This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body

This Last, Selfish Stitch: On Empathy, Appropriation, and Writing Poems About the Body

Emilia Phillips
Poetry
September 18 to October 13, 2017
Tuition Cost: 
$500
Class Size: 
15
Session: 
Fall
Level: 
4-Week Workshop

Why should we write about our bodies, rendering them frankly in our poems? How should we approach writing about the bodies of others without appropriation? What is the relationship of poetry to the body, and how does this dynamic influence our writing process? In this generative workshop and conversation, we will answer these questions by participating in writing exercises meant to establish a link between point of view and the body and by reading poems that take on the corporeal experience as subject matter, investigating the ways in which the body is both distanced and made closer, more real, even more intimate through its poetic rendering. We will discuss issues of appropriation and the ways in which writing can, if approached incorrectly, shame, abuse, and erase bodies. We will interrogate our own approaches to writing about bodies, and discuss the ways in which writing about the body can become political, an act of social justice meant to celebrate those bodies and protect their humanity.
 

Biography

Emilia Phillips is the author of two poetry collections from the University of Akron Press, Signaletics (2013) and Groundspeed (forthcoming 2016), and three chapbooks, most recently Beneath the Ice Fish Like Souls Look Alike (Bull City Press, 2015). Her poems and lyric essays appear in Agni, Boston Review, Gulf Coast, The Kenyon Review, New England Review, Ninth Letter, Ploughshares, Poem-a-Day, Poetry, Verse Daily, and elsewhere. She received StoryQuarterly’s 2015 Nonfiction Prize, The Journal’s 2012 Poetry Prize, as well as the 2013-2014 Emerging Writer Lectureship from Gettysburg College and fellowships from the Bread Loaf Writers’ Conference, The Kenyon Review Writers’ Workshop, U.S. Poets in Mexico, and Vermont Studio Center. She is the Assistant Professor of Creative Writing at Centenary University.

Academic Year: 
2016-2017