships from The National Endowment for the Arts, MacDowell, Yaddo, and the Bread Loaf Writers Conference, as well as a Rona Jaffe Award, Marzano-Lesnevich has written for The New York Times, The New York Times Sunday Magazine, The Boston Globe, Oxford American, Harpers, and many other publications. They are an assistant professor at Bowdoin College and teach in the Pan-European low-residency MFA program. They live in Portland, Maine, with an enormous puppy.

Narrating Memoir: Who's Telling Your Life Story? Your Family Members, Your Characters Narrating Memoir: Who’s Telling Your Life Story? Narrating Memoir: Who’s Telling Your Life Story?
Adrian Matejka
Adrian Matejka is the author of six books, most recently a mixed media collection inspired by Funkadelic, Standing on the Verge & Maggot Brain (Third Man Books, 2021), and a collection of poems Somebody Else Sold the World (Penguin, 2021). His book The Big Smoke (Penguin, 2013), was awarded the Anisfield-Wolf Book Award and was a finalist for the National Book Award and Pulitzer Prize in poetry. Among Matejka’s other honors are fellowships from the Academy of American Poets, the Guggenheim Foundation, the Lannan Foundation, the National Endowment for the Arts, the Rockefeller Foundation, and a Simon Fellowship from United States Artists. He is the Ruth Lilly Professor of Poetry at Indiana University Bloomington and was Poet Laureate of the state of Indiana in 2018-19.   With a Voice Like That: Developing Voice and Persona in Poems The Music in My Head: Five Ways of Hearing a Poem
Adrian Matejka
Adrian Matejka is the author of six books, most recently a mixed media collection inspired by Funkadelic, Standing on the Verge & Maggot Brain (Third Man Books, 2021), and a collection of poems Somebody Else Sold the World (Penguin, 2021). His book The Big Smoke (Penguin, 2013), was awarded the Anisfield-Wolf Book Award and was a finalist for the National Book Award and Pulitzer Prize in poetry. Among Matejka’s other honors are fellowships from the Academy of American Poets, the Guggenheim Foundation, the Lannan Foundation, the National Endowment for the Arts, the Rockefeller Foundation, and a Simon Fellowship from United States Artists. He is the Ruth Lilly Professor of Poetry at Indiana University Bloomington and was Poet Laureate of the state of Indiana in 2018-19.   With a Voice Like That: Developing Voice and Persona in Poems The Music in My Head: Five Ways of Hearing a Poem
Gail Mazur
Gail Mazur is the author of eight collections of poems, the most recent LAND’S END: New and Selected Poems (University of Chicago Press, 2020). She has taught widely, including in the graduate programs of Boston University, University of Houston, and Emerson College. She is founding director of the Blacksmith House Poetry Series in Cambridge, where she lives when not in Provincetown.           WRITING POEMS: VISION & REVISION - LIVE
Thomas Page McBee

Thomas Page McBee is the author of the memoir Man Alive: A True Story of Violence, Forgiveness, and Becoming a Man (City Lights), which was the recipient of a LAMBDA literary award and named a best book of 2014 by NPR Books and BuzzFeed. His writing and reportage on gender appear in the New York Times, Playboy, Glamour, VICE, The Rumpus, and the Pacific Standard, where he writes the column, "The American Man." He lives in New York, where he is editor and director of growth at Quartz (Atlantic Media).
 

The Reported Life: Using Journalism to Tell a Truer Story: Fall The Reported Life: Using Journalism to Tell a Truer Story
Thomas Page McBee

Thomas Page McBee is the author of the memoir Man Alive: A True Story of Violence, Forgiveness, and Becoming a Man (City Lights), which was the recipient of a LAMBDA literary award and named a best book of 2014 by NPR Books and BuzzFeed. His writing and reportage on gender appear in the New York Times, Playboy, Glamour, VICE, The Rumpus, and the Pacific Standard, where he writes the column, "The American Man." He lives in New York, where he is editor and director of growth at Quartz (Atlantic Media).
 

The Reported Life: Using Journalism to Tell a Truer Story: Fall The Reported Life: Using Journalism to Tell a Truer Story
Nathan McClain
Nathan McClain is the author of two collections of poetry—Previously Owned (2022), which was longlisted for the 23rd annual Massachusetts Book Award, and Scale (2017)—both from Four Way Books. He is a recipient of fellowships from The Frost Place, Sewanee Writers Conference, and the Bread Loaf Writers Conference; as well, he's a graduate from the M.F.A. Program for Writers at Warren Wilson. A Cave Canem fellow, his poems and prose have recently appeared or are forthcoming in Plume Poetry Anthology 10, The Common, Guesthouse, Poetry Northwest, and Zocalo Public Square, among others. He teaches at Hampshire College and serves as poetry editor of the Massachusetts Review. Duck, Duck, ______: Patterns & So On
Jill McDonough

Jill McDonough is the author of Habeas Corpus (Salt, 2008), Oh, James! (Seven Kitchens, 2012), Where You Live (Salt, 2012), and Reaper (Alice James, 2017). The recipient of three Pushcart prizes and fellowships from the Lannan Foundation, the National Endowment for the Arts, the Fine Arts Work Center, the Cullman Center at the New York Public Library, the Library of Congress, and Stanford’s Stegner program, her work appears in Poetry, Slate, The Nation, The Threepenny Review, and Best American Poetry.  Her fifth poetry collection, Here All Night, is forthcoming from Alice James Books.

The Dead of Winter: Finding Inspiration Without Finding Your Shoes
Campbell McGrath
Campbell McGrath is the author of eleven books of poetry, including Spring Comes to Chicago, Seven Notebooks, XX: Poems for the Twentieth Century, a Finalist for the 2017 Pulitzer Prize, and most recently Nouns & Verbs: New and Selected Poems. He has received numerous literary prizes for his work, including the Kingsley Tufts Award, a Guggenheim Fellowship, and a MacArthur Fellowship. He lives with his family in Miami Beach and teaches at Florida International University. POETRY & THE WORLD - LIVE
Charles McLeod

Charles McLeod is the author of a novel, American Weather, and a collection of stories, National Treasures. He is the recipient of a Pushcart Prize and fellowships from the University of Virginia, the Fine Arts Work Center in Provincetown, and San Jose State University, where he was a Steinbeck Fellow. His third book and second collection, Settlers of Unassigned Lands, is forthcoming from University of Michigan Press this year. He teaches in the MFA Program at Portland State University.

New Forms of Fiction
Sarah Messer

Sarah Messer has received grants and awards from the National Endowment for the Arts, the Mellon Foundation, the Fine Arts Work Center in Provincetown, the Michigan Council for the Arts and others. She is the author of four books: two poetry collections, Bandit Letters (New Issues, 2001), Dress Made of Mice (Black Lawrence, 2015), a history/memoir Red House (Viking, 2004), and a book of translations, Having Once Paused, Poems of Zen Master Ikkyu (University of Michigan Press, 2015). Red House was a Barnes and Noble “Discover Great New Writers” pick for Fall 2004. In 2008-2009, she was a Poetry Fellow at the Radcliffe Institute for Advanced Studies. For many years Sarah taught in the MFA program at the University of North Carolina-Wilmington. Currently she runs One Pause Poetry (onepausepoetry.org) in Ann Arbor, Michigan and works at White Lotus Farms.

Facts, Research, and Memoir: Fall Facts, Research, and Memoir: Spring Facts, Research, and Memoir: Winter Facts, Research, and Memoir
Sarah Messer

Sarah Messer has received grants and awards from the National Endowment for the Arts, the Mellon Foundation, the Fine Arts Work Center in Provincetown, the Michigan Council for the Arts and others. She is the author of four books: two poetry collections, Bandit Letters (New Issues, 2001), Dress Made of Mice (Black Lawrence, 2015), a history/memoir Red House (Viking, 2004), and a book of translations, Having Once Paused, Poems of Zen Master Ikkyu (University of Michigan Press, 2015). Red House was a Barnes and Noble “Discover Great New Writers” pick for Fall 2004. In 2008-2009, she was a Poetry Fellow at the Radcliffe Institute for Advanced Studies. For many years Sarah taught in the MFA program at the University of North Carolina-Wilmington. Currently she runs One Pause Poetry (onepausepoetry.org) in Ann Arbor, Michigan and works at White Lotus Farms.

Facts, Research, and Memoir: Fall Facts, Research, and Memoir: Spring Facts, Research, and Memoir: Winter Facts, Research, and Memoir
Sarah Messer

Sarah Messer has received grants and awards from the National Endowment for the Arts, the Mellon Foundation, the Fine Arts Work Center in Provincetown, the Michigan Council for the Arts and others. She is the author of four books: two poetry collections, Bandit Letters (New Issues, 2001), Dress Made of Mice (Black Lawrence, 2015), a history/memoir Red House (Viking, 2004), and a book of translations, Having Once Paused, Poems of Zen Master Ikkyu (University of Michigan Press, 2015). Red House was a Barnes and Noble “Discover Great New Writers” pick for Fall 2004. In 2008-2009, she was a Poetry Fellow at the Radcliffe Institute for Advanced Studies. For many years Sarah taught in the MFA program at the University of North Carolina-Wilmington. Currently she runs One Pause Poetry (onepausepoetry.org) in Ann Arbor, Michigan and works at White Lotus Farms.

Facts, Research, and Memoir: Fall Facts, Research, and Memoir: Spring Facts, Research, and Memoir: Winter Facts, Research, and Memoir
Sarah Messer

Sarah Messer has received grants and awards from the National Endowment for the Arts, the Mellon Foundation, the Fine Arts Work Center in Provincetown, the Michigan Council for the Arts and others. She is the author of four books: two poetry collections, Bandit Letters (New Issues, 2001), Dress Made of Mice (Black Lawrence, 2015), a history/memoir Red House (Viking, 2004), and a book of translations, Having Once Paused, Poems of Zen Master Ikkyu (University of Michigan Press, 2015). Red House was a Barnes and Noble “Discover Great New Writers” pick for Fall 2004. In 2008-2009, she was a Poetry Fellow at the Radcliffe Institute for Advanced Studies. For many years Sarah taught in the MFA program at the University of North Carolina-Wilmington. Currently she runs One Pause Poetry (onepausepoetry.org) in Ann Arbor, Michigan and works at White Lotus Farms.

Facts, Research, and Memoir: Fall Facts, Research, and Memoir: Spring Facts, Research, and Memoir: Winter Facts, Research, and Memoir
Philip Metres
Philip Metres is the author of Pictures at an Exhibition (2016), Sand Opera (2015), I Burned at the Feast: Selected Poems of Arseny Tarkovsky (2015), A Concordance of Leaves (2013), To See the Earth (2008) and others. His work has garnered a Lannan fellowship, two NEAs, six Ohio Arts Council Grants, the Hunt Prize, the Beatrice Hawley Award, two Arab American Book Awards, the Watson Fellowship, the Creative Workforce Fellowship, the Cleveland Arts Prize, and a PEN/Heim Translation Fund grant. He is professor of English and director of the Peace, Justice, and Human Rights program at John Carroll University. 
 
 
Inviting the Infinite: Poetry and/as Prayer
Matt Miller

Matt W. Miller is the author of the collections The Wounded for the Water (Salomon Poetry), Club Icarus, selected by Major Jackson as the winner of the 2012 Vassar Miller Poetry Prize and Cameo Diner: Poems. He has published poems and essays in Harvard Review, 32 Poems, Narrative Magazine, Notre Dame Review, Adroit Journal, Southwest Review, and crazyhorse, among other journals. Winner of the River Styx Microbrew/Microfiction Prize and Iron Horse Review's Trifecta Poetry Prize, he is a former Wallace Stegner Fellow in Poetry at Stanford University and a Walter E. Dakin Fellow in Poetry at the Sewanee Writers' Conference. He teaches English at Phillips Exeter Academy and lives with his family in coastal New Hampshire.

 

 

Haunting and the Haunted: Finding and the Honing the Poetry of Place Tiny Tales, Prose Poems, and Micro Memoirs Tiny Tales, Prose Poems, and Micro Memoirs
Matt Miller

Matt W. Miller is the author of the collections The Wounded for the Water (Salomon Poetry), Club Icarus, selected by Major Jackson as the winner of the 2012 Vassar Miller Poetry Prize and Cameo Diner: Poems. He has published poems and essays in Harvard Review, 32 Poems, Narrative Magazine, Notre Dame Review, Adroit Journal, Southwest Review, and crazyhorse, among other journals. Winner of the River Styx Microbrew/Microfiction Prize and Iron Horse Review's Trifecta Poetry Prize, he is a former Wallace Stegner Fellow in Poetry at Stanford University and a Walter E. Dakin Fellow in Poetry at the Sewanee Writers' Conference. He teaches English at Phillips Exeter Academy and lives with his family in coastal New Hampshire.

 

 

Haunting and the Haunted: Finding and the Honing the Poetry of Place Tiny Tales, Prose Poems, and Micro Memoirs Tiny Tales, Prose Poems, and Micro Memoirs
Matt Miller

Matt W. Miller is the author of the collections The Wounded for the Water (Salomon Poetry), Club Icarus, selected by Major Jackson as the winner of the 2012 Vassar Miller Poetry Prize and Cameo Diner: Poems. He has published poems and essays in Harvard Review, 32 Poems, Narrative Magazine, Notre Dame Review, Adroit Journal, Southwest Review, and crazyhorse, among other journals. Winner of the River Styx Microbrew/Microfiction Prize and Iron Horse Review's Trifecta Poetry Prize, he is a former Wallace Stegner Fellow in Poetry at Stanford University and a Walter E. Dakin Fellow in Poetry at the Sewanee Writers' Conference. He teaches English at Phillips Exeter Academy and lives with his family in coastal New Hampshire.

 

 

Haunting and the Haunted: Finding and the Honing the Poetry of Place Tiny Tales, Prose Poems, and Micro Memoirs Tiny Tales, Prose Poems, and Micro Memoirs
Lydia Millet

Lydia Millet is the author of fourteen works of fiction. An early novel, My Happy Life, won the PEN-USA award for fiction; a story collection called Love in Infant Monkeys was a finalist for the Pulitzer Prize, and her most recent novel, Sweet Lamb of Heaven, was a finalist for the 2016 National Book Award. She lives in the desert outside Tucson, Arizona, and has taught at both Columbia University and the University of Arizona.

Fierce Fiction in Five Days Fierce Fiction: Five Days Fierce Fiction in Five Days: Spring The Charismatic Narrator The Charismatic Narrator
Lydia Millet

Lydia Millet is the author of fourteen works of fiction. An early novel, My Happy Life, won the PEN-USA award for fiction; a story collection called Love in Infant Monkeys was a finalist for the Pulitzer Prize, and her most recent novel, Sweet Lamb of Heaven, was a finalist for the 2016 National Book Award. She lives in the desert outside Tucson, Arizona, and has taught at both Columbia University and the University of Arizona.

Fierce Fiction in Five Days Fierce Fiction: Five Days Fierce Fiction in Five Days: Spring The Charismatic Narrator The Charismatic Narrator
Lydia Millet

Lydia Millet is the author of fourteen works of fiction. An early novel, My Happy Life, won the PEN-USA award for fiction; a story collection called Love in Infant Monkeys was a finalist for the Pulitzer Prize, and her most recent novel, Sweet Lamb of Heaven, was a finalist for the 2016 National Book Award. She lives in the desert outside Tucson, Arizona, and has taught at both Columbia University and the University of Arizona.

Fierce Fiction in Five Days Fierce Fiction: Five Days Fierce Fiction in Five Days: Spring The Charismatic Narrator The Charismatic Narrator
Lydia Millet

Lydia Millet is the author of fourteen works of fiction. An early novel, My Happy Life, won the PEN-USA award for fiction; a story collection called Love in Infant Monkeys was a finalist for the Pulitzer Prize, and her most recent novel, Sweet Lamb of Heaven, was a finalist for the 2016 National Book Award. She lives in the desert outside Tucson, Arizona, and has taught at both Columbia University and the University of Arizona.

Fierce Fiction in Five Days Fierce Fiction: Five Days Fierce Fiction in Five Days: Spring The Charismatic Narrator The Charismatic Narrator
Lydia Millet

Lydia Millet is the author of fourteen works of fiction. An early novel, My Happy Life, won the PEN-USA award for fiction; a story collection called Love in Infant Monkeys was a finalist for the Pulitzer Prize, and her most recent novel, Sweet Lamb of Heaven, was a finalist for the 2016 National Book Award. She lives in the desert outside Tucson, Arizona, and has taught at both Columbia University and the University of Arizona.

Fierce Fiction in Five Days Fierce Fiction: Five Days Fierce Fiction in Five Days: Spring The Charismatic Narrator The Charismatic Narrator
Tyler Mills
Tyler Mills is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC and is forthcoming from Unbound Edition Press in 2024. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College’s Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY.         Radical Revision: Preparing Poems for Publication Poems that Travel--A Writing Residency at Home Radical Revision: Preparing Poems for Publication Poems that Travel—A Writing Residency at Home RADICAL REVISION: PREPARING POEMS FOR PUBLICATION Radical Revision: Preparing Poems for Publication Poems that Travel – A Writing Residency at Home Community and Compassion: Finding Ourselves Through Us, You, and We Radical Revision: Preparing Poems for Publication
Tyler Mills
Tyler Mills is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC and is forthcoming from Unbound Edition Press in 2024. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College’s Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY.         Radical Revision: Preparing Poems for Publication Poems that Travel--A Writing Residency at Home Radical Revision: Preparing Poems for Publication Poems that Travel—A Writing Residency at Home RADICAL REVISION: PREPARING POEMS FOR PUBLICATION Radical Revision: Preparing Poems for Publication Poems that Travel – A Writing Residency at Home Community and Compassion: Finding Ourselves Through Us, You, and We Radical Revision: Preparing Poems for Publication
Tyler Mills
Tyler Mills is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC and is forthcoming from Unbound Edition Press in 2024. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College’s Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY.         Radical Revision: Preparing Poems for Publication Poems that Travel--A Writing Residency at Home Radical Revision: Preparing Poems for Publication Poems that Travel—A Writing Residency at Home RADICAL REVISION: PREPARING POEMS FOR PUBLICATION Radical Revision: Preparing Poems for Publication Poems that Travel – A Writing Residency at Home Community and Compassion: Finding Ourselves Through Us, You, and We Radical Revision: Preparing Poems for Publication
Tyler Mills
Tyler Mills is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC and is forthcoming from Unbound Edition Press in 2024. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College’s Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY.         Radical Revision: Preparing Poems for Publication Poems that Travel--A Writing Residency at Home Radical Revision: Preparing Poems for Publication Poems that Travel—A Writing Residency at Home RADICAL REVISION: PREPARING POEMS FOR PUBLICATION Radical Revision: Preparing Poems for Publication Poems that Travel – A Writing Residency at Home Community and Compassion: Finding Ourselves Through Us, You, and We Radical Revision: Preparing Poems for Publication
Tyler Mills
Tyler Mills is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC and is forthcoming from Unbound Edition Press in 2024. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College’s Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY.         Radical Revision: Preparing Poems for Publication Poems that Travel--A Writing Residency at Home Radical Revision: Preparing Poems for Publication Poems that Travel—A Writing Residency at Home RADICAL REVISION: PREPARING POEMS FOR PUBLICATION Radical Revision: Preparing Poems for Publication Poems that Travel – A Writing Residency at Home Community and Compassion: Finding Ourselves Through Us, You, and We Radical Revision: Preparing Poems for Publication
Tyler Mills
Tyler Mills is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC and is forthcoming from Unbound Edition Press in 2024. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College’s Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY.         Radical Revision: Preparing Poems for Publication Poems that Travel--A Writing Residency at Home Radical Revision: Preparing Poems for Publication Poems that Travel—A Writing Residency at Home RADICAL REVISION: PREPARING POEMS FOR PUBLICATION Radical Revision: Preparing Poems for Publication Poems that Travel – A Writing Residency at Home Community and Compassion: Finding Ourselves Through Us, You, and We Radical Revision: Preparing Poems for Publication
Tyler Mills
Tyler Mills is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC and is forthcoming from Unbound Edition Press in 2024. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College’s Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY.         Radical Revision: Preparing Poems for Publication Poems that Travel--A Writing Residency at Home Radical Revision: Preparing Poems for Publication Poems that Travel—A Writing Residency at Home RADICAL REVISION: PREPARING POEMS FOR PUBLICATION Radical Revision: Preparing Poems for Publication Poems that Travel – A Writing Residency at Home Community and Compassion: Finding Ourselves Through Us, You, and We Radical Revision: Preparing Poems for Publication
Tyler Mills
Tyler Mills is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC and is forthcoming from Unbound Edition Press in 2024. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College’s Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY.         Radical Revision: Preparing Poems for Publication Poems that Travel--A Writing Residency at Home Radical Revision: Preparing Poems for Publication Poems that Travel—A Writing Residency at Home RADICAL REVISION: PREPARING POEMS FOR PUBLICATION Radical Revision: Preparing Poems for Publication Poems that Travel – A Writing Residency at Home Community and Compassion: Finding Ourselves Through Us, You, and We Radical Revision: Preparing Poems for Publication
Tyler Mills
Tyler Mills is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC and is forthcoming from Unbound Edition Press in 2024. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College’s Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY.         Radical Revision: Preparing Poems for Publication Poems that Travel--A Writing Residency at Home Radical Revision: Preparing Poems for Publication Poems that Travel—A Writing Residency at Home RADICAL REVISION: PREPARING POEMS FOR PUBLICATION Radical Revision: Preparing Poems for Publication Poems that Travel – A Writing Residency at Home Community and Compassion: Finding Ourselves Through Us, You, and We Radical Revision: Preparing Poems for Publication
Rebecca Morgan Frank
Rebecca Morgan Frank Rebecca Morgan Frank is the author of four books of poetry: Oh You Robot Saints! (2021), Sometimes We’re All Living in a Foreign Country (2017), and The Spokes of Venus (2016), all from Carnegie Mellon University Press, and Little Murders Everywhere (Salmon Poetry, 2012), shortlisted for the Kate Tufts Discovery Award. Her poetry has appeared such places as The New Yorker, American Poetry Review, Ploughshares, The Kenyon Review, The Southern Review, Poetry Ireland, and the Academy of American Poets Poem-a-Day. Her collaborations with composers are performed and exhibited across the country. She is the recipient of the Poetry Society of America’s Alice Fay di Castagnola Award, a Meier Achievement Award, a Mississippi Arts Commission Fellowship in Poetry, a Richard S. and Julia Louise Reynolds Fellowship for the Virginia Center for Creative Arts, and fellowships from the Sewanee Writers’ Conference and The Ragdale Foundation. She holds an MFA from Emerson College and a doctorate from the University of Cincinnati, where she was an Elliston Poetry Fellow, and she has taught in graduate programs at UC Irvine, Northwestern University, Bowling Green State University, and the University of Southern Mississippi. Co-founder and editor-in-chief of the online magazine Memorious, Frank lives outside of Chicago, where she serves on the board of the National Book Critics Circle and is a reviewer for the Poetry Foundation's Harriet Books.         Poetry Book (or Chapbook) Bootcamp Poetry Book (or Chapbook) Bootcamp Discovering New Directions: A Poetry Workshop THE ART OF GETTING UNSTUCK: WRITING YOUR WAY BACK INTO THE POEM - LIVE
Rebecca Morgan Frank
Rebecca Morgan Frank Rebecca Morgan Frank is the author of four books of poetry: Oh You Robot Saints! (2021), Sometimes We’re All Living in a Foreign Country (2017), and The Spokes of Venus (2016), all from Carnegie Mellon University Press, and Little Murders Everywhere (Salmon Poetry, 2012), shortlisted for the Kate Tufts Discovery Award. Her poetry has appeared such places as The New Yorker, American Poetry Review, Ploughshares, The Kenyon Review, The Southern Review, Poetry Ireland, and the Academy of American Poets Poem-a-Day. Her collaborations with composers are performed and exhibited across the country. She is the recipient of the Poetry Society of America’s Alice Fay di Castagnola Award, a Meier Achievement Award, a Mississippi Arts Commission Fellowship in Poetry, a Richard S. and Julia Louise Reynolds Fellowship for the Virginia Center for Creative Arts, and fellowships from the Sewanee Writers’ Conference and The Ragdale Foundation. She holds an MFA from Emerson College and a doctorate from the University of Cincinnati, where she was an Elliston Poetry Fellow, and she has taught in graduate programs at UC Irvine, Northwestern University, Bowling Green State University, and the University of Southern Mississippi. Co-founder and editor-in-chief of the online magazine Memorious, Frank lives outside of Chicago, where she serves on the board of the National Book Critics Circle and is a reviewer for the Poetry Foundation's Harriet Books.         Poetry Book (or Chapbook) Bootcamp Poetry Book (or Chapbook) Bootcamp Discovering New Directions: A Poetry Workshop THE ART OF GETTING UNSTUCK: WRITING YOUR WAY BACK INTO THE POEM - LIVE
Rebecca Morgan Frank
Rebecca Morgan Frank Rebecca Morgan Frank is the author of four books of poetry: Oh You Robot Saints! (2021), Sometimes We’re All Living in a Foreign Country (2017), and The Spokes of Venus (2016), all from Carnegie Mellon University Press, and Little Murders Everywhere (Salmon Poetry, 2012), shortlisted for the Kate Tufts Discovery Award. Her poetry has appeared such places as The New Yorker, American Poetry Review, Ploughshares, The Kenyon Review, The Southern Review, Poetry Ireland, and the Academy of American Poets Poem-a-Day. Her collaborations with composers are performed and exhibited across the country. She is the recipient of the Poetry Society of America’s Alice Fay di Castagnola Award, a Meier Achievement Award, a Mississippi Arts Commission Fellowship in Poetry, a Richard S. and Julia Louise Reynolds Fellowship for the Virginia Center for Creative Arts, and fellowships from the Sewanee Writers’ Conference and The Ragdale Foundation. She holds an MFA from Emerson College and a doctorate from the University of Cincinnati, where she was an Elliston Poetry Fellow, and she has taught in graduate programs at UC Irvine, Northwestern University, Bowling Green State University, and the University of Southern Mississippi. Co-founder and editor-in-chief of the online magazine Memorious, Frank lives outside of Chicago, where she serves on the board of the National Book Critics Circle and is a reviewer for the Poetry Foundation's Harriet Books.         Poetry Book (or Chapbook) Bootcamp Poetry Book (or Chapbook) Bootcamp Discovering New Directions: A Poetry Workshop THE ART OF GETTING UNSTUCK: WRITING YOUR WAY BACK INTO THE POEM - LIVE
Rebecca Morgan Frank
Rebecca Morgan Frank Rebecca Morgan Frank is the author of four books of poetry: Oh You Robot Saints! (2021), Sometimes We’re All Living in a Foreign Country (2017), and The Spokes of Venus (2016), all from Carnegie Mellon University Press, and Little Murders Everywhere (Salmon Poetry, 2012), shortlisted for the Kate Tufts Discovery Award. Her poetry has appeared such places as The New Yorker, American Poetry Review, Ploughshares, The Kenyon Review, The Southern Review, Poetry Ireland, and the Academy of American Poets Poem-a-Day. Her collaborations with composers are performed and exhibited across the country. She is the recipient of the Poetry Society of America’s Alice Fay di Castagnola Award, a Meier Achievement Award, a Mississippi Arts Commission Fellowship in Poetry, a Richard S. and Julia Louise Reynolds Fellowship for the Virginia Center for Creative Arts, and fellowships from the Sewanee Writers’ Conference and The Ragdale Foundation. She holds an MFA from Emerson College and a doctorate from the University of Cincinnati, where she was an Elliston Poetry Fellow, and she has taught in graduate programs at UC Irvine, Northwestern University, Bowling Green State University, and the University of Southern Mississippi. Co-founder and editor-in-chief of the online magazine Memorious, Frank lives outside of Chicago, where she serves on the board of the National Book Critics Circle and is a reviewer for the Poetry Foundation's Harriet Books.         Poetry Book (or Chapbook) Bootcamp Poetry Book (or Chapbook) Bootcamp Discovering New Directions: A Poetry Workshop THE ART OF GETTING UNSTUCK: WRITING YOUR WAY BACK INTO THE POEM - LIVE
John Murillo
John Murillo is the author of the poetry collections Up Jump the Boogie (Four Way Books 2020; Cypher 2010), finalist for both the Kate Tufts Discovery Award and the Pen Open Book Award, and Kontemporary Amerikan Poetry (Four Way 2020), winner of the Kingsley Tufts Poetry Award and the Poetry Society of Virginia’s North American Book Award, and finalist for the PEN/Voelcker Award for Poetry and the NAACP Image Award. His many honors include the Four Quartets Prize from the T.S. Eliot Foundation and the Poetry Society of America, two Larry Neal Writers Awards, a pair of Pushcart Prizes, the J Howard and Barbara MJ Wood Prize from the Poetry Foundation, and fellowships from the National Endowment for the Arts, the Bread Loaf Writers Conference, Fine Arts Work Center, Cave Canem, and the Wisconsin Institute for Creative Writing. Recently, his poems appeared in American Poetry Review, Poetry, and Best American Poetry 2017, 2019, and 2020. He is an Associate Professor of English at Wesleyan University. Gimme the Loot: How to Steal Like a Poet - LIVE CUT, SCRATCH & BLEND: REVISION AS REMIX - LIVE Cut, Scratch, and Blend - Revision as Remix: A Poetry Workshop
John Murillo
John Murillo is the author of the poetry collections Up Jump the Boogie (Four Way Books 2020; Cypher 2010), finalist for both the Kate Tufts Discovery Award and the Pen Open Book Award, and Kontemporary Amerikan Poetry (Four Way 2020), winner of the Kingsley Tufts Poetry Award and the Poetry Society of Virginia’s North American Book Award, and finalist for the PEN/Voelcker Award for Poetry and the NAACP Image Award. His many honors include the Four Quartets Prize from the T.S. Eliot Foundation and the Poetry Society of America, two Larry Neal Writers Awards, a pair of Pushcart Prizes, the J Howard and Barbara MJ Wood Prize from the Poetry Foundation, and fellowships from the National Endowment for the Arts, the Bread Loaf Writers Conference, Fine Arts Work Center, Cave Canem, and the Wisconsin Institute for Creative Writing. Recently, his poems appeared in American Poetry Review, Poetry, and Best American Poetry 2017, 2019, and 2020. He is an Associate Professor of English at Wesleyan University. Gimme the Loot: How to Steal Like a Poet - LIVE CUT, SCRATCH & BLEND: REVISION AS REMIX - LIVE Cut, Scratch, and Blend - Revision as Remix: A Poetry Workshop
John Murillo
John Murillo is the author of the poetry collections Up Jump the Boogie (Four Way Books 2020; Cypher 2010), finalist for both the Kate Tufts Discovery Award and the Pen Open Book Award, and Kontemporary Amerikan Poetry (Four Way 2020), winner of the Kingsley Tufts Poetry Award and the Poetry Society of Virginia’s North American Book Award, and finalist for the PEN/Voelcker Award for Poetry and the NAACP Image Award. His many honors include the Four Quartets Prize from the T.S. Eliot Foundation and the Poetry Society of America, two Larry Neal Writers Awards, a pair of Pushcart Prizes, the J Howard and Barbara MJ Wood Prize from the Poetry Foundation, and fellowships from the National Endowment for the Arts, the Bread Loaf Writers Conference, Fine Arts Work Center, Cave Canem, and the Wisconsin Institute for Creative Writing. Recently, his poems appeared in American Poetry Review, Poetry, and Best American Poetry 2017, 2019, and 2020. He is an Associate Professor of English at Wesleyan University. Gimme the Loot: How to Steal Like a Poet - LIVE CUT, SCRATCH & BLEND: REVISION AS REMIX - LIVE Cut, Scratch, and Blend - Revision as Remix: A Poetry Workshop
Eileen Myles
Eileen Myles (they/them) came to New York from Boston in 1974 to be a poet, subsequently novelist and art journalist. Their many books include Pathetic Literature (forthcoming) which they edited, and a "Working Life" (poetry, forthcoming). Myles’s awards include a Guggenheim, a poetry award from the Foundation for Contemporary Arts, and in 2022 they were inducted into the American Academy of Arts & Letters. Their books have been translated into many languages and Chelsea Girls just won France's Les Inrockuptibles prize for best foreign novel. They live in New York and Marfa, TX.         The Perpetual Present of Etel Adnan THE FUTURE: A POETRY WORKSHOP IN 2021 - LIVE
Eileen Myles
Eileen Myles (they/them) came to New York from Boston in 1974 to be a poet, subsequently novelist and art journalist. Their many books include Pathetic Literature (forthcoming) which they edited, and a "Working Life" (poetry, forthcoming). Myles’s awards include a Guggenheim, a poetry award from the Foundation for Contemporary Arts, and in 2022 they were inducted into the American Academy of Arts & Letters. Their books have been translated into many languages and Chelsea Girls just won France's Les Inrockuptibles prize for best foreign novel. They live in New York and Marfa, TX.         The Perpetual Present of Etel Adnan THE FUTURE: A POETRY WORKSHOP IN 2021 - LIVE
Cleyvis Natera
Cleyvis Natera is the award-winning author of the critically acclaimed debut novel, Neruda on the Park. She studied literature and creative writing at Skidmore College and holds an MFA in Fiction from New York University. Her fiction, essays, and criticisms have appeared in The New York Times Book Review, URSA Story, TIME, Gagosian Quarterly, The Brooklyn Rail, The Rumpus, The Washington Post, The Kenyon Review, Aster(ix), and Kweli Journal, among other publications. Natera teaches creative writing at Barnard College of Columbia University in New York City. She lives with her husband and young children in Montclair, NJ. The Art of the Story The Art of the Short Story
Cleyvis Natera
Cleyvis Natera is the award-winning author of the critically acclaimed debut novel, Neruda on the Park. She studied literature and creative writing at Skidmore College and holds an MFA in Fiction from New York University. Her fiction, essays, and criticisms have appeared in The New York Times Book Review, URSA Story, TIME, Gagosian Quarterly, The Brooklyn Rail, The Rumpus, The Washington Post, The Kenyon Review, Aster(ix), and Kweli Journal, among other publications. Natera teaches creative writing at Barnard College of Columbia University in New York City. She lives with her husband and young children in Montclair, NJ. The Art of the Story The Art of the Short Story
Aimee Nezhukumatathil
Aimee Nezhukumatathil is the author of the New York Times best-selling illustrated collection of nature essays and Kirkus Prize finalist, WORLD OF WONDERS: IN PRAISE OF FIREFLIES, WHALE SHARKS, & OTHER ASTONISHMENTS (2020, Milkweed Editions), which was chosen as Barnes and Noble’s Book of the Year. She has four previous poetry collections: OCEANIC (Copper Canyon Press, 2018), LUCKY FISH (2011), AT THE DRIVE-IN VOLCANO (2007), and MIRACLE FRUIT (2003), the last three from Tupelo Press.  Her most recent chapbook is LACE & PYRITE, a collaboration of epistolary garden poems with the poet Ross Gay. Her writing appears twice in the Best American Poetry Series, The New York Times Magazine, ESPNPloughshares, American Poetry Review, and Tin House. Honors include a poetry fellowship from the National Endowment for the Arts, the Pushcart Prize, a Mississippi Arts Council grant, and being named a Guggenheim Fellow in poetry. In 2021, she became the first-ever poetry editor for SIERRA magazine, the story-telling arm of The Sierra Club. She is professor of English and Creative Writing in the University of Mississippi’s MFA program. Saturday Sprints with Aimee Nezhukumatathil - LIVE
Angelo Nikolopoulos

Angelo Nikolopoulos is the author of Obscenely Yours, winner of the 2011 Kinereth Gensler Award (Alice James Books 2013) and a winner of the 2011 "Discovery" Boston Review Poetry Contest. His poems have appeared in The AWL, Best American Poetry 2012 (edited by Mark Doty), Best New Poets 2011 (edited by D.A. Powell), Boston Review, The Collagist, Fence, Gay & Lesbian Review, The Los Angeles Review, The New York Quarterly, Tin House, and elsewhere. He has received fellowships from Saltonstall Foundation for the Arts, MacDowell Colony, and Jerome Foundation. He teaches creative writing at New York University and Rutgers University, New Brunswick.

Remix: A Contemporary Approach to Poetic Form
Sarah Rose Nordgren
Sarah Rose Nordgren is the author of Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), a finalist for the 2018 Ohioana Book Award, both from University of Pittsburgh Press. Her poems and essays appear widely in periodicals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates video and performance text art in collaboration with Kathleen Kelley under the name Smart Snow. Among her awards are two winter fellowships from the Fine Arts Work Center in Provincetown, an Individual Excellence Award from the Ohio Arts Council, and fellowships and scholarships from the Sewanee and Bread Loaf Conferences, the Vermont Studio Center, and the Virginia Center for Creative Arts. Nordgren holds a BA from Sarah Lawrence College, an MFA in poetry from University of North Carolina Greensboro, and a PhD in English and Creative Writing from University of Cincinnati where she also earned a Graduate Certificate in Women’s, Gender, and Sexuality Studies. She currently lives in Cincinnati. What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Writing Ambitious Poems in Times of Uncertainty The Sources of Poetry The Sources of Poetry Griffins, Harpies, and Jackalopes: Hybrid Poetics Griffins, Harpies, and Jackalopes: Hybrid Poetics: Fall The Sources of Poetry
Sarah Rose Nordgren
Sarah Rose Nordgren is the author of Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), a finalist for the 2018 Ohioana Book Award, both from University of Pittsburgh Press. Her poems and essays appear widely in periodicals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates video and performance text art in collaboration with Kathleen Kelley under the name Smart Snow. Among her awards are two winter fellowships from the Fine Arts Work Center in Provincetown, an Individual Excellence Award from the Ohio Arts Council, and fellowships and scholarships from the Sewanee and Bread Loaf Conferences, the Vermont Studio Center, and the Virginia Center for Creative Arts. Nordgren holds a BA from Sarah Lawrence College, an MFA in poetry from University of North Carolina Greensboro, and a PhD in English and Creative Writing from University of Cincinnati where she also earned a Graduate Certificate in Women’s, Gender, and Sexuality Studies. She currently lives in Cincinnati. What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Writing Ambitious Poems in Times of Uncertainty The Sources of Poetry The Sources of Poetry Griffins, Harpies, and Jackalopes: Hybrid Poetics Griffins, Harpies, and Jackalopes: Hybrid Poetics: Fall The Sources of Poetry
Sarah Rose Nordgren
Sarah Rose Nordgren is the author of Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), a finalist for the 2018 Ohioana Book Award, both from University of Pittsburgh Press. Her poems and essays appear widely in periodicals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates video and performance text art in collaboration with Kathleen Kelley under the name Smart Snow. Among her awards are two winter fellowships from the Fine Arts Work Center in Provincetown, an Individual Excellence Award from the Ohio Arts Council, and fellowships and scholarships from the Sewanee and Bread Loaf Conferences, the Vermont Studio Center, and the Virginia Center for Creative Arts. Nordgren holds a BA from Sarah Lawrence College, an MFA in poetry from University of North Carolina Greensboro, and a PhD in English and Creative Writing from University of Cincinnati where she also earned a Graduate Certificate in Women’s, Gender, and Sexuality Studies. She currently lives in Cincinnati. What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Writing Ambitious Poems in Times of Uncertainty The Sources of Poetry The Sources of Poetry Griffins, Harpies, and Jackalopes: Hybrid Poetics Griffins, Harpies, and Jackalopes: Hybrid Poetics: Fall The Sources of Poetry
Sarah Rose Nordgren
Sarah Rose Nordgren is the author of Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), a finalist for the 2018 Ohioana Book Award, both from University of Pittsburgh Press. Her poems and essays appear widely in periodicals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates video and performance text art in collaboration with Kathleen Kelley under the name Smart Snow. Among her awards are two winter fellowships from the Fine Arts Work Center in Provincetown, an Individual Excellence Award from the Ohio Arts Council, and fellowships and scholarships from the Sewanee and Bread Loaf Conferences, the Vermont Studio Center, and the Virginia Center for Creative Arts. Nordgren holds a BA from Sarah Lawrence College, an MFA in poetry from University of North Carolina Greensboro, and a PhD in English and Creative Writing from University of Cincinnati where she also earned a Graduate Certificate in Women’s, Gender, and Sexuality Studies. She currently lives in Cincinnati. What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Writing Ambitious Poems in Times of Uncertainty The Sources of Poetry The Sources of Poetry Griffins, Harpies, and Jackalopes: Hybrid Poetics Griffins, Harpies, and Jackalopes: Hybrid Poetics: Fall The Sources of Poetry
Sarah Rose Nordgren
Sarah Rose Nordgren is the author of Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), a finalist for the 2018 Ohioana Book Award, both from University of Pittsburgh Press. Her poems and essays appear widely in periodicals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates video and performance text art in collaboration with Kathleen Kelley under the name Smart Snow. Among her awards are two winter fellowships from the Fine Arts Work Center in Provincetown, an Individual Excellence Award from the Ohio Arts Council, and fellowships and scholarships from the Sewanee and Bread Loaf Conferences, the Vermont Studio Center, and the Virginia Center for Creative Arts. Nordgren holds a BA from Sarah Lawrence College, an MFA in poetry from University of North Carolina Greensboro, and a PhD in English and Creative Writing from University of Cincinnati where she also earned a Graduate Certificate in Women’s, Gender, and Sexuality Studies. She currently lives in Cincinnati. What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Writing Ambitious Poems in Times of Uncertainty The Sources of Poetry The Sources of Poetry Griffins, Harpies, and Jackalopes: Hybrid Poetics Griffins, Harpies, and Jackalopes: Hybrid Poetics: Fall The Sources of Poetry
Sarah Rose Nordgren
Sarah Rose Nordgren is the author of Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), a finalist for the 2018 Ohioana Book Award, both from University of Pittsburgh Press. Her poems and essays appear widely in periodicals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates video and performance text art in collaboration with Kathleen Kelley under the name Smart Snow. Among her awards are two winter fellowships from the Fine Arts Work Center in Provincetown, an Individual Excellence Award from the Ohio Arts Council, and fellowships and scholarships from the Sewanee and Bread Loaf Conferences, the Vermont Studio Center, and the Virginia Center for Creative Arts. Nordgren holds a BA from Sarah Lawrence College, an MFA in poetry from University of North Carolina Greensboro, and a PhD in English and Creative Writing from University of Cincinnati where she also earned a Graduate Certificate in Women’s, Gender, and Sexuality Studies. She currently lives in Cincinnati. What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Writing Ambitious Poems in Times of Uncertainty The Sources of Poetry The Sources of Poetry Griffins, Harpies, and Jackalopes: Hybrid Poetics Griffins, Harpies, and Jackalopes: Hybrid Poetics: Fall The Sources of Poetry
Sarah Rose Nordgren
Sarah Rose Nordgren is the author of Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), a finalist for the 2018 Ohioana Book Award, both from University of Pittsburgh Press. Her poems and essays appear widely in periodicals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates video and performance text art in collaboration with Kathleen Kelley under the name Smart Snow. Among her awards are two winter fellowships from the Fine Arts Work Center in Provincetown, an Individual Excellence Award from the Ohio Arts Council, and fellowships and scholarships from the Sewanee and Bread Loaf Conferences, the Vermont Studio Center, and the Virginia Center for Creative Arts. Nordgren holds a BA from Sarah Lawrence College, an MFA in poetry from University of North Carolina Greensboro, and a PhD in English and Creative Writing from University of Cincinnati where she also earned a Graduate Certificate in Women’s, Gender, and Sexuality Studies. She currently lives in Cincinnati. What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Writing Ambitious Poems in Times of Uncertainty The Sources of Poetry The Sources of Poetry Griffins, Harpies, and Jackalopes: Hybrid Poetics Griffins, Harpies, and Jackalopes: Hybrid Poetics: Fall The Sources of Poetry
Sarah Rose Nordgren
Sarah Rose Nordgren is the author of Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), a finalist for the 2018 Ohioana Book Award, both from University of Pittsburgh Press. Her poems and essays appear widely in periodicals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates video and performance text art in collaboration with Kathleen Kelley under the name Smart Snow. Among her awards are two winter fellowships from the Fine Arts Work Center in Provincetown, an Individual Excellence Award from the Ohio Arts Council, and fellowships and scholarships from the Sewanee and Bread Loaf Conferences, the Vermont Studio Center, and the Virginia Center for Creative Arts. Nordgren holds a BA from Sarah Lawrence College, an MFA in poetry from University of North Carolina Greensboro, and a PhD in English and Creative Writing from University of Cincinnati where she also earned a Graduate Certificate in Women’s, Gender, and Sexuality Studies. She currently lives in Cincinnati. What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Ambitious Poems in Uncertain Times What's the Big Idea? Writing Ambitious Poems in Times of Uncertainty The Sources of Poetry The Sources of Poetry Griffins, Harpies, and Jackalopes: Hybrid Poetics Griffins, Harpies, and Jackalopes: Hybrid Poetics: Fall The Sources of Poetry
Meghan O'Gieblyn

Meghan O'Gieblyn has written essays, memoir, and criticism for n+1, The New York Times, The Guardian, Ploughshares, Oxford American, The Point, Guernica, The Lost Angeles Review of Books, and elsewhere. Her nonfiction has received two Pushcart Prizes and was included in The Best American Essays 2017. She received her MFA from the University of Wisconsin-Madison, where she won the Jerome Sterns Teaching Award. Her essay collection will be published in 2018 by  Anchor Books. 

PLACE IN MEMOIR THE ‘I’ IN MEMOIR Place in Memoir Place in Memoir Place in Memoir Place in Memoir Conversions and Deconversions Place in Memoir The ‘I’ in Memoir
Meghan O'Gieblyn

Meghan O'Gieblyn has written essays, memoir, and criticism for n+1, The New York Times, The Guardian, Ploughshares, Oxford American, The Point, Guernica, The Lost Angeles Review of Books, and elsewhere. Her nonfiction has received two Pushcart Prizes and was included in The Best American Essays 2017. She received her MFA from the University of Wisconsin-Madison, where she won the Jerome Sterns Teaching Award. Her essay collection will be published in 2018 by  Anchor Books. 

PLACE IN MEMOIR THE ‘I’ IN MEMOIR Place in Memoir Place in Memoir Place in Memoir Place in Memoir Conversions and Deconversions Place in Memoir The ‘I’ in Memoir
Meghan O'Gieblyn

Meghan O'Gieblyn has written essays, memoir, and criticism for n+1, The New York Times, The Guardian, Ploughshares, Oxford American, The Point, Guernica, The Lost Angeles Review of Books, and elsewhere. Her nonfiction has received two Pushcart Prizes and was included in The Best American Essays 2017. She received her MFA from the University of Wisconsin-Madison, where she won the Jerome Sterns Teaching Award. Her essay collection will be published in 2018 by  Anchor Books. 

PLACE IN MEMOIR THE ‘I’ IN MEMOIR Place in Memoir Place in Memoir Place in Memoir Place in Memoir Conversions and Deconversions Place in Memoir The ‘I’ in Memoir
Meghan O'Gieblyn

Meghan O'Gieblyn has written essays, memoir, and criticism for n+1, The New York Times, The Guardian, Ploughshares, Oxford American, The Point, Guernica, The Lost Angeles Review of Books, and elsewhere. Her nonfiction has received two Pushcart Prizes and was included in The Best American Essays 2017. She received her MFA from the University of Wisconsin-Madison, where she won the Jerome Sterns Teaching Award. Her essay collection will be published in 2018 by  Anchor Books. 

PLACE IN MEMOIR THE ‘I’ IN MEMOIR Place in Memoir Place in Memoir Place in Memoir Place in Memoir Conversions and Deconversions Place in Memoir The ‘I’ in Memoir
Meghan O'Gieblyn

Meghan O'Gieblyn has written essays, memoir, and criticism for n+1, The New York Times, The Guardian, Ploughshares, Oxford American, The Point, Guernica, The Lost Angeles Review of Books, and elsewhere. Her nonfiction has received two Pushcart Prizes and was included in The Best American Essays 2017. She received her MFA from the University of Wisconsin-Madison, where she won the Jerome Sterns Teaching Award. Her essay collection will be published in 2018 by  Anchor Books. 

PLACE IN MEMOIR THE ‘I’ IN MEMOIR Place in Memoir Place in Memoir Place in Memoir Place in Memoir Conversions and Deconversions Place in Memoir The ‘I’ in Memoir
Meghan O'Gieblyn

Meghan O'Gieblyn has written essays, memoir, and criticism for n+1, The New York Times, The Guardian, Ploughshares, Oxford American, The Point, Guernica, The Lost Angeles Review of Books, and elsewhere. Her nonfiction has received two Pushcart Prizes and was included in The Best American Essays 2017. She received her MFA from the University of Wisconsin-Madison, where she won the Jerome Sterns Teaching Award. Her essay collection will be published in 2018 by  Anchor Books. 

PLACE IN MEMOIR THE ‘I’ IN MEMOIR Place in Memoir Place in Memoir Place in Memoir Place in Memoir Conversions and Deconversions Place in Memoir The ‘I’ in Memoir
Meghan O'Gieblyn

Meghan O'Gieblyn has written essays, memoir, and criticism for n+1, The New York Times, The Guardian, Ploughshares, Oxford American, The Point, Guernica, The Lost Angeles Review of Books, and elsewhere. Her nonfiction has received two Pushcart Prizes and was included in The Best American Essays 2017. She received her MFA from the University of Wisconsin-Madison, where she won the Jerome Sterns Teaching Award. Her essay collection will be published in 2018 by  Anchor Books. 

PLACE IN MEMOIR THE ‘I’ IN MEMOIR Place in Memoir Place in Memoir Place in Memoir Place in Memoir Conversions and Deconversions Place in Memoir The ‘I’ in Memoir
Meghan O'Gieblyn

Meghan O'Gieblyn has written essays, memoir, and criticism for n+1, The New York Times, The Guardian, Ploughshares, Oxford American, The Point, Guernica, The Lost Angeles Review of Books, and elsewhere. Her nonfiction has received two Pushcart Prizes and was included in The Best American Essays 2017. She received her MFA from the University of Wisconsin-Madison, where she won the Jerome Sterns Teaching Award. Her essay collection will be published in 2018 by  Anchor Books. 

PLACE IN MEMOIR THE ‘I’ IN MEMOIR Place in Memoir Place in Memoir Place in Memoir Place in Memoir Conversions and Deconversions Place in Memoir The ‘I’ in Memoir
Meghan O'Gieblyn

Meghan O'Gieblyn has written essays, memoir, and criticism for n+1, The New York Times, The Guardian, Ploughshares, Oxford American, The Point, Guernica, The Lost Angeles Review of Books, and elsewhere. Her nonfiction has received two Pushcart Prizes and was included in The Best American Essays 2017. She received her MFA from the University of Wisconsin-Madison, where she won the Jerome Sterns Teaching Award. Her essay collection will be published in 2018 by  Anchor Books. 

PLACE IN MEMOIR THE ‘I’ IN MEMOIR Place in Memoir Place in Memoir Place in Memoir Place in Memoir Conversions and Deconversions Place in Memoir The ‘I’ in Memoir
Nathan Oates

Nathan Oates's collection of stories, The Empty House, won the 2012 Spokane Prize. His stories have appeared in The Missouri Review, The Antioch Review, the Alaska Quarterly Review, Copper Nickel, Crazyhorse, and elsewhere. His stories have been anthologized in The Best American Mystery Stories (2008 & 2012), as well as in Forty Stories. He is an associate professor of English at Seton Hall University and lives in Brooklyn, New York with his family.

"And the Queen Died of Grief": Approaches to Plot in Fiction “And the Queen Died of Grief”: Approaches to Plot in Fiction Key to Mystery: Methods for Building Stories “And the Queen Died of Grief”: Approaches to Plot in Fiction
Nathan Oates

Nathan Oates's collection of stories, The Empty House, won the 2012 Spokane Prize. His stories have appeared in The Missouri Review, The Antioch Review, the Alaska Quarterly Review, Copper Nickel, Crazyhorse, and elsewhere. His stories have been anthologized in The Best American Mystery Stories (2008 & 2012), as well as in Forty Stories. He is an associate professor of English at Seton Hall University and lives in Brooklyn, New York with his family.

"And the Queen Died of Grief": Approaches to Plot in Fiction “And the Queen Died of Grief”: Approaches to Plot in Fiction Key to Mystery: Methods for Building Stories “And the Queen Died of Grief”: Approaches to Plot in Fiction
Nathan Oates

Nathan Oates's collection of stories, The Empty House, won the 2012 Spokane Prize. His stories have appeared in The Missouri Review, The Antioch Review, the Alaska Quarterly Review, Copper Nickel, Crazyhorse, and elsewhere. His stories have been anthologized in The Best American Mystery Stories (2008 & 2012), as well as in Forty Stories. He is an associate professor of English at Seton Hall University and lives in Brooklyn, New York with his family.

"And the Queen Died of Grief": Approaches to Plot in Fiction “And the Queen Died of Grief”: Approaches to Plot in Fiction Key to Mystery: Methods for Building Stories “And the Queen Died of Grief”: Approaches to Plot in Fiction
Nathan Oates

Nathan Oates's collection of stories, The Empty House, won the 2012 Spokane Prize. His stories have appeared in The Missouri Review, The Antioch Review, the Alaska Quarterly Review, Copper Nickel, Crazyhorse, and elsewhere. His stories have been anthologized in The Best American Mystery Stories (2008 & 2012), as well as in Forty Stories. He is an associate professor of English at Seton Hall University and lives in Brooklyn, New York with his family.

"And the Queen Died of Grief": Approaches to Plot in Fiction “And the Queen Died of Grief”: Approaches to Plot in Fiction Key to Mystery: Methods for Building Stories “And the Queen Died of Grief”: Approaches to Plot in Fiction
Alix Ohlin

ALIX OHLIN's novel Inside (Knopf) and her story collection Signs and Wonders (Vintage) were both published in 2012.  A finalist for the Scotiabank Giller Prize and the Rogers Writers' Trust Prize, she is also the author of The Missing Person, a novel, and Babylon and Other Stories. Her work has appeared in Best American Short StoriesBest American Nonrequired ReadingBest New American Voices, and on public radio’s Selected Shorts. Born and raised in Montreal, she currently lives in Easton, Pennsylvania, and teaches at Lafayette College and in the Warren Wilson MFA Program for Writers.

MAKING BEAUTIFUL SENTENCES Making Beautiful Sentences Making Beautiful Sentences Crafting Charismatic Characters
Alix Ohlin

ALIX OHLIN's novel Inside (Knopf) and her story collection Signs and Wonders (Vintage) were both published in 2012.  A finalist for the Scotiabank Giller Prize and the Rogers Writers' Trust Prize, she is also the author of The Missing Person, a novel, and Babylon and Other Stories. Her work has appeared in Best American Short StoriesBest American Nonrequired ReadingBest New American Voices, and on public radio’s Selected Shorts. Born and raised in Montreal, she currently lives in Easton, Pennsylvania, and teaches at Lafayette College and in the Warren Wilson MFA Program for Writers.

MAKING BEAUTIFUL SENTENCES Making Beautiful Sentences Making Beautiful Sentences Crafting Charismatic Characters
Alix Ohlin

ALIX OHLIN's novel Inside (Knopf) and her story collection Signs and Wonders (Vintage) were both published in 2012.  A finalist for the Scotiabank Giller Prize and the Rogers Writers' Trust Prize, she is also the author of The Missing Person, a novel, and Babylon and Other Stories. Her work has appeared in Best American Short StoriesBest American Nonrequired ReadingBest New American Voices, and on public radio’s Selected Shorts. Born and raised in Montreal, she currently lives in Easton, Pennsylvania, and teaches at Lafayette College and in the Warren Wilson MFA Program for Writers.

MAKING BEAUTIFUL SENTENCES Making Beautiful Sentences Making Beautiful Sentences Crafting Charismatic Characters
Alix Ohlin

ALIX OHLIN's novel Inside (Knopf) and her story collection Signs and Wonders (Vintage) were both published in 2012.  A finalist for the Scotiabank Giller Prize and the Rogers Writers' Trust Prize, she is also the author of The Missing Person, a novel, and Babylon and Other Stories. Her work has appeared in Best American Short StoriesBest American Nonrequired ReadingBest New American Voices, and on public radio’s Selected Shorts. Born and raised in Montreal, she currently lives in Easton, Pennsylvania, and teaches at Lafayette College and in the Warren Wilson MFA Program for Writers.

MAKING BEAUTIFUL SENTENCES Making Beautiful Sentences Making Beautiful Sentences Crafting Charismatic Characters
Porsha Olayiwola
Porsha Olayiwola is an individual world poetry slam champion and the author of the collection i shimmer sometimes, too. Olayiwola is the current Poet Laureate for the City of Boston. She is a 2020 Academy of American Poets Poet Laureate Fellow. Olayiwola is the Jacob Ziskind Poet-in-Residence at Brandeis University. DISMANTLING THE TRADITION: ON FORM & POWER - LIVE
Alicia Oltuski

Alicia Oltuski is the author of Precious Objects, a Barnes & Noble Discover Great New Writers selection. Her work has appeared in Tin House magazine, W magazine, on NPR's Berlin Stories, and elsewhere. She holds an M.F.A. in Creative Writing from Columbia University, where she received a David Berg Foundation Fellowship, and a B.A. and M.A. from the University of Pennsylvania. Interviews or features with her have appeared on CBS Sunday Morning, Marketplace Radio, Newstalk Radio in Ireland, and in the Wall Street Journal.
 

Fix-It Shop
Matthew Olzmann
Matthew Olzmann is the author of Constellation Route as well as two previous collections of poetry: Mezzanines and Contradictions in the Design. A recipient of fellowships from Kundiman, MacDowell, and the National Endowment for the Arts, Olzmann’s poems have appeared in the New York Times, Best American Poetry, The Pushcart Prizes, Kenyon Review, and elsewhere. He is an Assistant Professor at Dartmouth College and also teaches in the MFA Program for Writers at Warren Wilson College. LOVE POEMS - LIVE Surprise and Revelation: Building and Overthrowing Expectations in a Poem Surprise and Revelation: Building and Overthrowing Expectations in a Poem
Matthew Olzmann
Matthew Olzmann is the author of Constellation Route as well as two previous collections of poetry: Mezzanines and Contradictions in the Design. A recipient of fellowships from Kundiman, MacDowell, and the National Endowment for the Arts, Olzmann’s poems have appeared in the New York Times, Best American Poetry, The Pushcart Prizes, Kenyon Review, and elsewhere. He is an Assistant Professor at Dartmouth College and also teaches in the MFA Program for Writers at Warren Wilson College. LOVE POEMS - LIVE Surprise and Revelation: Building and Overthrowing Expectations in a Poem Surprise and Revelation: Building and Overthrowing Expectations in a Poem
Matthew Olzmann
Matthew Olzmann is the author of Constellation Route as well as two previous collections of poetry: Mezzanines and Contradictions in the Design. A recipient of fellowships from Kundiman, MacDowell, and the National Endowment for the Arts, Olzmann’s poems have appeared in the New York Times, Best American Poetry, The Pushcart Prizes, Kenyon Review, and elsewhere. He is an Assistant Professor at Dartmouth College and also teaches in the MFA Program for Writers at Warren Wilson College. LOVE POEMS - LIVE Surprise and Revelation: Building and Overthrowing Expectations in a Poem Surprise and Revelation: Building and Overthrowing Expectations in a Poem
Wendy C. Ortiz

Wendy C. Ortiz  is the author of Excavation: A Memoir, the prose poem memoir Hollywood Notebook, and the dreamoir Bruja. In 2016 Bustle named her one of “9 Women Writers Who Are Breaking New Nonfiction Territory.” Her writing has appeared or been profiled in a number of places including The New York Times, the Los Angeles Times, The Rumpus, Joyland, FENCE, and McSweeney’s. Wendy is a psychotherapist in private practice in Los Angeles.

Writing on the Edge: A Multi-Genre Workshop
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Nancy Pearson

Nancy K. Pearson’s second book of poems, The Whole by Contemplation of a Single Bone, won the Poets Out Loud prize and will be published by Fordham University Press in Spring, 2016. Her first book of poems, Two Minutes of Light, won the L.L. Winship/PEN New England Award and was a Massachusetts Book Awards, “Must Read Book” of 2009. Pearson received her MFA in Creative Nonfiction at The University of Houston and her MFA in poetry at George Mason University. She received two seventh-month fellowships at The Fine Arts Work Center in Provincetown. She recently moved to Maryland.

15 WORKS: A POETRY WORKSHOP 15 Works 15 WORKS: SUMMER 15 WORKS: Winter 15 WORKS: Fall 15 Works: Summer 15 Works: Winter 15 Works: August 15 Works: July 15 Works: June Almost Certainly But Not Quite Right At All Almost Certainly But Not Quite Right: Poetry Manuscript Consultation Workshop 15 Works: Spring 15 Works: Winter 15 Works: Fall 15 Works: September To Be Moved and To Move 15 Works
Emilia Phillips

Emilia Phillips (she/her/hers) is the author of three poetry collections from the University of Akron Press, most recently Empty Clip (2018), and four chapbooks, including Hemlock (Diode Editions, 2019). Winner of a 2019 Pushcart Prize, Phillips’s poems, lyric memoirs, and poetry reviews appear widely in literary publications including Agni, American Poetry Review, Gulf Coast, The Kenyon Review, New England Review, The New York Times, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro. She’s now at work on Wound Revisions: Memoirs and a poetry collection.
 

Writing About Trauma in Poetry and Nonfiction Every Phantom // A Story: Erasure and Revision Call (Out): Imitation, Invective, and Conversation The Upside-Down: Contemporary Pastorals and Necropastorals: Spring I Am Trying To Be Marvelous: The Poetics of Body Positivity The Upside-Down: Contemporary Pastorals and Necropastorals: Fall This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body Every Phantom // A Story: Erasure and Revision
Rowan Ricardo Phillips
  Rowan Ricardo Phillips' latest book of poems is Silver (Farrar, Straus and Giroux, 2024). His other poetry collections are The Ground, Heaven, and Living Weapon. He is a Distinguished Professor of English at Stony Brook University, the poetry editor of The New Republic, and the editor of the Princeton Series of Contemporary Poets. AFTER GREAT PAIN A FORMAL FEELING COMES: EXPLORING EXPERIENCE THROUGH POETIC FORM - LIVE After Great Pain A Formal Feeling Comes: Exploring Experience Through Poetic Form
Rowan Ricardo Phillips
  Rowan Ricardo Phillips' latest book of poems is Silver (Farrar, Straus and Giroux, 2024). His other poetry collections are The Ground, Heaven, and Living Weapon. He is a Distinguished Professor of English at Stony Brook University, the poetry editor of The New Republic, and the editor of the Princeton Series of Contemporary Poets. AFTER GREAT PAIN A FORMAL FEELING COMES: EXPLORING EXPERIENCE THROUGH POETIC FORM - LIVE After Great Pain A Formal Feeling Comes: Exploring Experience Through Poetic Form
Emilia Phillips

Emilia Phillips (she/her/hers) is the author of three poetry collections from the University of Akron Press, most recently Empty Clip (2018), and four chapbooks, including Hemlock (Diode Editions, 2019). Winner of a 2019 Pushcart Prize, Phillips’s poems, lyric memoirs, and poetry reviews appear widely in literary publications including Agni, American Poetry Review, Gulf Coast, The Kenyon Review, New England Review, The New York Times, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro. She’s now at work on Wound Revisions: Memoirs and a poetry collection.
 

Writing About Trauma in Poetry and Nonfiction Every Phantom // A Story: Erasure and Revision Call (Out): Imitation, Invective, and Conversation The Upside-Down: Contemporary Pastorals and Necropastorals: Spring I Am Trying To Be Marvelous: The Poetics of Body Positivity The Upside-Down: Contemporary Pastorals and Necropastorals: Fall This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body Every Phantom // A Story: Erasure and Revision
Emilia Phillips

Emilia Phillips (she/her/hers) is the author of three poetry collections from the University of Akron Press, most recently Empty Clip (2018), and four chapbooks, including Hemlock (Diode Editions, 2019). Winner of a 2019 Pushcart Prize, Phillips’s poems, lyric memoirs, and poetry reviews appear widely in literary publications including Agni, American Poetry Review, Gulf Coast, The Kenyon Review, New England Review, The New York Times, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro. She’s now at work on Wound Revisions: Memoirs and a poetry collection.
 

Writing About Trauma in Poetry and Nonfiction Every Phantom // A Story: Erasure and Revision Call (Out): Imitation, Invective, and Conversation The Upside-Down: Contemporary Pastorals and Necropastorals: Spring I Am Trying To Be Marvelous: The Poetics of Body Positivity The Upside-Down: Contemporary Pastorals and Necropastorals: Fall This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body Every Phantom // A Story: Erasure and Revision
Emilia Phillips

Emilia Phillips (she/her/hers) is the author of three poetry collections from the University of Akron Press, most recently Empty Clip (2018), and four chapbooks, including Hemlock (Diode Editions, 2019). Winner of a 2019 Pushcart Prize, Phillips’s poems, lyric memoirs, and poetry reviews appear widely in literary publications including Agni, American Poetry Review, Gulf Coast, The Kenyon Review, New England Review, The New York Times, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro. She’s now at work on Wound Revisions: Memoirs and a poetry collection.
 

Writing About Trauma in Poetry and Nonfiction Every Phantom // A Story: Erasure and Revision Call (Out): Imitation, Invective, and Conversation The Upside-Down: Contemporary Pastorals and Necropastorals: Spring I Am Trying To Be Marvelous: The Poetics of Body Positivity The Upside-Down: Contemporary Pastorals and Necropastorals: Fall This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body Every Phantom // A Story: Erasure and Revision
Emilia Phillips

Emilia Phillips (she/her/hers) is the author of three poetry collections from the University of Akron Press, most recently Empty Clip (2018), and four chapbooks, including Hemlock (Diode Editions, 2019). Winner of a 2019 Pushcart Prize, Phillips’s poems, lyric memoirs, and poetry reviews appear widely in literary publications including Agni, American Poetry Review, Gulf Coast, The Kenyon Review, New England Review, The New York Times, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro. She’s now at work on Wound Revisions: Memoirs and a poetry collection.
 

Writing About Trauma in Poetry and Nonfiction Every Phantom // A Story: Erasure and Revision Call (Out): Imitation, Invective, and Conversation The Upside-Down: Contemporary Pastorals and Necropastorals: Spring I Am Trying To Be Marvelous: The Poetics of Body Positivity The Upside-Down: Contemporary Pastorals and Necropastorals: Fall This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body Every Phantom // A Story: Erasure and Revision
Emilia Phillips

Emilia Phillips (she/her/hers) is the author of three poetry collections from the University of Akron Press, most recently Empty Clip (2018), and four chapbooks, including Hemlock (Diode Editions, 2019). Winner of a 2019 Pushcart Prize, Phillips’s poems, lyric memoirs, and poetry reviews appear widely in literary publications including Agni, American Poetry Review, Gulf Coast, The Kenyon Review, New England Review, The New York Times, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro. She’s now at work on Wound Revisions: Memoirs and a poetry collection.
 

Writing About Trauma in Poetry and Nonfiction Every Phantom // A Story: Erasure and Revision Call (Out): Imitation, Invective, and Conversation The Upside-Down: Contemporary Pastorals and Necropastorals: Spring I Am Trying To Be Marvelous: The Poetics of Body Positivity The Upside-Down: Contemporary Pastorals and Necropastorals: Fall This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body Every Phantom // A Story: Erasure and Revision
Emilia Phillips

Emilia Phillips (she/her/hers) is the author of three poetry collections from the University of Akron Press, most recently Empty Clip (2018), and four chapbooks, including Hemlock (Diode Editions, 2019). Winner of a 2019 Pushcart Prize, Phillips’s poems, lyric memoirs, and poetry reviews appear widely in literary publications including Agni, American Poetry Review, Gulf Coast, The Kenyon Review, New England Review, The New York Times, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro. She’s now at work on Wound Revisions: Memoirs and a poetry collection.
 

Writing About Trauma in Poetry and Nonfiction Every Phantom // A Story: Erasure and Revision Call (Out): Imitation, Invective, and Conversation The Upside-Down: Contemporary Pastorals and Necropastorals: Spring I Am Trying To Be Marvelous: The Poetics of Body Positivity The Upside-Down: Contemporary Pastorals and Necropastorals: Fall This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body Every Phantom // A Story: Erasure and Revision
Emilia Phillips

Emilia Phillips (she/her/hers) is the author of three poetry collections from the University of Akron Press, most recently Empty Clip (2018), and four chapbooks, including Hemlock (Diode Editions, 2019). Winner of a 2019 Pushcart Prize, Phillips’s poems, lyric memoirs, and poetry reviews appear widely in literary publications including Agni, American Poetry Review, Gulf Coast, The Kenyon Review, New England Review, The New York Times, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro. She’s now at work on Wound Revisions: Memoirs and a poetry collection.
 

Writing About Trauma in Poetry and Nonfiction Every Phantom // A Story: Erasure and Revision Call (Out): Imitation, Invective, and Conversation The Upside-Down: Contemporary Pastorals and Necropastorals: Spring I Am Trying To Be Marvelous: The Poetics of Body Positivity The Upside-Down: Contemporary Pastorals and Necropastorals: Fall This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body Every Phantom // A Story: Erasure and Revision
Ivy Pochoda

Ivy Pochoda is the author of the critically acclaimed novels Wonder Valley and Visitation Street. Wonder Valley won The Strand Magazine Critics Award for Best Novel and was a finalist for the Los Angeles Times Book Prize, and the Southern California Independent Booksellers Award, as well as the Grand Prix de Litterature Americaine in France. Visitation Street received the Page America Prize in France and was chosen as an Amazon Best Book of 2013 and a Barnes & Noble Discover Great New Writers series.

Jumping Into Your Novel
Dawn Potter

Dawn Potter directs the Frost Place Conference on Poetry and Teaching, held each summer at Robert Frost's home in Franconia, New Hampshire. She is author or editor of eight books of prose and poetry and has received grants and fellowships from the Elizabeth George Foundation, the Writer's Center, and the Maine Arts Commission. Her poems and essays have appeared in the Beloit Poetry Journal, the Sewanee Review, the Threepenny Review, and many other journals. In addition to writing, editing, and teaching, Dawn sings and plays fiddle with the band Doughty Hill. She lives in Portland, Maine, with photographer Thomas Birtwistle.

Vision and Re-Vision: An 8-Week Master Class on Generating and Revising Poems The Quest of Poetry: An 8-Week Master Class on Reading, Writing, and Revising Poems Interesting Minds: An 8-Week Revision Workshop for Essayists
Dawn Potter

Dawn Potter directs the Frost Place Conference on Poetry and Teaching, held each summer at Robert Frost's home in Franconia, New Hampshire. She is author or editor of eight books of prose and poetry and has received grants and fellowships from the Elizabeth George Foundation, the Writer's Center, and the Maine Arts Commission. Her poems and essays have appeared in the Beloit Poetry Journal, the Sewanee Review, the Threepenny Review, and many other journals. In addition to writing, editing, and teaching, Dawn sings and plays fiddle with the band Doughty Hill. She lives in Portland, Maine, with photographer Thomas Birtwistle.

Vision and Re-Vision: An 8-Week Master Class on Generating and Revising Poems The Quest of Poetry: An 8-Week Master Class on Reading, Writing, and Revising Poems Interesting Minds: An 8-Week Revision Workshop for Essayists
Dawn Potter

Dawn Potter directs the Frost Place Conference on Poetry and Teaching, held each summer at Robert Frost's home in Franconia, New Hampshire. She is author or editor of eight books of prose and poetry and has received grants and fellowships from the Elizabeth George Foundation, the Writer's Center, and the Maine Arts Commission. Her poems and essays have appeared in the Beloit Poetry Journal, the Sewanee Review, the Threepenny Review, and many other journals. In addition to writing, editing, and teaching, Dawn sings and plays fiddle with the band Doughty Hill. She lives in Portland, Maine, with photographer Thomas Birtwistle.

Vision and Re-Vision: An 8-Week Master Class on Generating and Revising Poems The Quest of Poetry: An 8-Week Master Class on Reading, Writing, and Revising Poems Interesting Minds: An 8-Week Revision Workshop for Essayists
Hilary Price

Hilary Price has been writing and drawing Rhymes With Orange, her daily newspaper comic strip, since 1995.  At the age of 25, she was the youngest woman ever to have a syndicated strip.  It has won "Best Newspaper Panel" by the National Cartoonists Society in 2006, 2009, 2012 and 2014, and appears in 375 papers internationally.  Rhymes With Orange has been collected in three books, and her work has also appeared in Parade Magazine, The Funny Times, People, and Glamour.  She has taught cartooning workshops at the Cartoon Art Museum in San Francisco and the Charles M. Schulz Museum.  Hilary splits her time between Northampton, MA and Brattleboro, VT.  When not cartooning, she plays ice hockey and walks her overly large dog.

Make it Funny: The Basics of Drawing and Writing Single Panel Cartoons Make it Funny: The Basics of Drawing and Writing Single Panel Cartoons
Hilary Price

Hilary Price has been writing and drawing Rhymes With Orange, her daily newspaper comic strip, since 1995.  At the age of 25, she was the youngest woman ever to have a syndicated strip.  It has won "Best Newspaper Panel" by the National Cartoonists Society in 2006, 2009, 2012 and 2014, and appears in 375 papers internationally.  Rhymes With Orange has been collected in three books, and her work has also appeared in Parade Magazine, The Funny Times, People, and Glamour.  She has taught cartooning workshops at the Cartoon Art Museum in San Francisco and the Charles M. Schulz Museum.  Hilary splits her time between Northampton, MA and Brattleboro, VT.  When not cartooning, she plays ice hockey and walks her overly large dog.

Make it Funny: The Basics of Drawing and Writing Single Panel Cartoons Make it Funny: The Basics of Drawing and Writing Single Panel Cartoons
Ruben Quesada

Ruben Quesada is author of Revelations, Next Extinct Mammal, and Exiled from the Throne of Night: Selected Translations of Luis Cernuda. His poems and translations have appeared in the Best American Poetry series, American Poetry Review, TriQuarterly, and other anthologies and journals, and he has been awarded fellowships and grants from Vermont Studio Center, Squaw Valley Community of Writers, and Santa Fe Art Institute. He is a contributing editor at the Chicago Review of Books

Prose Poetry Workshop
Victoria Redel
Victoria Redel is the author of five books of fiction and four poetry collections, most recently Paradise (2022). Her work has been widely anthologized, translated, and her novel, Loverboy, was adapted for a feature film. She has been the recipient of numerous awards including fellowships from the Guggenheim foundation and the NEA. She teaches at Sarah Lawrence College.           Prefiguration, Augury, Dream: the Novel as Spiral POSSIBILITIES & NECESSITIES: A FICTION WORKSHOP - LIVE Possibilities & Necessities: A Fiction Workshop (24PearlStreet LIVE)
Victoria Redel
Victoria Redel is the author of five books of fiction and four poetry collections, most recently Paradise (2022). Her work has been widely anthologized, translated, and her novel, Loverboy, was adapted for a feature film. She has been the recipient of numerous awards including fellowships from the Guggenheim foundation and the NEA. She teaches at Sarah Lawrence College.           Prefiguration, Augury, Dream: the Novel as Spiral POSSIBILITIES & NECESSITIES: A FICTION WORKSHOP - LIVE Possibilities & Necessities: A Fiction Workshop (24PearlStreet LIVE)
Victoria Redel
Victoria Redel is the author of five books of fiction and four poetry collections, most recently Paradise (2022). Her work has been widely anthologized, translated, and her novel, Loverboy, was adapted for a feature film. She has been the recipient of numerous awards including fellowships from the Guggenheim foundation and the NEA. She teaches at Sarah Lawrence College.           Prefiguration, Augury, Dream: the Novel as Spiral POSSIBILITIES & NECESSITIES: A FICTION WORKSHOP - LIVE Possibilities & Necessities: A Fiction Workshop (24PearlStreet LIVE)
Paisley Rekdal

Paisley Rekdal is the author of a book of essays, The Night My Mother Met Bruce Lee and four books of poetry, A Crash of Rhinos, Six Girls Without Pants, The Invention of the Kaleidoscope, and Animal Eye. A hybrid photo-text memoir that combines poems, nonfiction and fiction entitled Intimate has just been published by Tupelo. Her work has received a Village Voice Writers on the Verge Award, an NEA Fellowship, a Pushcart Prize, the University of Georgia Press’ Contemporary Poetry Series Award, a Fulbright Fellowship, a Pushcart Prize, and the Amy Lowell Poetry Traveling Fellowship. Her poems and essays have appeared in or are forthcoming from The New York Times Magazine, American Poetry Review, The Kenyon Reivew, Poetry, Virginia Quarterly Review, Tin House, Best American Poetry 2012, and on National Public Radio among others.

Towards a Documentary Poetics
Irina Reyn

Irina Reyn’s newest novel Mother Country was published by St. Martin’s Press in 2019. It was featured on Marie Claire magazine’s “Best Fiction Books by Women This Year” list, was a “New and Noteworthy” New York Times Book Review book, A Publishers Weekly’s “Pick of the Week” among other accolades. It received starred Publishers Weekly and Library Journal reviews. An excerpt from the novel was a Notable Story in Best American Short Stories, 2018, edited by Roxane Gay. The paperback was published by Picador in March 2020.
 
Her second novel The Imperial Wife was published by Thomas Dunne/St. Martin’s Press in 2016 and featured in O. Magazine, Real Simple, Cosmopolitan and other publications. Irina’s first novel What Happened to Anna K. was published by Touchstone/Simon & Schuster in August 2008. That novel was selected as an IndieBound Next Pick for August. It was also one of “Ten Best Books of the Year” by Entertainment Weekly, one of Amazon.com’s Best Books of August 2008, and made both San Francisco Chronicle‘s and Washington Post‘s “Best Books of the Year List.” It won of the Goldberg Prize for Jewish Fiction from the Foundation for Jewish Culture.
 
Her anthology Living on the Edge of the World: New Jersey Writers Take on the Garden State (Touchstone, 2007) includes Jonathan Ames, Dani Shapiro, Lauren Grodstein, Frederick Reiken, Caroline Leavitt, and many others. Irina’s work has appeared in One Story, Post Road, Tin House, Los Angeles Times, Town & Country Travel, Poets & Writers, The Forward, San Francisco Chronicle, and The Moscow Times, among others. She reviews literary fiction and nonfiction for national publications.

Her fiction and personal essays can be found in many anthologies, including Not Like I’m Jealous or Anything: The Jealousy Book (Delacorte), Becoming American: Personal Essays by First Generation Immigrant Women (Hyperion) and A Stranger Among Us: Stories of Cross-Cultural Collision and Connection (OV Books). Irina was born in Moscow, and currently divides her time between Pittsburgh and Brooklyn. She is Associate Professor of English at the University of Pittsburgh.
 

Open That Drawer! Reviving the Stalled Novel Open That Drawer!: Reviving the Stalled Novel Open That Drawer!: Reviving the Stalled Novel
Irina Reyn

Irina Reyn’s newest novel Mother Country was published by St. Martin’s Press in 2019. It was featured on Marie Claire magazine’s “Best Fiction Books by Women This Year” list, was a “New and Noteworthy” New York Times Book Review book, A Publishers Weekly’s “Pick of the Week” among other accolades. It received starred Publishers Weekly and Library Journal reviews. An excerpt from the novel was a Notable Story in Best American Short Stories, 2018, edited by Roxane Gay. The paperback was published by Picador in March 2020.
 
Her second novel The Imperial Wife was published by Thomas Dunne/St. Martin’s Press in 2016 and featured in O. Magazine, Real Simple, Cosmopolitan and other publications. Irina’s first novel What Happened to Anna K. was published by Touchstone/Simon & Schuster in August 2008. That novel was selected as an IndieBound Next Pick for August. It was also one of “Ten Best Books of the Year” by Entertainment Weekly, one of Amazon.com’s Best Books of August 2008, and made both San Francisco Chronicle‘s and Washington Post‘s “Best Books of the Year List.” It won of the Goldberg Prize for Jewish Fiction from the Foundation for Jewish Culture.
 
Her anthology Living on the Edge of the World: New Jersey Writers Take on the Garden State (Touchstone, 2007) includes Jonathan Ames, Dani Shapiro, Lauren Grodstein, Frederick Reiken, Caroline Leavitt, and many others. Irina’s work has appeared in One Story, Post Road, Tin House, Los Angeles Times, Town & Country Travel, Poets & Writers, The Forward, San Francisco Chronicle, and The Moscow Times, among others. She reviews literary fiction and nonfiction for national publications.

Her fiction and personal essays can be found in many anthologies, including Not Like I’m Jealous or Anything: The Jealousy Book (Delacorte), Becoming American: Personal Essays by First Generation Immigrant Women (Hyperion) and A Stranger Among Us: Stories of Cross-Cultural Collision and Connection (OV Books). Irina was born in Moscow, and currently divides her time between Pittsburgh and Brooklyn. She is Associate Professor of English at the University of Pittsburgh.
 

Open That Drawer! Reviving the Stalled Novel Open That Drawer!: Reviving the Stalled Novel Open That Drawer!: Reviving the Stalled Novel
Irina Reyn

Irina Reyn’s newest novel Mother Country was published by St. Martin’s Press in 2019. It was featured on Marie Claire magazine’s “Best Fiction Books by Women This Year” list, was a “New and Noteworthy” New York Times Book Review book, A Publishers Weekly’s “Pick of the Week” among other accolades. It received starred Publishers Weekly and Library Journal reviews. An excerpt from the novel was a Notable Story in Best American Short Stories, 2018, edited by Roxane Gay. The paperback was published by Picador in March 2020.
 
Her second novel The Imperial Wife was published by Thomas Dunne/St. Martin’s Press in 2016 and featured in O. Magazine, Real Simple, Cosmopolitan and other publications. Irina’s first novel What Happened to Anna K. was published by Touchstone/Simon & Schuster in August 2008. That novel was selected as an IndieBound Next Pick for August. It was also one of “Ten Best Books of the Year” by Entertainment Weekly, one of Amazon.com’s Best Books of August 2008, and made both San Francisco Chronicle‘s and Washington Post‘s “Best Books of the Year List.” It won of the Goldberg Prize for Jewish Fiction from the Foundation for Jewish Culture.
 
Her anthology Living on the Edge of the World: New Jersey Writers Take on the Garden State (Touchstone, 2007) includes Jonathan Ames, Dani Shapiro, Lauren Grodstein, Frederick Reiken, Caroline Leavitt, and many others. Irina’s work has appeared in One Story, Post Road, Tin House, Los Angeles Times, Town & Country Travel, Poets & Writers, The Forward, San Francisco Chronicle, and The Moscow Times, among others. She reviews literary fiction and nonfiction for national publications.

Her fiction and personal essays can be found in many anthologies, including Not Like I’m Jealous or Anything: The Jealousy Book (Delacorte), Becoming American: Personal Essays by First Generation Immigrant Women (Hyperion) and A Stranger Among Us: Stories of Cross-Cultural Collision and Connection (OV Books). Irina was born in Moscow, and currently divides her time between Pittsburgh and Brooklyn. She is Associate Professor of English at the University of Pittsburgh.
 

Open That Drawer! Reviving the Stalled Novel Open That Drawer!: Reviving the Stalled Novel Open That Drawer!: Reviving the Stalled Novel
Seema Reza
  Seema Reza is the author of the books A Constellation of Half-Lives and When the World Breaks Open. She is the CEO of Community Building Art Works, a non-profit organization that brings workshops led by professional artists to service members, veterans, and clinicians, and is featured in the 2018 HBO documentary We Are Not Done Yet. Her writing has been widely anthologized and has appeared in the Washington Post, McSweeney’s, The LA Review, LitHub, and Electric Literature among others. Case studies from her work with military populations have appeared in Post-Traumatic Stress Disorder and Related Diseases in Combat Veterans.             Breaking Open the World: Writing Fearless Memoir Breaking Open the World: Writing Fearless Lyrical Memoir
Seema Reza
  Seema Reza is the author of the books A Constellation of Half-Lives and When the World Breaks Open. She is the CEO of Community Building Art Works, a non-profit organization that brings workshops led by professional artists to service members, veterans, and clinicians, and is featured in the 2018 HBO documentary We Are Not Done Yet. Her writing has been widely anthologized and has appeared in the Washington Post, McSweeney’s, The LA Review, LitHub, and Electric Literature among others. Case studies from her work with military populations have appeared in Post-Traumatic Stress Disorder and Related Diseases in Combat Veterans.             Breaking Open the World: Writing Fearless Memoir Breaking Open the World: Writing Fearless Lyrical Memoir
Martha Rhodes
Martha Rhodes is the author of five poetry collections, most recently The Thin Wall. She is a member of the faculty of the MFA Program for Writers at Warren Wilson College and has taught at Sarah Lawrence College, University of California at Irvine, Emerson College, among other programs. She is the publisher and executive editor of Four Way Books. She lives in NYC.             Revision & Discovery: a Poetry Workshop The Memorable Poem - LIVE Guiding Your Reader Across & Down the Page: Poetry Workshop - LIVE Revising & Generating, Creating New From the Old: a Poetry Workshop - LIVE
Martha Rhodes
Martha Rhodes is the author of five poetry collections, most recently The Thin Wall. She is a member of the faculty of the MFA Program for Writers at Warren Wilson College and has taught at Sarah Lawrence College, University of California at Irvine, Emerson College, among other programs. She is the publisher and executive editor of Four Way Books. She lives in NYC.             Revision & Discovery: a Poetry Workshop The Memorable Poem - LIVE Guiding Your Reader Across & Down the Page: Poetry Workshop - LIVE Revising & Generating, Creating New From the Old: a Poetry Workshop - LIVE
Martha Rhodes
Martha Rhodes is the author of five poetry collections, most recently The Thin Wall. She is a member of the faculty of the MFA Program for Writers at Warren Wilson College and has taught at Sarah Lawrence College, University of California at Irvine, Emerson College, among other programs. She is the publisher and executive editor of Four Way Books. She lives in NYC.             Revision & Discovery: a Poetry Workshop The Memorable Poem - LIVE Guiding Your Reader Across & Down the Page: Poetry Workshop - LIVE Revising & Generating, Creating New From the Old: a Poetry Workshop - LIVE
Martha Rhodes
Martha Rhodes is the author of five poetry collections, most recently The Thin Wall. She is a member of the faculty of the MFA Program for Writers at Warren Wilson College and has taught at Sarah Lawrence College, University of California at Irvine, Emerson College, among other programs. She is the publisher and executive editor of Four Way Books. She lives in NYC.             Revision & Discovery: a Poetry Workshop The Memorable Poem - LIVE Guiding Your Reader Across & Down the Page: Poetry Workshop - LIVE Revising & Generating, Creating New From the Old: a Poetry Workshop - LIVE
Suzanne Rivecca

Suzanne Rivecca is a former Wallace Stegner Fellow in Creative Writing at Stanford University. She published a short story collection, Death is Not an Option, in 2010 with W.W. Norton. Death is Not an Option received the Rome Prize in Literature from the American Academy of Arts and Letters and a Creative Arts Fellowship from the Radcliffe Institute for Advanced Study, and was a finalist for national and international awards including the PEN/Hemingway Award, the Story Prize, the New York Public Library Young Lions Award, and the Frank O'Connor International Short Story Award. Rivecca received a 2010 fellowship in Creative Prose from the National Endowment for the Arts, and a 2014 fellowship from the Creative Work Fund to collaborate with a nonprofit on the creation of an original work of fiction. Her short fiction has received two Pushcart Prizes and has been anthologized in Best American Short Stories.
 

Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story
Suzanne Rivecca

Suzanne Rivecca is a former Wallace Stegner Fellow in Creative Writing at Stanford University. She published a short story collection, Death is Not an Option, in 2010 with W.W. Norton. Death is Not an Option received the Rome Prize in Literature from the American Academy of Arts and Letters and a Creative Arts Fellowship from the Radcliffe Institute for Advanced Study, and was a finalist for national and international awards including the PEN/Hemingway Award, the Story Prize, the New York Public Library Young Lions Award, and the Frank O'Connor International Short Story Award. Rivecca received a 2010 fellowship in Creative Prose from the National Endowment for the Arts, and a 2014 fellowship from the Creative Work Fund to collaborate with a nonprofit on the creation of an original work of fiction. Her short fiction has received two Pushcart Prizes and has been anthologized in Best American Short Stories.
 

Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story
Suzanne Rivecca

Suzanne Rivecca is a former Wallace Stegner Fellow in Creative Writing at Stanford University. She published a short story collection, Death is Not an Option, in 2010 with W.W. Norton. Death is Not an Option received the Rome Prize in Literature from the American Academy of Arts and Letters and a Creative Arts Fellowship from the Radcliffe Institute for Advanced Study, and was a finalist for national and international awards including the PEN/Hemingway Award, the Story Prize, the New York Public Library Young Lions Award, and the Frank O'Connor International Short Story Award. Rivecca received a 2010 fellowship in Creative Prose from the National Endowment for the Arts, and a 2014 fellowship from the Creative Work Fund to collaborate with a nonprofit on the creation of an original work of fiction. Her short fiction has received two Pushcart Prizes and has been anthologized in Best American Short Stories.
 

Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story
Suzanne Rivecca

Suzanne Rivecca is a former Wallace Stegner Fellow in Creative Writing at Stanford University. She published a short story collection, Death is Not an Option, in 2010 with W.W. Norton. Death is Not an Option received the Rome Prize in Literature from the American Academy of Arts and Letters and a Creative Arts Fellowship from the Radcliffe Institute for Advanced Study, and was a finalist for national and international awards including the PEN/Hemingway Award, the Story Prize, the New York Public Library Young Lions Award, and the Frank O'Connor International Short Story Award. Rivecca received a 2010 fellowship in Creative Prose from the National Endowment for the Arts, and a 2014 fellowship from the Creative Work Fund to collaborate with a nonprofit on the creation of an original work of fiction. Her short fiction has received two Pushcart Prizes and has been anthologized in Best American Short Stories.
 

Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story
Suzanne Rivecca

Suzanne Rivecca is a former Wallace Stegner Fellow in Creative Writing at Stanford University. She published a short story collection, Death is Not an Option, in 2010 with W.W. Norton. Death is Not an Option received the Rome Prize in Literature from the American Academy of Arts and Letters and a Creative Arts Fellowship from the Radcliffe Institute for Advanced Study, and was a finalist for national and international awards including the PEN/Hemingway Award, the Story Prize, the New York Public Library Young Lions Award, and the Frank O'Connor International Short Story Award. Rivecca received a 2010 fellowship in Creative Prose from the National Endowment for the Arts, and a 2014 fellowship from the Creative Work Fund to collaborate with a nonprofit on the creation of an original work of fiction. Her short fiction has received two Pushcart Prizes and has been anthologized in Best American Short Stories.
 

Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story
Suzanne Rivecca

Suzanne Rivecca is a former Wallace Stegner Fellow in Creative Writing at Stanford University. She published a short story collection, Death is Not an Option, in 2010 with W.W. Norton. Death is Not an Option received the Rome Prize in Literature from the American Academy of Arts and Letters and a Creative Arts Fellowship from the Radcliffe Institute for Advanced Study, and was a finalist for national and international awards including the PEN/Hemingway Award, the Story Prize, the New York Public Library Young Lions Award, and the Frank O'Connor International Short Story Award. Rivecca received a 2010 fellowship in Creative Prose from the National Endowment for the Arts, and a 2014 fellowship from the Creative Work Fund to collaborate with a nonprofit on the creation of an original work of fiction. Her short fiction has received two Pushcart Prizes and has been anthologized in Best American Short Stories.
 

Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story
Suzanne Rivecca

Suzanne Rivecca is a former Wallace Stegner Fellow in Creative Writing at Stanford University. She published a short story collection, Death is Not an Option, in 2010 with W.W. Norton. Death is Not an Option received the Rome Prize in Literature from the American Academy of Arts and Letters and a Creative Arts Fellowship from the Radcliffe Institute for Advanced Study, and was a finalist for national and international awards including the PEN/Hemingway Award, the Story Prize, the New York Public Library Young Lions Award, and the Frank O'Connor International Short Story Award. Rivecca received a 2010 fellowship in Creative Prose from the National Endowment for the Arts, and a 2014 fellowship from the Creative Work Fund to collaborate with a nonprofit on the creation of an original work of fiction. Her short fiction has received two Pushcart Prizes and has been anthologized in Best American Short Stories.
 

Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story: Spring Good Things in Small Packages: The Art of the Short Story: Winter Good Things in Small Packages: The Art of the Short Story: Fall Good Things in Small Packages: The Art of the Short Story
Sara Roahen

Sara Roahen wrote the memoir Gumbo Tales: Finding My Place at the New Orleans Table, co-edited The Southern Foodways Alliance Community Cookbook, and contributed a chapter to New Orleans Cuisine: Fourteen Signature Dishes and Their Histories. She has also written for Saveur, Garden & Gun, Oxford American, Wine & Spirits, Bon Appetit, Budget Travel, Chile Pepper, Edible Piedmont, Edible New Orleans, Natural Health, and New Orleans Magazine. Her essays have been republished in Best American Food Writing 2003; Food & Booze: Essays & Recipes; and Cornbread Nation: The Best of Southern Food Writing. New Orleans’ Young Leadership Council chose Gumbo Tales for its One Book One New Orleans reading initiative in 2009, and Roahen was the 2010 recipient of the Louisiana Library Association’s Louisiana Literary Award. She is also an oral historian and has completed a number of Louisiana-based oral history projects for the Southern Foodways Alliance, on topics ranging from gumbo to sno-balls to the fishing culture of Bayou Lafourche.

What Sustains Us: The Art of Good “Food Writing” What Sustains Us: The Art of Good "Food Writing" Food in Memoir: What Sustains Us
Sara Roahen

Sara Roahen wrote the memoir Gumbo Tales: Finding My Place at the New Orleans Table, co-edited The Southern Foodways Alliance Community Cookbook, and contributed a chapter to New Orleans Cuisine: Fourteen Signature Dishes and Their Histories. She has also written for Saveur, Garden & Gun, Oxford American, Wine & Spirits, Bon Appetit, Budget Travel, Chile Pepper, Edible Piedmont, Edible New Orleans, Natural Health, and New Orleans Magazine. Her essays have been republished in Best American Food Writing 2003; Food & Booze: Essays & Recipes; and Cornbread Nation: The Best of Southern Food Writing. New Orleans’ Young Leadership Council chose Gumbo Tales for its One Book One New Orleans reading initiative in 2009, and Roahen was the 2010 recipient of the Louisiana Library Association’s Louisiana Literary Award. She is also an oral historian and has completed a number of Louisiana-based oral history projects for the Southern Foodways Alliance, on topics ranging from gumbo to sno-balls to the fishing culture of Bayou Lafourche.

What Sustains Us: The Art of Good “Food Writing” What Sustains Us: The Art of Good "Food Writing" Food in Memoir: What Sustains Us
Sara Roahen

Sara Roahen wrote the memoir Gumbo Tales: Finding My Place at the New Orleans Table, co-edited The Southern Foodways Alliance Community Cookbook, and contributed a chapter to New Orleans Cuisine: Fourteen Signature Dishes and Their Histories. She has also written for Saveur, Garden & Gun, Oxford American, Wine & Spirits, Bon Appetit, Budget Travel, Chile Pepper, Edible Piedmont, Edible New Orleans, Natural Health, and New Orleans Magazine. Her essays have been republished in Best American Food Writing 2003; Food & Booze: Essays & Recipes; and Cornbread Nation: The Best of Southern Food Writing. New Orleans’ Young Leadership Council chose Gumbo Tales for its One Book One New Orleans reading initiative in 2009, and Roahen was the 2010 recipient of the Louisiana Library Association’s Louisiana Literary Award. She is also an oral historian and has completed a number of Louisiana-based oral history projects for the Southern Foodways Alliance, on topics ranging from gumbo to sno-balls to the fishing culture of Bayou Lafourche.

What Sustains Us: The Art of Good “Food Writing” What Sustains Us: The Art of Good "Food Writing" Food in Memoir: What Sustains Us
Kelli Russell Agodon
Kelli Russell Agodon’s newest book, Dialogues with Rising Tides, was just published by Copper Canyon Press. She is the cofounder of Two Sylvias Press where she works as an editor and book cover designer. Her other books include Letters from the Emily Dickinson Room, Hourglass MuseumThe Daily Poet: Day-By-Day Prompts for Your Writing Practice which she coauthored with Martha Silano, and Fire on Her Tongue: An Anthology of Contemporary Women’s Poetry. She lives in a sleepy seaside town in Washington State on traditional lands of the Chimacum, Coast Salish, S'Klallam, and Suquamish people where she is an avid paddleboarder and hiker. She teaches at Pacific Lutheran University’s low-res MFA program, the Rainier Writing Workshop. SECRET DOORWAYS INTO POETRY: A WEEK OF WRITING NEW POEMS - LIVE
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
Anne Sanow
Anne Sanow is the author of the story collection Triple Time, winner of the Drue Heinz Literature Prize and the PEN New England Award for Fiction. Twice a fellow at the Fine Arts Work Center, her awards include the Nelson Algren Award for Short Fiction from the Chicago Tribune and fellowships from the MacDowell Colony, the Helene Wurlitzer Foundation, and the National Endowment for the Arts.   Revision Is the Writing: Prose Workshop Liftoff: Getting That Story Draft Moving LIFTOFF: GETTING THAT STORY DRAFT MOVING Liftoff: Getting That Story Draft Moving Liftoff: Beginning That Story Draft Liftoff: Beginning That Story Draft Revision is the Writing: Prose Workshop REVISION IS THE WRITING: PROSE WORKSHOP for Spring REVISION IS THE WRITING: PROSE WORKSHOP FOR Winter Revision is the Writing: Prose Workshop Revision is the Writing: Prose Workshop, Summer Revision is the Writing: Prose Workshop Liftoff: Finishing that Story Draft
June Sylvester Saraceno
June Sylvester Saraceno is the author of Feral, North Carolina, 1965, listed in BuzzFeed as one of “18 Must Read Books from Indie Presses” in  2019. Her work has appeared in The Rumpus, Southwestern American Literature, Big Muddy, Adirondack Review, and other journals. In addition to fiction, she is the author of three poetry collections. She teaches graduate writing workshops in the MFA programs at University of Nevada, Reno and Sierra Nevada University. CREATING UNFORGETTABLE CHARACTERS
Sam Sax

sam sax is a 2015 NEA Fellow and finalist for The Ruth Lilly Fellowship from the Poetry Foundation. He received a poetry fellowship fromThe Michener Center for Writers where he served as the Editor-in-chief of Bat City Review. He’s the two time Bay Area Grand Slam Champion & author of the chapbooks, A Guide to Undressing Your Monsters (Button Poetry, 2014) + sad boy / detective (Black Lawrence Press, 2015) + All The Rage (Sibling Rivalry Press, 2016). His poems are forthcoming in American Poetry Review, Boston Review, Ploughshares, Guernica, Poetry Magazine, + other journals. Most recently he was named the winner of the 2016 Iowa Review Prize.

Heeeeeey!: Queer Poetics Heeeeeey!: Queer Poetics
Sam Sax

sam sax is a 2015 NEA Fellow and finalist for The Ruth Lilly Fellowship from the Poetry Foundation. He received a poetry fellowship fromThe Michener Center for Writers where he served as the Editor-in-chief of Bat City Review. He’s the two time Bay Area Grand Slam Champion & author of the chapbooks, A Guide to Undressing Your Monsters (Button Poetry, 2014) + sad boy / detective (Black Lawrence Press, 2015) + All The Rage (Sibling Rivalry Press, 2016). His poems are forthcoming in American Poetry Review, Boston Review, Ploughshares, Guernica, Poetry Magazine, + other journals. Most recently he was named the winner of the 2016 Iowa Review Prize.

Heeeeeey!: Queer Poetics Heeeeeey!: Queer Poetics
Rosie Schaap

Rosie Schaap is the author of the memoir, Drinking With Men, named one of the best books of 2013 by Bookpage, Flavorwire, Library Journal, and National Public Radio. From 2011-2017, she was the monthly “Drink” columnist for The New York Times Magazine, and she has also written for the newspaper’s book review, dining, sports, and travel sections. A contributor to the radio show This American Life, Schaap’s work has also appeared in Bon Appétit, Food & Wine, Lucky Peach, Marie Claire, Saveur, and Travel + Leisure, among other publications. Her personal essays have been published in anthologies including Here She Comes Now: Women in Music Who Have Changed Our Lives, Me, My Hair, And I: Twenty-seven Women Untangle an Obsession, and Tales of Two Cities: The Best and Worst of Times in Today’s New York. She is on the faculty of the MFA program in creative writing at Fairleigh Dickinson University, and is writing a book about whiskey.

Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative: SEPTEMBER Writing About Food & Drink Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative
Rosie Schaap

Rosie Schaap is the author of the memoir, Drinking With Men, named one of the best books of 2013 by Bookpage, Flavorwire, Library Journal, and National Public Radio. From 2011-2017, she was the monthly “Drink” columnist for The New York Times Magazine, and she has also written for the newspaper’s book review, dining, sports, and travel sections. A contributor to the radio show This American Life, Schaap’s work has also appeared in Bon Appétit, Food & Wine, Lucky Peach, Marie Claire, Saveur, and Travel + Leisure, among other publications. Her personal essays have been published in anthologies including Here She Comes Now: Women in Music Who Have Changed Our Lives, Me, My Hair, And I: Twenty-seven Women Untangle an Obsession, and Tales of Two Cities: The Best and Worst of Times in Today’s New York. She is on the faculty of the MFA program in creative writing at Fairleigh Dickinson University, and is writing a book about whiskey.

Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative: SEPTEMBER Writing About Food & Drink Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative
Rosie Schaap

Rosie Schaap is the author of the memoir, Drinking With Men, named one of the best books of 2013 by Bookpage, Flavorwire, Library Journal, and National Public Radio. From 2011-2017, she was the monthly “Drink” columnist for The New York Times Magazine, and she has also written for the newspaper’s book review, dining, sports, and travel sections. A contributor to the radio show This American Life, Schaap’s work has also appeared in Bon Appétit, Food & Wine, Lucky Peach, Marie Claire, Saveur, and Travel + Leisure, among other publications. Her personal essays have been published in anthologies including Here She Comes Now: Women in Music Who Have Changed Our Lives, Me, My Hair, And I: Twenty-seven Women Untangle an Obsession, and Tales of Two Cities: The Best and Worst of Times in Today’s New York. She is on the faculty of the MFA program in creative writing at Fairleigh Dickinson University, and is writing a book about whiskey.

Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative: SEPTEMBER Writing About Food & Drink Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative
Rosie Schaap

Rosie Schaap is the author of the memoir, Drinking With Men, named one of the best books of 2013 by Bookpage, Flavorwire, Library Journal, and National Public Radio. From 2011-2017, she was the monthly “Drink” columnist for The New York Times Magazine, and she has also written for the newspaper’s book review, dining, sports, and travel sections. A contributor to the radio show This American Life, Schaap’s work has also appeared in Bon Appétit, Food & Wine, Lucky Peach, Marie Claire, Saveur, and Travel + Leisure, among other publications. Her personal essays have been published in anthologies including Here She Comes Now: Women in Music Who Have Changed Our Lives, Me, My Hair, And I: Twenty-seven Women Untangle an Obsession, and Tales of Two Cities: The Best and Worst of Times in Today’s New York. She is on the faculty of the MFA program in creative writing at Fairleigh Dickinson University, and is writing a book about whiskey.

Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative: SEPTEMBER Writing About Food & Drink Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative
Rosie Schaap

Rosie Schaap is the author of the memoir, Drinking With Men, named one of the best books of 2013 by Bookpage, Flavorwire, Library Journal, and National Public Radio. From 2011-2017, she was the monthly “Drink” columnist for The New York Times Magazine, and she has also written for the newspaper’s book review, dining, sports, and travel sections. A contributor to the radio show This American Life, Schaap’s work has also appeared in Bon Appétit, Food & Wine, Lucky Peach, Marie Claire, Saveur, and Travel + Leisure, among other publications. Her personal essays have been published in anthologies including Here She Comes Now: Women in Music Who Have Changed Our Lives, Me, My Hair, And I: Twenty-seven Women Untangle an Obsession, and Tales of Two Cities: The Best and Worst of Times in Today’s New York. She is on the faculty of the MFA program in creative writing at Fairleigh Dickinson University, and is writing a book about whiskey.

Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative: SEPTEMBER Writing About Food & Drink Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative
Rosie Schaap

Rosie Schaap is the author of the memoir, Drinking With Men, named one of the best books of 2013 by Bookpage, Flavorwire, Library Journal, and National Public Radio. From 2011-2017, she was the monthly “Drink” columnist for The New York Times Magazine, and she has also written for the newspaper’s book review, dining, sports, and travel sections. A contributor to the radio show This American Life, Schaap’s work has also appeared in Bon Appétit, Food & Wine, Lucky Peach, Marie Claire, Saveur, and Travel + Leisure, among other publications. Her personal essays have been published in anthologies including Here She Comes Now: Women in Music Who Have Changed Our Lives, Me, My Hair, And I: Twenty-seven Women Untangle an Obsession, and Tales of Two Cities: The Best and Worst of Times in Today’s New York. She is on the faculty of the MFA program in creative writing at Fairleigh Dickinson University, and is writing a book about whiskey.

Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative: SEPTEMBER Writing About Food & Drink Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative
Rosie Schaap

Rosie Schaap is the author of the memoir, Drinking With Men, named one of the best books of 2013 by Bookpage, Flavorwire, Library Journal, and National Public Radio. From 2011-2017, she was the monthly “Drink” columnist for The New York Times Magazine, and she has also written for the newspaper’s book review, dining, sports, and travel sections. A contributor to the radio show This American Life, Schaap’s work has also appeared in Bon Appétit, Food & Wine, Lucky Peach, Marie Claire, Saveur, and Travel + Leisure, among other publications. Her personal essays have been published in anthologies including Here She Comes Now: Women in Music Who Have Changed Our Lives, Me, My Hair, And I: Twenty-seven Women Untangle an Obsession, and Tales of Two Cities: The Best and Worst of Times in Today’s New York. She is on the faculty of the MFA program in creative writing at Fairleigh Dickinson University, and is writing a book about whiskey.

Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative: SEPTEMBER Writing About Food & Drink Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative
Rosie Schaap

Rosie Schaap is the author of the memoir, Drinking With Men, named one of the best books of 2013 by Bookpage, Flavorwire, Library Journal, and National Public Radio. From 2011-2017, she was the monthly “Drink” columnist for The New York Times Magazine, and she has also written for the newspaper’s book review, dining, sports, and travel sections. A contributor to the radio show This American Life, Schaap’s work has also appeared in Bon Appétit, Food & Wine, Lucky Peach, Marie Claire, Saveur, and Travel + Leisure, among other publications. Her personal essays have been published in anthologies including Here She Comes Now: Women in Music Who Have Changed Our Lives, Me, My Hair, And I: Twenty-seven Women Untangle an Obsession, and Tales of Two Cities: The Best and Worst of Times in Today’s New York. She is on the faculty of the MFA program in creative writing at Fairleigh Dickinson University, and is writing a book about whiskey.

Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative: SEPTEMBER Writing About Food & Drink Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative
Rosie Schaap

Rosie Schaap is the author of the memoir, Drinking With Men, named one of the best books of 2013 by Bookpage, Flavorwire, Library Journal, and National Public Radio. From 2011-2017, she was the monthly “Drink” columnist for The New York Times Magazine, and she has also written for the newspaper’s book review, dining, sports, and travel sections. A contributor to the radio show This American Life, Schaap’s work has also appeared in Bon Appétit, Food & Wine, Lucky Peach, Marie Claire, Saveur, and Travel + Leisure, among other publications. Her personal essays have been published in anthologies including Here She Comes Now: Women in Music Who Have Changed Our Lives, Me, My Hair, And I: Twenty-seven Women Untangle an Obsession, and Tales of Two Cities: The Best and Worst of Times in Today’s New York. She is on the faculty of the MFA program in creative writing at Fairleigh Dickinson University, and is writing a book about whiskey.

Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative: SEPTEMBER Writing About Food & Drink Essay is a Verb: The Practice of Personal Narrative: Spring Essay is a Verb: The Practice of Personal Narrative: Winter Essay is a Verb: The Practice of Personal Narrative: Fall Essay is a Verb: The Practice of Personal Narrative
Heidi Jon Schmidt

Heidi Jon Schmidt has published stories and essays in The AtlanticThe New York TimesGrand StreetEpoch, and many others.  Her stories have been anthologized in The O'Henry Prize StoriesBest American Nonrequired Reading, etc., and won the James Michener and the Ingram Merrill awards for fiction.  The Harbormaster’s Daughter (2012) and The House on Oyster Creek (2010), her most recent books, were published by Penguin/NAL.

TELLING THE STORY: 8 WEEKS IN Winter Character and Fate Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story
Heidi Jon Schmidt

Heidi Jon Schmidt has published stories and essays in The AtlanticThe New York TimesGrand StreetEpoch, and many others.  Her stories have been anthologized in The O'Henry Prize StoriesBest American Nonrequired Reading, etc., and won the James Michener and the Ingram Merrill awards for fiction.  The Harbormaster’s Daughter (2012) and The House on Oyster Creek (2010), her most recent books, were published by Penguin/NAL.

TELLING THE STORY: 8 WEEKS IN Winter Character and Fate Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story
Heidi Jon Schmidt

Heidi Jon Schmidt has published stories and essays in The AtlanticThe New York TimesGrand StreetEpoch, and many others.  Her stories have been anthologized in The O'Henry Prize StoriesBest American Nonrequired Reading, etc., and won the James Michener and the Ingram Merrill awards for fiction.  The Harbormaster’s Daughter (2012) and The House on Oyster Creek (2010), her most recent books, were published by Penguin/NAL.

TELLING THE STORY: 8 WEEKS IN Winter Character and Fate Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story
Heidi Jon Schmidt

Heidi Jon Schmidt has published stories and essays in The AtlanticThe New York TimesGrand StreetEpoch, and many others.  Her stories have been anthologized in The O'Henry Prize StoriesBest American Nonrequired Reading, etc., and won the James Michener and the Ingram Merrill awards for fiction.  The Harbormaster’s Daughter (2012) and The House on Oyster Creek (2010), her most recent books, were published by Penguin/NAL.

TELLING THE STORY: 8 WEEKS IN Winter Character and Fate Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story
Heidi Jon Schmidt

Heidi Jon Schmidt has published stories and essays in The AtlanticThe New York TimesGrand StreetEpoch, and many others.  Her stories have been anthologized in The O'Henry Prize StoriesBest American Nonrequired Reading, etc., and won the James Michener and the Ingram Merrill awards for fiction.  The Harbormaster’s Daughter (2012) and The House on Oyster Creek (2010), her most recent books, were published by Penguin/NAL.

TELLING THE STORY: 8 WEEKS IN Winter Character and Fate Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story
Heidi Jon Schmidt

Heidi Jon Schmidt has published stories and essays in The AtlanticThe New York TimesGrand StreetEpoch, and many others.  Her stories have been anthologized in The O'Henry Prize StoriesBest American Nonrequired Reading, etc., and won the James Michener and the Ingram Merrill awards for fiction.  The Harbormaster’s Daughter (2012) and The House on Oyster Creek (2010), her most recent books, were published by Penguin/NAL.

TELLING THE STORY: 8 WEEKS IN Winter Character and Fate Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story
Heidi Jon Schmidt

Heidi Jon Schmidt has published stories and essays in The AtlanticThe New York TimesGrand StreetEpoch, and many others.  Her stories have been anthologized in The O'Henry Prize StoriesBest American Nonrequired Reading, etc., and won the James Michener and the Ingram Merrill awards for fiction.  The Harbormaster’s Daughter (2012) and The House on Oyster Creek (2010), her most recent books, were published by Penguin/NAL.

TELLING THE STORY: 8 WEEKS IN Winter Character and Fate Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story: Eight Weeks in Winter Telling the Story: Fall Telling the Story
Jason Schneiderman
Jason Schneiderman’s fifth collection of poems, Self Portrait of Icarus as a Country on Fire will be published by Red Hen Press in 2024. He is also the editor of the anthology Queer: A Reader for Writers (Oxford UP 2016). His poems and essays have appeared in numerous journals and anthologies, including The Penguin Book of the Sonnet, and three installments of Best American Poetry. His awards include the Emily Dickinson Award from the Poetry Society of America, the Jerome J. Shestack Award from American Poetry Review, and a Fulbright Fellowship from the Fulbright Foundation. He is longtime co-host of the podcast Painted Bride Quarterly Slush Pile and has been a guest host for The Slowdown. He is Professor of English at the Borough of Manhattan Community College and teaches in the MFA Program for Writers at Warren Wilson College. Writing the Sonnet in the 21st Century
Sarah Schulman
Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer, and AIDS historian. Her recent work includes LET THE RECORD SHOW: A Political History of ACT UP, NY 1987-1993 and the novels The Cosmopolitans  and Maggie Terry. She has recently published articles and catalog essays on the artists Nan Goldin, Nicole Eisenman, and Alice Neel. Schulman holds an endowed chair in Nonfiction at Northwestern University and is on the advisory board of Jewish Voice for Peace. FICTION & NONFICTION WORKSHOP - LIVE Fiction & Nonfiction Workshop (24PearlStreet Live)
Sarah Schulman
Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer, and AIDS historian. Her recent work includes LET THE RECORD SHOW: A Political History of ACT UP, NY 1987-1993 and the novels The Cosmopolitans  and Maggie Terry. She has recently published articles and catalog essays on the artists Nan Goldin, Nicole Eisenman, and Alice Neel. Schulman holds an endowed chair in Nonfiction at Northwestern University and is on the advisory board of Jewish Voice for Peace. FICTION & NONFICTION WORKSHOP - LIVE Fiction & Nonfiction Workshop (24PearlStreet Live)
Nicole Sealey
Nicole Sealey is the author of The Ferguson Report: An Erasure, an excerpt of which was awarded the Forward Prize for Best Single Poem, Ordinary Beast, finalist for the Hurston/Wright Legacy Award and the PEN Open Book Award, and The Animal After Whom Other Animals Are Named, winner of the Drinking Gourd Chapbook Poetry Prize. Her honors include a 2023-2024 Cullman Center Fellowship from the New York Public Library, a Rome Prize in Literature from the American Academy in Rome, a Hodder Fellowship from Princeton University, and the Stanley Kunitz Memorial Prize from The American Poetry Review. Seeing is Believing: Drafting the Lasting Image - LIVE SEEING IS BELIEVING: DRAFTING THE LASTING IMAGE - LIVE
Nicole Sealey
Nicole Sealey is the author of The Ferguson Report: An Erasure, an excerpt of which was awarded the Forward Prize for Best Single Poem, Ordinary Beast, finalist for the Hurston/Wright Legacy Award and the PEN Open Book Award, and The Animal After Whom Other Animals Are Named, winner of the Drinking Gourd Chapbook Poetry Prize. Her honors include a 2023-2024 Cullman Center Fellowship from the New York Public Library, a Rome Prize in Literature from the American Academy in Rome, a Hodder Fellowship from Princeton University, and the Stanley Kunitz Memorial Prize from The American Poetry Review. Seeing is Believing: Drafting the Lasting Image - LIVE SEEING IS BELIEVING: DRAFTING THE LASTING IMAGE - LIVE
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Rebecca Seiferle
Rebecca Seiferle’s poems are forthcoming in Essential Queer Voices of U.S. Poetry in early 2024 from Green Linden Press. She has published four poetry collections. Wild Tongue (Copper Canyon) won the Grub Street National Book Prize in Poetry. Her three previous collections, Bitters, The Music We Dance To and The Ripped-Out Seam won the Western States Book Award, a Pushcart Prize, The National Writer’s Union Prize, and the Poets & Writers Exchange Award. Seiferle is also a noted translator, having translated César Vallejo’s The Black Heralds (Copper Canyon) and Trilce (Sheep Meadow Press). She was Jacob Ziskind poet-in-residence at Brandeis University, and a visiting writer at Vanderbilt University, Hamilton College, the Fine Arts Work Center in Provincetown, the Key West Literary Seminars, the Summer Literary Seminars in Lithuania, StAnza International Poetry Festival in St. Andrews, Scotland, among others. She was the recipient of the  Lannan Literary Fellowship for Poetry. From 2012-2016 Seiferle was Tucson Poet Laureate and she was awarded an Arizona Commission on the Arts Research and Development Grant in 2019. Your Interior Journey The Poem's Intention Your Interior Journey The Poem's Intention The Poetic Sequence Form as the Body of the Poem THE POEM'S INTENTION THE POETIC SEQUENCE Moving with the Text: A Translation Workshop The Poem's Intention The Poetic Sequence The Poetic Sequence The Poem’s Intention
Sandra Simonds

Sandra Simonds is the author of six books of poetry: Orlando, (Wave Books, forthcoming in 2018), Further Problems with Pleasure, winner of the 2015 Akron Poetry Prize, Steal It Back (Saturnalia Books, 2015), The Sonnets (Bloof Books, 2014), Mother Was a Tragic Girl (Cleveland State University Poetry Center, 2012), and Warsaw Bikini (Bloof Books, 2009). Her poems have been included in the Best American Poetry 2015 and 2014 and have appeared in many literary journals, including Poetry, the American Poetry Review, the Chicago Review, Granta, Boston Review, Ploughshares, Fence, Court Green, and Lana Turner. In 2013, she won a Readers’ Choice Award for her sonnet “Red Wand,” which was published on Poets.org, the Academy of American Poets website. She lives in Tallahassee, Florida and is an associate professor of English and Humanities at Thomas University in Thomasville, Georgia.

From Your Diary to Publication Shouldn’t the Sonnet?
Sandra Simonds

Sandra Simonds is the author of six books of poetry: Orlando, (Wave Books, forthcoming in 2018), Further Problems with Pleasure, winner of the 2015 Akron Poetry Prize, Steal It Back (Saturnalia Books, 2015), The Sonnets (Bloof Books, 2014), Mother Was a Tragic Girl (Cleveland State University Poetry Center, 2012), and Warsaw Bikini (Bloof Books, 2009). Her poems have been included in the Best American Poetry 2015 and 2014 and have appeared in many literary journals, including Poetry, the American Poetry Review, the Chicago Review, Granta, Boston Review, Ploughshares, Fence, Court Green, and Lana Turner. In 2013, she won a Readers’ Choice Award for her sonnet “Red Wand,” which was published on Poets.org, the Academy of American Poets website. She lives in Tallahassee, Florida and is an associate professor of English and Humanities at Thomas University in Thomasville, Georgia.

From Your Diary to Publication Shouldn’t the Sonnet?
Sean Singer
Sean Singer is the author of Discography (Yale University Press, 2002), winner of the Yale Series of Younger Poets Prize, selected by W.S. Merwin, and the Norma Farber First Book Award from the Poetry Society of America; Honey & Smoke (Eyewear Publishing, 2015); and Today in the Taxi (Tupelo Press, 2022) which won the 2022 National Jewish Book award. He runs a manuscript consultation service at www.seansingerpoetry.com Revision & Possibility - LIVE
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Ed Skoog

Poet Ed Skoog was born in Topeka, Kansas. He earned an MFA from the University of Montana. His collections of poetry include the chapbooks Toolkit (1995) and Field Recordings (2003) and the full-length volumes Mister Skylight (2009) and Rough Day (2013), both published by Copper Canyon Press. His poems have appeared in Paris Review, American Poetry Review, Poetry, and many other magazines, and he was included in the 2015 Best American Poetry. The Harvard Review compared Skoog’s work to that of Wallace Stevens and the New York School poets, noting his “verbal montages.” Reviewer Henry Hughes added, “readers must surrender their demands for whole meaning in the narrative sense to enjoy the verbal play—the sounds, phrases, and crazy connections that suggest new ways of reading the world.” Skoog has taught at the Idyllwild Arts Foundation in Idyllwild, California, the New Orleans Center for Creative Arts, and Tulane University. He has received fellowships from Bread Loaf Writers Conference and The Lannan Foundation, and has been the Jenny McKean Moore Writer in Washington at George Washington University and writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. http://skoog.land

HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Summer HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Spring CALLED TO SPEECH: A ONE-WEEK WORKSHOP KEEP YOUR FOOT ON THE SUSTAIN PEDAL: WRITING LONG POEMS HAVE YOU TRIED THE SIDE DOOR? FINDING A WAY IN TO YOUR NEXT POEMS: Fall Have You Tried the Side Door? Finding A Way In To Your Next Poems: SUMMER Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Called to Speech: A One-Week Workshop Called to Speech: A One-Week Workshop Keep Your Foot on the Sustain Pedal: Writing Long Poems in July and August Keep Your Foot on the Sustain Pedal: Writing Long Poems in June Have You Tried the Side Door? Finding a Way In to Your Next Poems: Spring Have You Tried the Side Door? Finding a Way In to Your Next Poems: Winter Have You Tried the Side Door? Finding a Way In to Your Next Poems: Fall Have You Tried the Side Door? Finding a Way In to Your Next Poems.
Maggie Smith
Maggie Smith is the award-winning author of You Could Make This Place Beautiful, Good Bones, The Well Speaks of Its Own Poison, Lamp of the Body, and the national bestsellers Goldenrod and Keep Moving: Notes on Loss, Creativity, and Change. Smith’s poems and essays have appeared in The New York Times, The New Yorker, The Paris Review, Poetry, The Nation, TIME, The Best American Poetry, and more. She is on the MFA faculty of the Naslund-Mann Graduate School of Writing and has taught poetry at The University of Michigan, The Ohio State University, Ohio Wesleyan University, and Gettysburg College.         Five Days, Five Poems - LIVE
Susanna Sonnenberg
Susanna Sonnenberg is the author of two memoirs, Her Last Death and She Matters: A Life in Friendships, both New York Times bestsellers. She has been on the summer faculty of the Fine Arts Work Center since 2017. She lives in Missoula, Montana, where she teaches online and hikes with her dog Mazie. Against Silence: Finding Your Way into Memoir UNSAYABLE: THE ART OF BARING & BEARING THE TRUTH IN MEMOIR - LIVE ENGAGING THE EXPERIENCE: MAKING MEANING IN MEMOIR - LIVE Time to Tell: A Memoir Workshop Engaging the Experience: Making Meaning in Memoir Engaging the Experience: How to Make Sense in Memoir of What Happened in Life
Susanna Sonnenberg
Susanna Sonnenberg is the author of two memoirs, Her Last Death and She Matters: A Life in Friendships, both New York Times bestsellers. She has been on the summer faculty of the Fine Arts Work Center since 2017. She lives in Missoula, Montana, where she teaches online and hikes with her dog Mazie. Against Silence: Finding Your Way into Memoir UNSAYABLE: THE ART OF BARING & BEARING THE TRUTH IN MEMOIR - LIVE ENGAGING THE EXPERIENCE: MAKING MEANING IN MEMOIR - LIVE Time to Tell: A Memoir Workshop Engaging the Experience: Making Meaning in Memoir Engaging the Experience: How to Make Sense in Memoir of What Happened in Life
Susanna Sonnenberg
Susanna Sonnenberg is the author of two memoirs, Her Last Death and She Matters: A Life in Friendships, both New York Times bestsellers. She has been on the summer faculty of the Fine Arts Work Center since 2017. She lives in Missoula, Montana, where she teaches online and hikes with her dog Mazie. Against Silence: Finding Your Way into Memoir UNSAYABLE: THE ART OF BARING & BEARING THE TRUTH IN MEMOIR - LIVE ENGAGING THE EXPERIENCE: MAKING MEANING IN MEMOIR - LIVE Time to Tell: A Memoir Workshop Engaging the Experience: Making Meaning in Memoir Engaging the Experience: How to Make Sense in Memoir of What Happened in Life
Susanna Sonnenberg
Susanna Sonnenberg is the author of two memoirs, Her Last Death and She Matters: A Life in Friendships, both New York Times bestsellers. She has been on the summer faculty of the Fine Arts Work Center since 2017. She lives in Missoula, Montana, where she teaches online and hikes with her dog Mazie. Against Silence: Finding Your Way into Memoir UNSAYABLE: THE ART OF BARING & BEARING THE TRUTH IN MEMOIR - LIVE ENGAGING THE EXPERIENCE: MAKING MEANING IN MEMOIR - LIVE Time to Tell: A Memoir Workshop Engaging the Experience: Making Meaning in Memoir Engaging the Experience: How to Make Sense in Memoir of What Happened in Life
Susanna Sonnenberg
Susanna Sonnenberg is the author of two memoirs, Her Last Death and She Matters: A Life in Friendships, both New York Times bestsellers. She has been on the summer faculty of the Fine Arts Work Center since 2017. She lives in Missoula, Montana, where she teaches online and hikes with her dog Mazie. Against Silence: Finding Your Way into Memoir UNSAYABLE: THE ART OF BARING & BEARING THE TRUTH IN MEMOIR - LIVE ENGAGING THE EXPERIENCE: MAKING MEANING IN MEMOIR - LIVE Time to Tell: A Memoir Workshop Engaging the Experience: Making Meaning in Memoir Engaging the Experience: How to Make Sense in Memoir of What Happened in Life
Susanna Sonnenberg
Susanna Sonnenberg is the author of two memoirs, Her Last Death and She Matters: A Life in Friendships, both New York Times bestsellers. She has been on the summer faculty of the Fine Arts Work Center since 2017. She lives in Missoula, Montana, where she teaches online and hikes with her dog Mazie. Against Silence: Finding Your Way into Memoir UNSAYABLE: THE ART OF BARING & BEARING THE TRUTH IN MEMOIR - LIVE ENGAGING THE EXPERIENCE: MAKING MEANING IN MEMOIR - LIVE Time to Tell: A Memoir Workshop Engaging the Experience: Making Meaning in Memoir Engaging the Experience: How to Make Sense in Memoir of What Happened in Life
Juliana Spahr

 Juliana Spahr edits the book series Chain Links with Jena Osman and the collectively funded Subpress with nineteen other people and Commune Editions with Joshua Clover and Jasper Bernes. With David Buuck she wrote Army of Lovers. She has edited with Stephanie Young A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-machine-gun Feminism (Chain Links, 2011), with Joan Retallack Poetry & Pedagogy: the Challenge of the Contemporary (Palgrave, 2006), and with Claudia Rankine American Women Poets in the 21st Century (Wesleyan U P, 2002).  Her most recent book is That Winter the Wolf Came from Commune Editions.

Five Not Entirely Possible Assignments Five Not Entirely Possible Assignments
Juliana Spahr

 Juliana Spahr edits the book series Chain Links with Jena Osman and the collectively funded Subpress with nineteen other people and Commune Editions with Joshua Clover and Jasper Bernes. With David Buuck she wrote Army of Lovers. She has edited with Stephanie Young A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-machine-gun Feminism (Chain Links, 2011), with Joan Retallack Poetry & Pedagogy: the Challenge of the Contemporary (Palgrave, 2006), and with Claudia Rankine American Women Poets in the 21st Century (Wesleyan U P, 2002).  Her most recent book is That Winter the Wolf Came from Commune Editions.

Five Not Entirely Possible Assignments Five Not Entirely Possible Assignments
Justin St. Germain

Justin St. Germain's first book, the memoir Son of a Gun, was published by Random House. It won the 2013 Barnes & Noble Discover Award in Nonfiction and was named a best book of 2013 by Amazon, Amazon Canada, Library Journal, BookPage, Salon, Publisher’s Weekly, and the Pima County Public Library. His writing has appeared in The New York Times, The New York Times Book Review, the Guardian, the Best of the West anthology, and various other journals, magazines, and anthologies. He is the recipient of scholarships from the Bread Loaf Writers’ Conference and Sewanee Writers’ Conference, and was a Wallace Stegner Fellow and Marsh McCall Lecturer at Stanford University. He teaches creative nonfiction at Oregon State University.

Memoir: Getting Started
Nomi Stone
Nomi Stone’s second collection of poems, Kill Class is forthcoming from Tupelo Press in 2019. She is also the author of the poetry collection Stranger’s Notebook (TriQuarterly, 2008) and a Postdoctoral Research Fellow in Anthropology at Princeton University. Poems appear recently or will soon in The New Republic, The New England Review, Bettering American Poetry 2017, The Best American Poetry 2016, Poetry Northwest, and elsewhere. She has a PhD in anthropology from Columbia, an MFA in Poetry from Warren Wilson College, and Masters in Modern Middle Eastern Studies from Oxford, and she recently won the UC Press Atelier competition for her ethnographic manuscript in progress, Human Technologies and the Making of American War. 
 

 

Anthro-Poetics: Living, Seeing, and Wonder Anthro-Poetics: Living, Seeing, and Wonder
Nomi Stone
Nomi Stone’s second collection of poems, Kill Class is forthcoming from Tupelo Press in 2019. She is also the author of the poetry collection Stranger’s Notebook (TriQuarterly, 2008) and a Postdoctoral Research Fellow in Anthropology at Princeton University. Poems appear recently or will soon in The New Republic, The New England Review, Bettering American Poetry 2017, The Best American Poetry 2016, Poetry Northwest, and elsewhere. She has a PhD in anthropology from Columbia, an MFA in Poetry from Warren Wilson College, and Masters in Modern Middle Eastern Studies from Oxford, and she recently won the UC Press Atelier competition for her ethnographic manuscript in progress, Human Technologies and the Making of American War. 
 

 

Anthro-Poetics: Living, Seeing, and Wonder Anthro-Poetics: Living, Seeing, and Wonder
Melissa Studdard
Melissa Studdard is the author of the poetry collections, Dear Selection Committee and I Ate the Cosmos for Breakfast, as well as the chapbook Like a Bird with a Thousand Wings. Her work has been featured by PBS, NPR, The New York Times, The Guardian, and the Academy of American Poets’ Poem-a-Day series, and has appeared in periodicals such as POETRY, Kenyon Review, and New England Review. Her awards include the Lucille Medwick Memorial Award from the Poetry Society of America, The Penn Review Poetry Prize, the Tom Howard Prize from Winning Writers, the REELpoetry International Film Festival Audience Choice Award, and more.   To Whom It May Concern: an Epistolary Poetry Workshop - LIVE To Whom It May Concern: an Epistolary Poetry Workshop Your Own Fire: Writing the Poems Only You Can Write - LIVE To Whom It May Concern: An Epistolary Poetry Workshop Your Own Fire: Writing the Poems That Only You Can Write
Melissa Studdard
Melissa Studdard is the author of the poetry collections, Dear Selection Committee and I Ate the Cosmos for Breakfast, as well as the chapbook Like a Bird with a Thousand Wings. Her work has been featured by PBS, NPR, The New York Times, The Guardian, and the Academy of American Poets’ Poem-a-Day series, and has appeared in periodicals such as POETRY, Kenyon Review, and New England Review. Her awards include the Lucille Medwick Memorial Award from the Poetry Society of America, The Penn Review Poetry Prize, the Tom Howard Prize from Winning Writers, the REELpoetry International Film Festival Audience Choice Award, and more.   To Whom It May Concern: an Epistolary Poetry Workshop - LIVE To Whom It May Concern: an Epistolary Poetry Workshop Your Own Fire: Writing the Poems Only You Can Write - LIVE To Whom It May Concern: An Epistolary Poetry Workshop Your Own Fire: Writing the Poems That Only You Can Write
Melissa Studdard
Melissa Studdard is the author of the poetry collections, Dear Selection Committee and I Ate the Cosmos for Breakfast, as well as the chapbook Like a Bird with a Thousand Wings. Her work has been featured by PBS, NPR, The New York Times, The Guardian, and the Academy of American Poets’ Poem-a-Day series, and has appeared in periodicals such as POETRY, Kenyon Review, and New England Review. Her awards include the Lucille Medwick Memorial Award from the Poetry Society of America, The Penn Review Poetry Prize, the Tom Howard Prize from Winning Writers, the REELpoetry International Film Festival Audience Choice Award, and more.   To Whom It May Concern: an Epistolary Poetry Workshop - LIVE To Whom It May Concern: an Epistolary Poetry Workshop Your Own Fire: Writing the Poems Only You Can Write - LIVE To Whom It May Concern: An Epistolary Poetry Workshop Your Own Fire: Writing the Poems That Only You Can Write
Melissa Studdard
Melissa Studdard is the author of the poetry collections, Dear Selection Committee and I Ate the Cosmos for Breakfast, as well as the chapbook Like a Bird with a Thousand Wings. Her work has been featured by PBS, NPR, The New York Times, The Guardian, and the Academy of American Poets’ Poem-a-Day series, and has appeared in periodicals such as POETRY, Kenyon Review, and New England Review. Her awards include the Lucille Medwick Memorial Award from the Poetry Society of America, The Penn Review Poetry Prize, the Tom Howard Prize from Winning Writers, the REELpoetry International Film Festival Audience Choice Award, and more.   To Whom It May Concern: an Epistolary Poetry Workshop - LIVE To Whom It May Concern: an Epistolary Poetry Workshop Your Own Fire: Writing the Poems Only You Can Write - LIVE To Whom It May Concern: An Epistolary Poetry Workshop Your Own Fire: Writing the Poems That Only You Can Write
Melissa Studdard
Melissa Studdard is the author of the poetry collections, Dear Selection Committee and I Ate the Cosmos for Breakfast, as well as the chapbook Like a Bird with a Thousand Wings. Her work has been featured by PBS, NPR, The New York Times, The Guardian, and the Academy of American Poets’ Poem-a-Day series, and has appeared in periodicals such as POETRY, Kenyon Review, and New England Review. Her awards include the Lucille Medwick Memorial Award from the Poetry Society of America, The Penn Review Poetry Prize, the Tom Howard Prize from Winning Writers, the REELpoetry International Film Festival Audience Choice Award, and more.   To Whom It May Concern: an Epistolary Poetry Workshop - LIVE To Whom It May Concern: an Epistolary Poetry Workshop Your Own Fire: Writing the Poems Only You Can Write - LIVE To Whom It May Concern: An Epistolary Poetry Workshop Your Own Fire: Writing the Poems That Only You Can Write
Dariel Suarez

Dariel Suarez was born and raised in Havana, Cuba, and now resides in the Boston area. He is the author of the chapbook In the Land of Tropical Martyrs, published by Backbone Press. Dariel earned his M.F.A. in fiction at Boston University, where he was a Global Fellow. He’s one of the founding editors of Middle Gray Magazine and has taught creative writing at Boston University, the Boston Arts Academy, and Boston University’s Metropolitan College. He is currently a fiction instructor at Grub Street. Dariel’s writing has appeared or is forthcoming in numerous journals and magazines, including Michigan Quarterly Review, Prairie Schooner, The Florida Review, Southern Humanities Review, and The Caribbean Writer, where his work was awarded the First Lady Cecile de Jongh Literary Prize. His short story collection, A Kind of Solitude, was a finalist for the New American Press Fiction Prize. Dariel is currently looking for a home for his novel set in Cuba, titled The Playwright’s House.
 

Keep the Narrative Going: How to Successfully Provide Context in Fiction Keep the Narrative Going: How to Successfully Provide Context in Fiction
Dariel Suarez

Dariel Suarez was born and raised in Havana, Cuba, and now resides in the Boston area. He is the author of the chapbook In the Land of Tropical Martyrs, published by Backbone Press. Dariel earned his M.F.A. in fiction at Boston University, where he was a Global Fellow. He’s one of the founding editors of Middle Gray Magazine and has taught creative writing at Boston University, the Boston Arts Academy, and Boston University’s Metropolitan College. He is currently a fiction instructor at Grub Street. Dariel’s writing has appeared or is forthcoming in numerous journals and magazines, including Michigan Quarterly Review, Prairie Schooner, The Florida Review, Southern Humanities Review, and The Caribbean Writer, where his work was awarded the First Lady Cecile de Jongh Literary Prize. His short story collection, A Kind of Solitude, was a finalist for the New American Press Fiction Prize. Dariel is currently looking for a home for his novel set in Cuba, titled The Playwright’s House.
 

Keep the Narrative Going: How to Successfully Provide Context in Fiction Keep the Narrative Going: How to Successfully Provide Context in Fiction
Nova Ren Suma
Nova Ren Suma is a New York Times bestselling author of young adult novels and a two-time Edgar Award finalist. Her latest YA novel A Room Away from the Wolves was an Edgar Award finalist and called “shiver-inducingly delicious” by the New York Times. Her other novels include the #1 New York Times bestselling The Walls Around Us as well as Imaginary Girls, and she was co-editor of the story & writing craft anthology FORESHADOW: Stories to Celebrate the Magic of Reading & Writing YA. She is a MacDowell fellow and a Yaddo fellow and has an MFA in fiction from Columbia University. She teaches creative writing at the University of Pennsylvania and Vermont College of Fine Arts. Her next novel is forthcoming from Algonquin. Crafting the Young Adult Novel Crafting the Young Adult Novel
Nova Ren Suma
Nova Ren Suma is a New York Times bestselling author of young adult novels and a two-time Edgar Award finalist. Her latest YA novel A Room Away from the Wolves was an Edgar Award finalist and called “shiver-inducingly delicious” by the New York Times. Her other novels include the #1 New York Times bestselling The Walls Around Us as well as Imaginary Girls, and she was co-editor of the story & writing craft anthology FORESHADOW: Stories to Celebrate the Magic of Reading & Writing YA. She is a MacDowell fellow and a Yaddo fellow and has an MFA in fiction from Columbia University. She teaches creative writing at the University of Pennsylvania and Vermont College of Fine Arts. Her next novel is forthcoming from Algonquin. Crafting the Young Adult Novel Crafting the Young Adult Novel
Jill Talbot

Jill Talbot is the author of The Way We Weren’t: A Memoir and the editor of Metawritings: Toward a Theory of Nonfiction. Her essays have appeared in journals such as AGNI, Brevity, Colorado Review, Gulf Coast, Hotel Amerika, The Normal School, The Paris Review Daily, and River Teeth. She is an Associate Professor of creative writing at the University of North Texas.

The Form of the Flash: An Essay Workshop
Grace Talusan

Grace Talusan is the author of the memoir, The Body Papers, a New York Times Editors’ Choice selection, the winner in nonfiction for the Massachusetts Book Awards, and the Restless Books Prize for New Immigrant Writing. Her short story, "The Book of Life and Death," was chosen for the 2020 Boston Book Festival's One City One Story program and was translated into several languages, including Tagalog. Her work has appeared in Brevity, Creative Nonfiction, Boston Magazine, Boston Globe, The Rumpus, and The New York Times with recent essays in And We Came Outside and Saw the Stars Again: Writers from Around the World on the COVID-19 Pandemic edited by Ilan Stavans and Alone Together: Love, Grief, and Comfort in the Time of COVID-19 edited by Jennifer Haupt. She is the recipient of a U.S. Fulbright Fellowship to the Philippines and an Artist Fellowship Award from the Massachusetts Cultural Council. She has taught writing at GrubStreet, Tufts University, and currently, Brandeis University as the Fannie Hurst Writer-in-Residence. 

Outside In: Writing Inspired by Documents, Photographs, and Archives
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Michelle Tea
Michelle Tea is the author or editor of over twenty books, ranging from memoir to poetry to fiction to children's lit, and more. Her most recent work is Knocking Myself Up: A Memoir of My In/Fertility. The follow-up to her popular Modern Tarot, Modern Magic, will be published October 2024. Tea is the founder of Sister Spit, creator of Drag Queen Story Hour, and publisher of DOPAMINE Books, and holds honors from Lambda Literary, the Rona Jaffe Foundation, PEN/America and the Guggenheim Foundation. MEMOIR THAT READS LIKE FICTION: Summer MEMOIR THAT READS LIKE FICTION: Winter MEMOIR THAT READS LIKE FICTION: Fall MEMOIR THAT READS LIKE FICTION: Summer Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Winter Memoir that Reads Like Fiction: Fall Memoir that Reads Like Fiction: Spring Memoir that Reads Like Fiction: Fall Memoir That Reads Like Fiction
Craig Morgan Teicher
Craig Morgan Teicher is the author of four books of poems, Welcome to Sonnetville, New Jersey (BOA, 2021); The Trembling Answers (BOA, 2017), which won the 2015 Lenore Marshall Poetry Prize from the Academy of American Poets; To Keep Love Blurry (BOA, 2012); and Brenda Is in the Room and Other Poems, (CLP, 2007), winner of the Colorado Prize for Poetry. He also wrote Cradle Book: Stories and Fables (BOA, 2010) and the chapbook Ambivalence and Other Conundrums (Omnidawn, 2014). His collection of essays We Begin in Gladness, was published by Graywolf in November, 2018. Teicher edited Once and For All: The Best of Delmore Schwartz (New Directions, 2016) and Little Mr. Prose Poem: The Selected Poems of Russell Edson (BOA, 2022). He writes about books for many publications, including The New York Times Book Review, The LA Times, and NPR. He lives in New Jersey with his wife and children. He is a 2021 recipient of a fellowship from the Guggenheim Foundation. Poem as Diary: A Generative Workshop
Cam Terwilliger

The 2015–2016 Tickner Writing Fellow, Cam Terwilliger’s fiction and nonfiction can be found online in American Short Fiction, Electric LiteratureThe Rumpus, and Narrative, where he was named one of Narrative’s “15 Under 30.” In print, his writing appears in West BranchPost Road, and Mid-American Review, among others. His work has been supported by fellowships and scholarships from the Fulbright Program, the James Jones First Novel Fellowship, the Bread Loaf and Sewanee Writers’ Conferences, the Massachusetts Cultural Council, and the Virginia Center for Creative Arts.

 

Flash Fiction: Spring Flash Fiction: Spring Flash Fiction: Winter Flash Fiction: Fall Flash Fiction
Cam Terwilliger

The 2015–2016 Tickner Writing Fellow, Cam Terwilliger’s fiction and nonfiction can be found online in American Short Fiction, Electric LiteratureThe Rumpus, and Narrative, where he was named one of Narrative’s “15 Under 30.” In print, his writing appears in West BranchPost Road, and Mid-American Review, among others. His work has been supported by fellowships and scholarships from the Fulbright Program, the James Jones First Novel Fellowship, the Bread Loaf and Sewanee Writers’ Conferences, the Massachusetts Cultural Council, and the Virginia Center for Creative Arts.

 

Flash Fiction: Spring Flash Fiction: Spring Flash Fiction: Winter Flash Fiction: Fall Flash Fiction
Cam Terwilliger

The 2015–2016 Tickner Writing Fellow, Cam Terwilliger’s fiction and nonfiction can be found online in American Short Fiction, Electric LiteratureThe Rumpus, and Narrative, where he was named one of Narrative’s “15 Under 30.” In print, his writing appears in West BranchPost Road, and Mid-American Review, among others. His work has been supported by fellowships and scholarships from the Fulbright Program, the James Jones First Novel Fellowship, the Bread Loaf and Sewanee Writers’ Conferences, the Massachusetts Cultural Council, and the Virginia Center for Creative Arts.

 

Flash Fiction: Spring Flash Fiction: Spring Flash Fiction: Winter Flash Fiction: Fall Flash Fiction
Cam Terwilliger

The 2015–2016 Tickner Writing Fellow, Cam Terwilliger’s fiction and nonfiction can be found online in American Short Fiction, Electric LiteratureThe Rumpus, and Narrative, where he was named one of Narrative’s “15 Under 30.” In print, his writing appears in West BranchPost Road, and Mid-American Review, among others. His work has been supported by fellowships and scholarships from the Fulbright Program, the James Jones First Novel Fellowship, the Bread Loaf and Sewanee Writers’ Conferences, the Massachusetts Cultural Council, and the Virginia Center for Creative Arts.

 

Flash Fiction: Spring Flash Fiction: Spring Flash Fiction: Winter Flash Fiction: Fall Flash Fiction
Cam Terwilliger

The 2015–2016 Tickner Writing Fellow, Cam Terwilliger’s fiction and nonfiction can be found online in American Short Fiction, Electric LiteratureThe Rumpus, and Narrative, where he was named one of Narrative’s “15 Under 30.” In print, his writing appears in West BranchPost Road, and Mid-American Review, among others. His work has been supported by fellowships and scholarships from the Fulbright Program, the James Jones First Novel Fellowship, the Bread Loaf and Sewanee Writers’ Conferences, the Massachusetts Cultural Council, and the Virginia Center for Creative Arts.

 

Flash Fiction: Spring Flash Fiction: Spring Flash Fiction: Winter Flash Fiction: Fall Flash Fiction
Jennifer Tseng

Jennifer Tseng is the author of three award-winning poetry collections; a collection of flash fiction, The Passion of Woo & Isolde, a Firecracker Award finalist and winner of an Eric Hoffer Book Award; and a novel, Mayumi & the Sea of Happiness, finalist for the PEN American Center's Robert W. Bingham Prize for Debut Fiction and the New England Book Award. In addition to teaching for 24PearlSt, Tseng is a Visiting Core Faculty member of OSU-Cascades' Low Residency MFA program. She lives on Martha's Vineyard.

Writing the Forbidden START SMALL: WHAT WRITERS CAN LEARN FROM VERY SHORT STORIES WRITING THE FORBIDDEN Writing the Forbidden Start Small: What Writers Can Learn from Very Short Stories Writing the Forbidden Writing the Forbidden: Poetry Writing the Forbidden: Fiction Writing the Forbidden
Jennifer Tseng

Jennifer Tseng is the author of three award-winning poetry collections; a collection of flash fiction, The Passion of Woo & Isolde, a Firecracker Award finalist and winner of an Eric Hoffer Book Award; and a novel, Mayumi & the Sea of Happiness, finalist for the PEN American Center's Robert W. Bingham Prize for Debut Fiction and the New England Book Award. In addition to teaching for 24PearlSt, Tseng is a Visiting Core Faculty member of OSU-Cascades' Low Residency MFA program. She lives on Martha's Vineyard.

Writing the Forbidden START SMALL: WHAT WRITERS CAN LEARN FROM VERY SHORT STORIES WRITING THE FORBIDDEN Writing the Forbidden Start Small: What Writers Can Learn from Very Short Stories Writing the Forbidden Writing the Forbidden: Poetry Writing the Forbidden: Fiction Writing the Forbidden
Jennifer Tseng

Jennifer Tseng is the author of three award-winning poetry collections; a collection of flash fiction, The Passion of Woo & Isolde, a Firecracker Award finalist and winner of an Eric Hoffer Book Award; and a novel, Mayumi & the Sea of Happiness, finalist for the PEN American Center's Robert W. Bingham Prize for Debut Fiction and the New England Book Award. In addition to teaching for 24PearlSt, Tseng is a Visiting Core Faculty member of OSU-Cascades' Low Residency MFA program. She lives on Martha's Vineyard.

Writing the Forbidden START SMALL: WHAT WRITERS CAN LEARN FROM VERY SHORT STORIES WRITING THE FORBIDDEN Writing the Forbidden Start Small: What Writers Can Learn from Very Short Stories Writing the Forbidden Writing the Forbidden: Poetry Writing the Forbidden: Fiction Writing the Forbidden
Jennifer Tseng

Jennifer Tseng is the author of three award-winning poetry collections; a collection of flash fiction, The Passion of Woo & Isolde, a Firecracker Award finalist and winner of an Eric Hoffer Book Award; and a novel, Mayumi & the Sea of Happiness, finalist for the PEN American Center's Robert W. Bingham Prize for Debut Fiction and the New England Book Award. In addition to teaching for 24PearlSt, Tseng is a Visiting Core Faculty member of OSU-Cascades' Low Residency MFA program. She lives on Martha's Vineyard.

Writing the Forbidden START SMALL: WHAT WRITERS CAN LEARN FROM VERY SHORT STORIES WRITING THE FORBIDDEN Writing the Forbidden Start Small: What Writers Can Learn from Very Short Stories Writing the Forbidden Writing the Forbidden: Poetry Writing the Forbidden: Fiction Writing the Forbidden
Jennifer Tseng

Jennifer Tseng is the author of three award-winning poetry collections; a collection of flash fiction, The Passion of Woo & Isolde, a Firecracker Award finalist and winner of an Eric Hoffer Book Award; and a novel, Mayumi & the Sea of Happiness, finalist for the PEN American Center's Robert W. Bingham Prize for Debut Fiction and the New England Book Award. In addition to teaching for 24PearlSt, Tseng is a Visiting Core Faculty member of OSU-Cascades' Low Residency MFA program. She lives on Martha's Vineyard.

Writing the Forbidden START SMALL: WHAT WRITERS CAN LEARN FROM VERY SHORT STORIES WRITING THE FORBIDDEN Writing the Forbidden Start Small: What Writers Can Learn from Very Short Stories Writing the Forbidden Writing the Forbidden: Poetry Writing the Forbidden: Fiction Writing the Forbidden
Jennifer Tseng

Jennifer Tseng is the author of three award-winning poetry collections; a collection of flash fiction, The Passion of Woo & Isolde, a Firecracker Award finalist and winner of an Eric Hoffer Book Award; and a novel, Mayumi & the Sea of Happiness, finalist for the PEN American Center's Robert W. Bingham Prize for Debut Fiction and the New England Book Award. In addition to teaching for 24PearlSt, Tseng is a Visiting Core Faculty member of OSU-Cascades' Low Residency MFA program. She lives on Martha's Vineyard.

Writing the Forbidden START SMALL: WHAT WRITERS CAN LEARN FROM VERY SHORT STORIES WRITING THE FORBIDDEN Writing the Forbidden Start Small: What Writers Can Learn from Very Short Stories Writing the Forbidden Writing the Forbidden: Poetry Writing the Forbidden: Fiction Writing the Forbidden
Jennifer Tseng

Jennifer Tseng is the author of three award-winning poetry collections; a collection of flash fiction, The Passion of Woo & Isolde, a Firecracker Award finalist and winner of an Eric Hoffer Book Award; and a novel, Mayumi & the Sea of Happiness, finalist for the PEN American Center's Robert W. Bingham Prize for Debut Fiction and the New England Book Award. In addition to teaching for 24PearlSt, Tseng is a Visiting Core Faculty member of OSU-Cascades' Low Residency MFA program. She lives on Martha's Vineyard.

Writing the Forbidden START SMALL: WHAT WRITERS CAN LEARN FROM VERY SHORT STORIES WRITING THE FORBIDDEN Writing the Forbidden Start Small: What Writers Can Learn from Very Short Stories Writing the Forbidden Writing the Forbidden: Poetry Writing the Forbidden: Fiction Writing the Forbidden
Jennifer Tseng

Jennifer Tseng is the author of three award-winning poetry collections; a collection of flash fiction, The Passion of Woo & Isolde, a Firecracker Award finalist and winner of an Eric Hoffer Book Award; and a novel, Mayumi & the Sea of Happiness, finalist for the PEN American Center's Robert W. Bingham Prize for Debut Fiction and the New England Book Award. In addition to teaching for 24PearlSt, Tseng is a Visiting Core Faculty member of OSU-Cascades' Low Residency MFA program. She lives on Martha's Vineyard.

Writing the Forbidden START SMALL: WHAT WRITERS CAN LEARN FROM VERY SHORT STORIES WRITING THE FORBIDDEN Writing the Forbidden Start Small: What Writers Can Learn from Very Short Stories Writing the Forbidden Writing the Forbidden: Poetry Writing the Forbidden: Fiction Writing the Forbidden
Jennifer Tseng

Jennifer Tseng is the author of three award-winning poetry collections; a collection of flash fiction, The Passion of Woo & Isolde, a Firecracker Award finalist and winner of an Eric Hoffer Book Award; and a novel, Mayumi & the Sea of Happiness, finalist for the PEN American Center's Robert W. Bingham Prize for Debut Fiction and the New England Book Award. In addition to teaching for 24PearlSt, Tseng is a Visiting Core Faculty member of OSU-Cascades' Low Residency MFA program. She lives on Martha's Vineyard.

Writing the Forbidden START SMALL: WHAT WRITERS CAN LEARN FROM VERY SHORT STORIES WRITING THE FORBIDDEN Writing the Forbidden Start Small: What Writers Can Learn from Very Short Stories Writing the Forbidden Writing the Forbidden: Poetry Writing the Forbidden: Fiction Writing the Forbidden
Brian Turner
Brian Turner is the author of two collections of poetry: Here, Bullet and Phantom Noise. His memoir My Life as a Foreign Country was published in 2014. He’s the editor of The Kiss, and co-edited The Strangest of Theatres. Turner served in the US Army as an infantry team leader for a year in Iraq (2003-2004) and he deployed to Bosnia prior to that. His poetry and essays have been published in The New York Times, The Guardian, National Geographic, Harper’s, and other fine journals. Turner was featured in the documentary film Operation Homecoming: Writing the Wartime Experience, which was nominated for an Academy Award. He is a Guggenheim Fellow, and he’s received a USA Hillcrest Fellowship in Literature, an NEA Literature Fellowship in Poetry, the Amy Lowell Traveling Fellowship, a US-Japan Friendship Commission Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation. Three collections of poetry are forthcoming from Alice James Books in 2023. He lives in Orlando, Florida, with the world’s sweetest golden retriever, Dene. September Sprints with Brian Turner - LIVE Saturday Sprints with Brian Turner - LIVE ALL THE WORLD IN 750 WORDS (OR LESS)! - LIVE Connecting the Personal to the Political: A Memoir Workshop The Big Wide World: A Poetry Workshop
Brian Turner
Brian Turner is the author of two collections of poetry: Here, Bullet and Phantom Noise. His memoir My Life as a Foreign Country was published in 2014. He’s the editor of The Kiss, and co-edited The Strangest of Theatres. Turner served in the US Army as an infantry team leader for a year in Iraq (2003-2004) and he deployed to Bosnia prior to that. His poetry and essays have been published in The New York Times, The Guardian, National Geographic, Harper’s, and other fine journals. Turner was featured in the documentary film Operation Homecoming: Writing the Wartime Experience, which was nominated for an Academy Award. He is a Guggenheim Fellow, and he’s received a USA Hillcrest Fellowship in Literature, an NEA Literature Fellowship in Poetry, the Amy Lowell Traveling Fellowship, a US-Japan Friendship Commission Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation. Three collections of poetry are forthcoming from Alice James Books in 2023. He lives in Orlando, Florida, with the world’s sweetest golden retriever, Dene. September Sprints with Brian Turner - LIVE Saturday Sprints with Brian Turner - LIVE ALL THE WORLD IN 750 WORDS (OR LESS)! - LIVE Connecting the Personal to the Political: A Memoir Workshop The Big Wide World: A Poetry Workshop
Brian Turner
Brian Turner is the author of two collections of poetry: Here, Bullet and Phantom Noise. His memoir My Life as a Foreign Country was published in 2014. He’s the editor of The Kiss, and co-edited The Strangest of Theatres. Turner served in the US Army as an infantry team leader for a year in Iraq (2003-2004) and he deployed to Bosnia prior to that. His poetry and essays have been published in The New York Times, The Guardian, National Geographic, Harper’s, and other fine journals. Turner was featured in the documentary film Operation Homecoming: Writing the Wartime Experience, which was nominated for an Academy Award. He is a Guggenheim Fellow, and he’s received a USA Hillcrest Fellowship in Literature, an NEA Literature Fellowship in Poetry, the Amy Lowell Traveling Fellowship, a US-Japan Friendship Commission Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation. Three collections of poetry are forthcoming from Alice James Books in 2023. He lives in Orlando, Florida, with the world’s sweetest golden retriever, Dene. September Sprints with Brian Turner - LIVE Saturday Sprints with Brian Turner - LIVE ALL THE WORLD IN 750 WORDS (OR LESS)! - LIVE Connecting the Personal to the Political: A Memoir Workshop The Big Wide World: A Poetry Workshop
Brian Turner
Brian Turner is the author of two collections of poetry: Here, Bullet and Phantom Noise. His memoir My Life as a Foreign Country was published in 2014. He’s the editor of The Kiss, and co-edited The Strangest of Theatres. Turner served in the US Army as an infantry team leader for a year in Iraq (2003-2004) and he deployed to Bosnia prior to that. His poetry and essays have been published in The New York Times, The Guardian, National Geographic, Harper’s, and other fine journals. Turner was featured in the documentary film Operation Homecoming: Writing the Wartime Experience, which was nominated for an Academy Award. He is a Guggenheim Fellow, and he’s received a USA Hillcrest Fellowship in Literature, an NEA Literature Fellowship in Poetry, the Amy Lowell Traveling Fellowship, a US-Japan Friendship Commission Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation. Three collections of poetry are forthcoming from Alice James Books in 2023. He lives in Orlando, Florida, with the world’s sweetest golden retriever, Dene. September Sprints with Brian Turner - LIVE Saturday Sprints with Brian Turner - LIVE ALL THE WORLD IN 750 WORDS (OR LESS)! - LIVE Connecting the Personal to the Political: A Memoir Workshop The Big Wide World: A Poetry Workshop
Brian Turner
Brian Turner is the author of two collections of poetry: Here, Bullet and Phantom Noise. His memoir My Life as a Foreign Country was published in 2014. He’s the editor of The Kiss, and co-edited The Strangest of Theatres. Turner served in the US Army as an infantry team leader for a year in Iraq (2003-2004) and he deployed to Bosnia prior to that. His poetry and essays have been published in The New York Times, The Guardian, National Geographic, Harper’s, and other fine journals. Turner was featured in the documentary film Operation Homecoming: Writing the Wartime Experience, which was nominated for an Academy Award. He is a Guggenheim Fellow, and he’s received a USA Hillcrest Fellowship in Literature, an NEA Literature Fellowship in Poetry, the Amy Lowell Traveling Fellowship, a US-Japan Friendship Commission Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation. Three collections of poetry are forthcoming from Alice James Books in 2023. He lives in Orlando, Florida, with the world’s sweetest golden retriever, Dene. September Sprints with Brian Turner - LIVE Saturday Sprints with Brian Turner - LIVE ALL THE WORLD IN 750 WORDS (OR LESS)! - LIVE Connecting the Personal to the Political: A Memoir Workshop The Big Wide World: A Poetry Workshop
Leah Umansky
Leah Umansky is the author of three books of poems, most recently OF TYRANT, forthcoming with The Word Works in 2024. She earned her MFA in Poetry at Sarah Lawrence College and has curated and hosted The COUPLET Reading Series in NYC since 2011. Her creative work has appeared or is forthcoming in such places as The New York Times, POETRY, The Bennington Review, The Academy of American Poets' Poem-A-Day, Guesthouse, and Pleiades. She can be found at @leah.umansky on Instagram. Lost + Found: a Generative Poetry Workshop Using Found Pieces Lost + Found: a Generative Poetry Workshop Using Found Pieces
Leah Umansky
Leah Umansky is the author of three books of poems, most recently OF TYRANT, forthcoming with The Word Works in 2024. She earned her MFA in Poetry at Sarah Lawrence College and has curated and hosted The COUPLET Reading Series in NYC since 2011. Her creative work has appeared or is forthcoming in such places as The New York Times, POETRY, The Bennington Review, The Academy of American Poets' Poem-A-Day, Guesthouse, and Pleiades. She can be found at @leah.umansky on Instagram. Lost + Found: a Generative Poetry Workshop Using Found Pieces Lost + Found: a Generative Poetry Workshop Using Found Pieces
Sarah Van Arsdale

 

Sarah Van Arsdale’s fifth book, The Catamount, a narrative poem with her watercolor illustrations, was published by Nomadic Press in 2017. She is the author of four books of fiction: In Case of Emergency, Break Glass (Queens Ferry Press, 2016),  Grand Isle, (SUNY Press 2012),  Blue, winner of the 2002 Peter Taylor Prize for the Novel,  (University of Tennessee Press), and  Toward Amnesia, (1996,  Riverhead Books). She serves on the board of the Ferro-Grumley Award in LGBTQ Fiction, and curates BLOOM: The Reading Series at Hudson View Gardens. Her poetry and essays have been widely published in literary magazines; she has an essay on setting and atmosphere in fiction in a forthcoming issue of the AWP Writer’s Chronicle, and a memoir piece in a forthcoming issue of Bayou Magazine. She teaches creative writing in the low-residency MFA program at Antioch University, at New York University, and privately; in January, 2019, she’ll be co-leading a workshop in Oaxaca, Mexico. She holds an MFA in creative writing from Vermont College of Fine Arts.

 

Starting the Novel The Fiction of Truth/The Truth of Fiction
Sarah Van Arsdale

 

Sarah Van Arsdale’s fifth book, The Catamount, a narrative poem with her watercolor illustrations, was published by Nomadic Press in 2017. She is the author of four books of fiction: In Case of Emergency, Break Glass (Queens Ferry Press, 2016),  Grand Isle, (SUNY Press 2012),  Blue, winner of the 2002 Peter Taylor Prize for the Novel,  (University of Tennessee Press), and  Toward Amnesia, (1996,  Riverhead Books). She serves on the board of the Ferro-Grumley Award in LGBTQ Fiction, and curates BLOOM: The Reading Series at Hudson View Gardens. Her poetry and essays have been widely published in literary magazines; she has an essay on setting and atmosphere in fiction in a forthcoming issue of the AWP Writer’s Chronicle, and a memoir piece in a forthcoming issue of Bayou Magazine. She teaches creative writing in the low-residency MFA program at Antioch University, at New York University, and privately; in January, 2019, she’ll be co-leading a workshop in Oaxaca, Mexico. She holds an MFA in creative writing from Vermont College of Fine Arts.

 

Starting the Novel The Fiction of Truth/The Truth of Fiction
Corey Van Landingham

Corey Van Landingham is the author of Antidote, winner of the 2012 The Ohio State University Press/The Journal Award in Poetry. A former Wallace Stegner Poetry Fellow at Stanford University, her poems have appeared or are forthcoming in The Best American Poetry 2014, Boston Review, Kenyon Review, The Southern Review, and elsewhere. She is currently the 2015-2016 Emerging Writer Lecturer at Gettysburg College.

Documentary Poetry
Alexander Chee, Nick Flynn Victoria Redel, Eileen Myles
Alexander Chee is the bestselling author of the novels Edinburgh and The Queen of the Night, as well as the essay collection How To Write An Autobiographical Novel. A contributing editor at The New Republic, his essays and stories have appeared in The New York Times Magazine, T Magazine, The Sewanee Review, and he is the editor of Best American Essays 2022. He is a 2021 United States Artists Fellow, a 2021 Guggenheim Fellow in Nonfiction, and the recipient of a Whiting Award and a NEA Fellowship. He teaches as an associate professor of English and Creative Writing at Dartmouth College.   Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages.     Victoria Redel is the author of five books of fiction and four poetry collections, most recently Paradise (2022). Her work has been widely anthologized, translated, and her novel, Loverboy, was adapted for a feature film. She has been the recipient of numerous awards including fellowships from the Guggenheim foundation and the NEA. She teaches at Sarah Lawrence College.       Eileen Myles (they/them) came to New York from Boston in 1974 to be a poet, subsequently novelist and art journalist. Their many books include Pathetic Literature (forthcoming) which they edited, and a "Working Life" (poetry, forthcoming). Myles’s awards include a Guggenheim, a poetry award from the Foundation for Contemporary Arts, and in 2022 they were inducted into the American Academy of Arts & Letters. Their books have been translated into many languages and Chelsea Girls just won France's Les Inrockuptibles prize for best foreign novel. They live in New York and Marfa, TX.     Books That Matter: The Entire Series
Ocean Vuong

Ocean Vuong is the author of Night Sky with Exit Wounds (Copper Canyon Press, 2016). A 2014 Ruth Lilly fellow, he has received honors from Poets House, The Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and a 2014 Pushcart Prize. His poems appear in Best New Poets, Boston Review, Kenyon Review, The Nation, New Republic, The New Yorker, Poetry, Tri-Quarterly, and American Poetry Review, which awarded him the 2012 Stanley Kunitz Prize for Younger Poets. Born in Saigon, Vietnam, he lives in New York City.

The First Step Backward: Memory as Creative Force
Jillian Weise

Jillian Weise’s collection, The Book of Goodbyes, won the 2013 James Laughlin Award from the Academy of American Poets and the 2013 Isabella Gardner Award from BOA Editions. Her other books include the novel The Colony and The Amputee’s Guide to Sex. She was awarded fellowships/residencies from the Fine Arts Work Center, the Fulbright Program, the Lannan Foundation and the University of North Carolina at Greensboro. She worked as an editorial assistant at The Paris Review and an editor-in-residence at The Iowa Review. Recent performance art, as Tipsy Tullivan, has been cited by Publishers Weekly and Inside Higher Ed. She is an Associate Professor at Clemson University.

The Poet as Spy: 4 Tricks from Espionage: Spring The Poet as Spy: 4 Tricks from Espionage: Winter The Poet as Spy: 4 Tricks from Espionage: Fall The Poet as Spy: 4 Tricks from Espionage: Winter
Jillian Weise

Jillian Weise’s collection, The Book of Goodbyes, won the 2013 James Laughlin Award from the Academy of American Poets and the 2013 Isabella Gardner Award from BOA Editions. Her other books include the novel The Colony and The Amputee’s Guide to Sex. She was awarded fellowships/residencies from the Fine Arts Work Center, the Fulbright Program, the Lannan Foundation and the University of North Carolina at Greensboro. She worked as an editorial assistant at The Paris Review and an editor-in-residence at The Iowa Review. Recent performance art, as Tipsy Tullivan, has been cited by Publishers Weekly and Inside Higher Ed. She is an Associate Professor at Clemson University.

The Poet as Spy: 4 Tricks from Espionage: Spring The Poet as Spy: 4 Tricks from Espionage: Winter The Poet as Spy: 4 Tricks from Espionage: Fall The Poet as Spy: 4 Tricks from Espionage: Winter
Jillian Weise

Jillian Weise’s collection, The Book of Goodbyes, won the 2013 James Laughlin Award from the Academy of American Poets and the 2013 Isabella Gardner Award from BOA Editions. Her other books include the novel The Colony and The Amputee’s Guide to Sex. She was awarded fellowships/residencies from the Fine Arts Work Center, the Fulbright Program, the Lannan Foundation and the University of North Carolina at Greensboro. She worked as an editorial assistant at The Paris Review and an editor-in-residence at The Iowa Review. Recent performance art, as Tipsy Tullivan, has been cited by Publishers Weekly and Inside Higher Ed. She is an Associate Professor at Clemson University.

The Poet as Spy: 4 Tricks from Espionage: Spring The Poet as Spy: 4 Tricks from Espionage: Winter The Poet as Spy: 4 Tricks from Espionage: Fall The Poet as Spy: 4 Tricks from Espionage: Winter
Jillian Weise

Jillian Weise’s collection, The Book of Goodbyes, won the 2013 James Laughlin Award from the Academy of American Poets and the 2013 Isabella Gardner Award from BOA Editions. Her other books include the novel The Colony and The Amputee’s Guide to Sex. She was awarded fellowships/residencies from the Fine Arts Work Center, the Fulbright Program, the Lannan Foundation and the University of North Carolina at Greensboro. She worked as an editorial assistant at The Paris Review and an editor-in-residence at The Iowa Review. Recent performance art, as Tipsy Tullivan, has been cited by Publishers Weekly and Inside Higher Ed. She is an Associate Professor at Clemson University.

The Poet as Spy: 4 Tricks from Espionage: Spring The Poet as Spy: 4 Tricks from Espionage: Winter The Poet as Spy: 4 Tricks from Espionage: Fall The Poet as Spy: 4 Tricks from Espionage: Winter
Arisa White

Cave Canem graduate fellow Arisa White received her MFA from UMass, Amherst, and is the author of You’re the Most Beautiful Thing That Happened, Black Pearl, A Penny Saved, Hurrah’s Nest, and Post Pardon. With funding from the City of Oakland, Post Pardon was adapted into an opera. Hurrah's Nest won the 2012 San Francisco Book Festival Award and was nominated for a 44th NAACP Image Award, the 82nd California Book Awards, and the 2013 Wheatley Book Awards. Her latest collection You’re the Most Beautiful Thing That Happened is a finalist for a 29th Lambda Literary Award. She teaches in the low-residency BFA program at Goddard College, is on the board of directors for Nomadic Press, and is a distinguished visiting writer in residence at Saint Mary’s College of California.

Arisa is the creator of the Beautiful Things Projects, which is a series of poetic collaborations with queer/POC artists, community organizations, and businesses that spotlight the narratives and experiences of queer people of color. She has received residencies, fellowships, or scholarships from Headlands Center for the Arts, Port Townsend Writers’ Conference, Rose O’Neill Literary House, Squaw Valley Community of Writers, Hedgebrook, Atlantic Center for the Arts, Prague Summer Program, Fine Arts Work Center, and Bread Loaf Writers’ Conference. A recipient of an Investing in Artist Grant from the Center for Cultural Innovation, her poetry has been widely published and is featured on the recording WORD with the Jessica Jones Quartet.

Know Thyself: Poetry of Personal Witness Know Thyself: Poetry of Personal Witness
Arisa White

Cave Canem graduate fellow Arisa White received her MFA from UMass, Amherst, and is the author of You’re the Most Beautiful Thing That Happened, Black Pearl, A Penny Saved, Hurrah’s Nest, and Post Pardon. With funding from the City of Oakland, Post Pardon was adapted into an opera. Hurrah's Nest won the 2012 San Francisco Book Festival Award and was nominated for a 44th NAACP Image Award, the 82nd California Book Awards, and the 2013 Wheatley Book Awards. Her latest collection You’re the Most Beautiful Thing That Happened is a finalist for a 29th Lambda Literary Award. She teaches in the low-residency BFA program at Goddard College, is on the board of directors for Nomadic Press, and is a distinguished visiting writer in residence at Saint Mary’s College of California.

Arisa is the creator of the Beautiful Things Projects, which is a series of poetic collaborations with queer/POC artists, community organizations, and businesses that spotlight the narratives and experiences of queer people of color. She has received residencies, fellowships, or scholarships from Headlands Center for the Arts, Port Townsend Writers’ Conference, Rose O’Neill Literary House, Squaw Valley Community of Writers, Hedgebrook, Atlantic Center for the Arts, Prague Summer Program, Fine Arts Work Center, and Bread Loaf Writers’ Conference. A recipient of an Investing in Artist Grant from the Center for Cultural Innovation, her poetry has been widely published and is featured on the recording WORD with the Jessica Jones Quartet.

Know Thyself: Poetry of Personal Witness Know Thyself: Poetry of Personal Witness
Michael White

Michael White was educated at the University of Missouri and the University of Utah, where he received his PhD in English and Creative Writing in 1993. His poetry books are The Island, Palma Cathedral (winner of the Colorado Prize), Re-entry (winner of the Vassar Miller Prize), and Vermeer in Hell (winner of the Lexi Rudnitsky Editors’ Prize). His memoir, Travels in Vermeer, was longlisted for the 2015 National Book Award. He has published poetry and prose in The Paris Review, The New Republic, The Kenyon Review, The Best American Poetry, and elsewhere. White is currently chair of the Department of Creative Writing at UNCW.

 

 

Gazing In Gazing Out Writing the Personal Journey: A Multi-Genre Travel Writing Workshop Gazing In Gazing Out Gazing In Gazing Out
Michael White

Michael White was educated at the University of Missouri and the University of Utah, where he received his PhD in English and Creative Writing in 1993. His poetry books are The Island, Palma Cathedral (winner of the Colorado Prize), Re-entry (winner of the Vassar Miller Prize), and Vermeer in Hell (winner of the Lexi Rudnitsky Editors’ Prize). His memoir, Travels in Vermeer, was longlisted for the 2015 National Book Award. He has published poetry and prose in The Paris Review, The New Republic, The Kenyon Review, The Best American Poetry, and elsewhere. White is currently chair of the Department of Creative Writing at UNCW.

 

 

Gazing In Gazing Out Writing the Personal Journey: A Multi-Genre Travel Writing Workshop Gazing In Gazing Out Gazing In Gazing Out
Michael White

Michael White was educated at the University of Missouri and the University of Utah, where he received his PhD in English and Creative Writing in 1993. His poetry books are The Island, Palma Cathedral (winner of the Colorado Prize), Re-entry (winner of the Vassar Miller Prize), and Vermeer in Hell (winner of the Lexi Rudnitsky Editors’ Prize). His memoir, Travels in Vermeer, was longlisted for the 2015 National Book Award. He has published poetry and prose in The Paris Review, The New Republic, The Kenyon Review, The Best American Poetry, and elsewhere. White is currently chair of the Department of Creative Writing at UNCW.

 

 

Gazing In Gazing Out Writing the Personal Journey: A Multi-Genre Travel Writing Workshop Gazing In Gazing Out Gazing In Gazing Out
Michael White

Michael White was educated at the University of Missouri and the University of Utah, where he received his PhD in English and Creative Writing in 1993. His poetry books are The Island, Palma Cathedral (winner of the Colorado Prize), Re-entry (winner of the Vassar Miller Prize), and Vermeer in Hell (winner of the Lexi Rudnitsky Editors’ Prize). His memoir, Travels in Vermeer, was longlisted for the 2015 National Book Award. He has published poetry and prose in The Paris Review, The New Republic, The Kenyon Review, The Best American Poetry, and elsewhere. White is currently chair of the Department of Creative Writing at UNCW.

 

 

Gazing In Gazing Out Writing the Personal Journey: A Multi-Genre Travel Writing Workshop Gazing In Gazing Out Gazing In Gazing Out
Marcus Wicker

Marcus Wicker is the author of Maybe the Saddest Thing (Harper Perennial), selected by DA Powell for the National Poetry Series. Wicker's awards include a 2011 Ruth Lilly Fellowship, Pushcart Prize, as well as fellowships from Cave Canem, and The Fine Arts Work Center. His work has appeared in Poetry, American Poetry Review, Third Coast, Ninth Letter, and many other magazines. Marcus is assistant professor of English at University of Southern Indiana and poetry editor of Southern Indiana Review. He serves as director of the New Harmony Writers Workshop.

Locking Down Your Free Verse: Containers that Fit
Joan Wickersham
Joan Wickersham’s books include The News from Spain and The Suicide Index, a National Book Award Finalist. Her fiction has appeared in Best American Short Stories, Best American Nonrequired Reading, and many other publications. Her new book of poems, No Ship Sets Out To Be a Shipwreck, will be published in Fall, 2024. Wickersham writes a regular op-ed column for The Boston Globe and has been awarded fellowships by the National Endowment for the Arts, the American Scandinavian Foundation, the Massachusetts Cultural Council, MacDowell, and Yaddo. She has taught fiction and memoir at Harvard, The University of Massachusetts Boston, and the Bennington Writing Seminars. JUMP STARTS FOR COLD MORNINGS - LIVE
Marion Winik
Marion Winik is the author of The Big Book of the Dead, First Comes Love, Above Us Only Sky and seven other books, among them New York Times Notable selections. She writes and illustrates an award-winning column at BaltimoreFishbowl.com and has published in The New York Times Magazine, The Sun, and many other places. She writes book reviews for People, Newsday, The Washington Post, Kirkus Reviews, and her own podcast, The Weekly Reader. She was a commentator on All Things Considered for fifteen years. Winik is a professor in the MFA program at the University of Baltimore and has taught writing workshops all over the world since the 1990s. MEMOIR BOOT CAMP - LIVE Memoir Boot Camp
Marion Winik
Marion Winik is the author of The Big Book of the Dead, First Comes Love, Above Us Only Sky and seven other books, among them New York Times Notable selections. She writes and illustrates an award-winning column at BaltimoreFishbowl.com and has published in The New York Times Magazine, The Sun, and many other places. She writes book reviews for People, Newsday, The Washington Post, Kirkus Reviews, and her own podcast, The Weekly Reader. She was a commentator on All Things Considered for fifteen years. Winik is a professor in the MFA program at the University of Baltimore and has taught writing workshops all over the world since the 1990s. MEMOIR BOOT CAMP - LIVE Memoir Boot Camp
Laura Madeline Wiseman

Laura Madeline Wiseman’s recent books are An Apparently Impossible Adventure (BlazeVOX [books], 2016) and Leaves of Absence: An Illustrated Guide to Common Garden Affection (Red Dashboard, 2016). She is the author of nine chapbooks, including Branding Girls (Finishing Line Press, 2011), which was a finalist for the 2009 Cervena Barva Press Poetry Chapbook Contest. Her collaborative book Intimates and Fools is an Honor Book for the 2015 Nebraska Book Award. She teaches at the University of Nebraska-Lincoln.

A Chapbook Workshop Delightful Duos: Collaborating Poets Transportation: On Getting There and Getting Poems Transportation: On Getting There and Getting Poems Delightful Duos: Collaborating Poets A Chapbook Workshop
Laura Madeline Wiseman

Laura Madeline Wiseman’s recent books are An Apparently Impossible Adventure (BlazeVOX [books], 2016) and Leaves of Absence: An Illustrated Guide to Common Garden Affection (Red Dashboard, 2016). She is the author of nine chapbooks, including Branding Girls (Finishing Line Press, 2011), which was a finalist for the 2009 Cervena Barva Press Poetry Chapbook Contest. Her collaborative book Intimates and Fools is an Honor Book for the 2015 Nebraska Book Award. She teaches at the University of Nebraska-Lincoln.

A Chapbook Workshop Delightful Duos: Collaborating Poets Transportation: On Getting There and Getting Poems Transportation: On Getting There and Getting Poems Delightful Duos: Collaborating Poets A Chapbook Workshop
Laura Madeline Wiseman

Laura Madeline Wiseman’s recent books are An Apparently Impossible Adventure (BlazeVOX [books], 2016) and Leaves of Absence: An Illustrated Guide to Common Garden Affection (Red Dashboard, 2016). She is the author of nine chapbooks, including Branding Girls (Finishing Line Press, 2011), which was a finalist for the 2009 Cervena Barva Press Poetry Chapbook Contest. Her collaborative book Intimates and Fools is an Honor Book for the 2015 Nebraska Book Award. She teaches at the University of Nebraska-Lincoln.

A Chapbook Workshop Delightful Duos: Collaborating Poets Transportation: On Getting There and Getting Poems Transportation: On Getting There and Getting Poems Delightful Duos: Collaborating Poets A Chapbook Workshop
Laura Madeline Wiseman

Laura Madeline Wiseman’s recent books are An Apparently Impossible Adventure (BlazeVOX [books], 2016) and Leaves of Absence: An Illustrated Guide to Common Garden Affection (Red Dashboard, 2016). She is the author of nine chapbooks, including Branding Girls (Finishing Line Press, 2011), which was a finalist for the 2009 Cervena Barva Press Poetry Chapbook Contest. Her collaborative book Intimates and Fools is an Honor Book for the 2015 Nebraska Book Award. She teaches at the University of Nebraska-Lincoln.

A Chapbook Workshop Delightful Duos: Collaborating Poets Transportation: On Getting There and Getting Poems Transportation: On Getting There and Getting Poems Delightful Duos: Collaborating Poets A Chapbook Workshop
Laura Madeline Wiseman

Laura Madeline Wiseman’s recent books are An Apparently Impossible Adventure (BlazeVOX [books], 2016) and Leaves of Absence: An Illustrated Guide to Common Garden Affection (Red Dashboard, 2016). She is the author of nine chapbooks, including Branding Girls (Finishing Line Press, 2011), which was a finalist for the 2009 Cervena Barva Press Poetry Chapbook Contest. Her collaborative book Intimates and Fools is an Honor Book for the 2015 Nebraska Book Award. She teaches at the University of Nebraska-Lincoln.

A Chapbook Workshop Delightful Duos: Collaborating Poets Transportation: On Getting There and Getting Poems Transportation: On Getting There and Getting Poems Delightful Duos: Collaborating Poets A Chapbook Workshop
Laura Madeline Wiseman

Laura Madeline Wiseman’s recent books are An Apparently Impossible Adventure (BlazeVOX [books], 2016) and Leaves of Absence: An Illustrated Guide to Common Garden Affection (Red Dashboard, 2016). She is the author of nine chapbooks, including Branding Girls (Finishing Line Press, 2011), which was a finalist for the 2009 Cervena Barva Press Poetry Chapbook Contest. Her collaborative book Intimates and Fools is an Honor Book for the 2015 Nebraska Book Award. She teaches at the University of Nebraska-Lincoln.

A Chapbook Workshop Delightful Duos: Collaborating Poets Transportation: On Getting There and Getting Poems Transportation: On Getting There and Getting Poems Delightful Duos: Collaborating Poets A Chapbook Workshop
Mark Wunderlich
Mark Wunderlich's most recent book is God of Nothingness, published by Graywolf Press. His other books include The Earth Avails, which received the Rilke Prize, Voluntary Servitude, and The Anchorage, which received the Lambda Literary Award. He is the recipient of fellowships from the Guggenheim Foundation, the National Endowment of the Arts, Civitella Ranieri Foundation, the Fine Arts Work Center, and elsewhere. He is Executive Director of the Bennington Writing Seminars graduate writing program, and also serves as Chair of the Writing Committee at FAWC. Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems NEIGHBORING SOLITUDES: THE POETRY OF RAINER MARIA RILKE AS GENERATIVE SOURCES FOR POEMS Neighboring Solitudes: The Poetry of Rainer Maria Rilke as generative sources for poems: WINTER Getting Poems Started, Keeping Them Going Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems
Mark Wunderlich
Mark Wunderlich's most recent book is God of Nothingness, published by Graywolf Press. His other books include The Earth Avails, which received the Rilke Prize, Voluntary Servitude, and The Anchorage, which received the Lambda Literary Award. He is the recipient of fellowships from the Guggenheim Foundation, the National Endowment of the Arts, Civitella Ranieri Foundation, the Fine Arts Work Center, and elsewhere. He is Executive Director of the Bennington Writing Seminars graduate writing program, and also serves as Chair of the Writing Committee at FAWC. Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems NEIGHBORING SOLITUDES: THE POETRY OF RAINER MARIA RILKE AS GENERATIVE SOURCES FOR POEMS Neighboring Solitudes: The Poetry of Rainer Maria Rilke as generative sources for poems: WINTER Getting Poems Started, Keeping Them Going Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems
Mark Wunderlich
Mark Wunderlich's most recent book is God of Nothingness, published by Graywolf Press. His other books include The Earth Avails, which received the Rilke Prize, Voluntary Servitude, and The Anchorage, which received the Lambda Literary Award. He is the recipient of fellowships from the Guggenheim Foundation, the National Endowment of the Arts, Civitella Ranieri Foundation, the Fine Arts Work Center, and elsewhere. He is Executive Director of the Bennington Writing Seminars graduate writing program, and also serves as Chair of the Writing Committee at FAWC. Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems NEIGHBORING SOLITUDES: THE POETRY OF RAINER MARIA RILKE AS GENERATIVE SOURCES FOR POEMS Neighboring Solitudes: The Poetry of Rainer Maria Rilke as generative sources for poems: WINTER Getting Poems Started, Keeping Them Going Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems
Mark Wunderlich
Mark Wunderlich's most recent book is God of Nothingness, published by Graywolf Press. His other books include The Earth Avails, which received the Rilke Prize, Voluntary Servitude, and The Anchorage, which received the Lambda Literary Award. He is the recipient of fellowships from the Guggenheim Foundation, the National Endowment of the Arts, Civitella Ranieri Foundation, the Fine Arts Work Center, and elsewhere. He is Executive Director of the Bennington Writing Seminars graduate writing program, and also serves as Chair of the Writing Committee at FAWC. Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems NEIGHBORING SOLITUDES: THE POETRY OF RAINER MARIA RILKE AS GENERATIVE SOURCES FOR POEMS Neighboring Solitudes: The Poetry of Rainer Maria Rilke as generative sources for poems: WINTER Getting Poems Started, Keeping Them Going Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems
Mark Wunderlich
Mark Wunderlich's most recent book is God of Nothingness, published by Graywolf Press. His other books include The Earth Avails, which received the Rilke Prize, Voluntary Servitude, and The Anchorage, which received the Lambda Literary Award. He is the recipient of fellowships from the Guggenheim Foundation, the National Endowment of the Arts, Civitella Ranieri Foundation, the Fine Arts Work Center, and elsewhere. He is Executive Director of the Bennington Writing Seminars graduate writing program, and also serves as Chair of the Writing Committee at FAWC. Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems NEIGHBORING SOLITUDES: THE POETRY OF RAINER MARIA RILKE AS GENERATIVE SOURCES FOR POEMS Neighboring Solitudes: The Poetry of Rainer Maria Rilke as generative sources for poems: WINTER Getting Poems Started, Keeping Them Going Neighboring Solitudes: The Poetry of Rainer Maria Rilke as Generative Sources for Poems
Erika Wurth
Erika T. Wurth’s novel WHITE HORSE is an New York Times editors pick, a Good Morning America buzz pick, and an Indie Next, Target book of the Month, and BOTM Pick. She is both a Kenyon and Sewanee fellow, has published in The Kenyon Review, Buzzfeed, and The Writer’s Chronicle, and is a narrative artist for the Meow Wolf Denver installation. She is an urban Native of Apache/Chickasaw/Cherokee descent. She is represented by Rebecca Friedman for books, and Dana Spector for film. She lives in Denver with her partner, step-kids and two incredibly fluffy dogs.   Structuring Your Novel Structuring Your Novel
Erika Wurth
Erika T. Wurth’s novel WHITE HORSE is an New York Times editors pick, a Good Morning America buzz pick, and an Indie Next, Target book of the Month, and BOTM Pick. She is both a Kenyon and Sewanee fellow, has published in The Kenyon Review, Buzzfeed, and The Writer’s Chronicle, and is a narrative artist for the Meow Wolf Denver installation. She is an urban Native of Apache/Chickasaw/Cherokee descent. She is represented by Rebecca Friedman for books, and Dana Spector for film. She lives in Denver with her partner, step-kids and two incredibly fluffy dogs.   Structuring Your Novel Structuring Your Novel
Jason Zuzga

JASON ZUZGA is the author of the poetry collection Heat Wake (Saturnalia Books, 2016), with poems and nonfiction appearing in numerous journals, including jubilat, Tin House, the Yale Review, and the Paris Review. He has been the recipient of a poetry fellowship from the Fine Arts Work Center and was selected as a poet-in-residence at the James Merrill House. He has held various jobs in publishing, from literary agency to Alfred A. Knopf. Currently, he serves as the Other/Nonfiction co-editor of FENCE. He has and continues to teach a varied array of courses across literature, media, and creative writing at the University of Pennsylvania, where he recently received his Ph.D. in English, having completed a dissertation about the uncanny aspects of image and language in nature documentary.
 

When Language is the Artist’s Material: The Poet’s Palette
Oliver de la Paz
Oliver de la Paz is the author and editor of seven books including The Diaspora Sonnets, which was a winner of the 2023 New England Book Award, and longlisted for the National Book Award. He is the Poet Laureate of Worcester, MA, and teaches at the College of the Holy Cross and in the Low Residency MFA Program at Pacific Lutheran University. Humming—Finding & Sustaining Momentum in Poetic Sequences Lovers, Liars, Monsters, Saints: You and the Persona Poem
Oliver de la Paz
Oliver de la Paz is the author and editor of seven books including The Diaspora Sonnets, which was a winner of the 2023 New England Book Award, and longlisted for the National Book Award. He is the Poet Laureate of Worcester, MA, and teaches at the College of the Holy Cross and in the Low Residency MFA Program at Pacific Lutheran University. Humming—Finding & Sustaining Momentum in Poetic Sequences Lovers, Liars, Monsters, Saints: You and the Persona Poem
Laura van den Berg

Laura van den Berg is the author of the story collections What the World Will Look Like When All the Water Leaves Us and The Isle of Youth, and the novels Find Me and The Third Hotel, which was a finalist for the New York Public Library Young Lions Fiction Award and named a Best Book of 2018 by over a dozen publications. She is the recipient of a Rosenthal Family Foundation Award from the American Academy of Arts and Letters, the Bard Fiction Prize, a PEN/O. Henry Prize, a MacDowell Colony fellowship, and is a two-time finalist for the Frank O’Connor International Short Story Award. Her next collection of stories, I Hold a Wolf by the Ears, will be published by FSG in July. Born and raised in Florida, Laura splits her time between the Boston area and Central Florida, with her husband and dog.

The Blazing Thing: A Fiction Workshop

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